The photographer comes in and gives some advice to the younger brother 30

Whether your ultimate goal is commercial photography or portrait photography--- most important thing is the basics of photography.

Don't you see common ground in commercial photography and portrait photography?

You can see it between the lines (photography).

What is "photography"? How much do you master photography? Lay a solid foundation first, and then talk about business or portrait is the last word!

Fundamentals of Photography: Color.

Ray. Composition.

Wait until you've put all three to work.

Therefore, no matter which company you enter now, it will not affect your choice of photography in the future!

Remember: the basics are the point.

Commercial photography clients are picky, unless you have insider referrals.

Personal photography can be considered as the main direction.

As long as you have equipment, enough level, and understand taste, taking people is portrait photography, taking products is product photography, and taking wedding dresses is wedding photos.

PS: I understand commercial photography as advertising photography.

Good photographers are trained, I remember when I first entered the photography industry more than ten years ago, I occasionally met a master, looked at my ** and shook his head, and asked me how much film I shot (it used to be film), I exaggerated that there were more than ten (in fact, there were only a few), what he gave me was, too little. He told me that he had made thousands of rolls, tens of thousands of films, and few good films, and now I understand. So I'm telling you:

Filming more is the last word, integrate your soul when filming, dare to break common sense, and form your own style, so go into that kind of place to see your mood, you can learn different things.

It is recommended that you go to the Earth Photography Studio, one to start learning something, and the other to change jobs later.

First of all, you don't want to drop out of school and study photography instead. After all, photography is also an art, not everyone is suitable for this kind of work, and the various unspoken rules in the art circle are not to mention for the time being, art depends largely on talent.

It's good to love photography, but it's even more important to go to school. It's good to learn photography in your spare time, but I personally feel that all kinds of photography training classes are like that, either sponsored by manufacturers to teach you a little fur, and at the same time fool you to buy high-end equipment to shoot good films; Either that, you can't learn anything by inviting a few so-called masters to fool around. The truly famous masters are basically self-taught.

If you do a photo studio in the future, it is more important to learn PS than to learn photography.

In short, walk on two legs.

It's a bit messy, so please forgive me.

Floating in the water in sneakers!

It's best to take it to a professional photography store and ask them to help you reshoot, which has high requirements for camera and light, and it is generally difficult to operate without professional equipment.

The understanding of color requires a long period of experience to be more profound, and it is not something that can be solved in a hurry. Of course, you should first buy a professional monitor to achieve the closest possible effect to the primary colors. The effect of professional displays is not what the current commercially available general monitors can achieve, so it is relatively high.

A friend of mine just bought an EIZO EIZO and it turned out to be fantastic. You can start from here, and then you can slowly understand it through the accumulation of practice.

I'm not a professional commercial photographer. But I know that everyone's eyes are different from person to person. I've calibrated my monitor, and there's a display color corrector. There are those for sale. Then let's really understand the three primary colors.

As far as I know, the color of the monitor used by professional drawing staff needs to be adjusted with professional color grading software and tools, not what is used when it leaves the factory. After you adjust it, the color you see is the real color. I don't think this has much to do with your vision.

The color of the final film also has a lot to do with the later printing, and the effect of a good printing shop is very close to your original color.

Suggestion: Go to the hospital to check the color of your eyes, and check it several times. If there is a problem, be positive**.

If you use a tripod, you can set a delay of 2 seconds. Your hands and feet are too heavy. You have to press it slowly.

Are you using a lens with a focal length that is too long! In this case, the speed of the door is relatively high.

In addition, I confirm that the focus of the AF is not accurate! If you can, try it with manual focus!

If the light is not good during the day, it will not be photographed like that, you set the metering to multi-point, or single-point metering, try more, the effect is different, if you shoot directly at the sun, you have to adjust it to single-point metering, and then point the middle focus point at the object to be taken, so that it will not shoot black, or blurred.

For digital cameras, change the aperture, speed, and experiment a few times to find the best value.

m manual transmission, the parameters are not easy to adjust to the optimum.

You use the external flash, the speed of 1 125 is a bit too fast and may be out of sync. Let's take 1-60 seconds.

The recommended shutter speed is 1 200, the aperture is between f8-11, and the power is between 1 2-1 4.

Why is it not effective?

What kind of effect do you want?

What is the focal length? What is the distance from the subject?

It is recommended to start with the Aperture Priority try first and then change to M stop.