How else do you shoot backlight? 20

As long as you master this skill, backlit blockbusters are no longer advertising slogans.

How to shoot against the backlight, as follows:

1. Shoot sideways against the side backlight

When taking a side photo, you can choose the side backlight, let yourself stand naturally and face the camera, and then let the light hit your body from the side back, and then naturally look back at the camera, so that the effect of the shot will naturally increase the sense of haze, especially beautiful.

2. Close your eyes and look up to feel the backlight

Let the light come from the back of the side body, and then raise the side face and close the eyes, leaving one side of the side face to the backlight to irradiate the blessing, with the beautiful environment under the backlight, the silhouette and facial features shot are very beautiful, delicate and beautiful, very beautiful and romantic.

3. Don't look at the lens in the backlight

When shooting backlighting, you can turn your back to the sun, face the camera, and then let the bright light of the yang bureau hit your back, and make the halo effect of the body contour, the eyes of the characters can not look at the camera, shoot a sense of naturalness, and easily shoot a natural blockbuster with backlight.

4. Turn around and smile against the light

Shoot backlighting, how can you combine it with a beautiful retrospective photo, let yourself choose a beautiful background, and then turn your back to the sun, use the backlight effect of the key backup light, pose for a retrospective photo with a smile, and the beauty of the scenery and light will be more beautiful, romantic and good-looking. No matter how good-looking the backlight is, there must be a good-looking posture to match, so when shooting the backlight, you should also choose the right pose, for example, the following one looks good when you tilt your head and smile at the camera, and it looks good with the backlight.

As long as you master this skill, backlit blockbusters are no longer advertising slogans.

When shooting a person against the light, with the subject in front of the light source, it will appear to contrast greatly with the environment. Accuracy is the key to a good shot, the background is bright and detailed, the subject should not be too dark, and the details should also be required. However, if the subject is too dark, you can use a reflector to fill in the light, or use a flash to fill the light.

Backlit photography produces a contour light, which can outline the subject and play the role of separating from the background, further shaping the effect. Bright lines are formed at the edges of the shape of the subject, which can render the atmosphere to be expressed, enriching and enlivening the image. There are two ways to express backlit photography:

One is to make the subject insufficient, forming the effect of silhouette; The other is ordinary backlit photography. In backlight photography, spot metering is best used when measuring parts of the subject. When shooting against the light, the subject's back to the sun can cause the subject's face to be too dark.

This is because most cameras will use the entire frame as the basis for metering by default, and in a backlit environment, the light behind the portrait is already very strong, and after averaging the calculation, the camera will assume that the dark situation on the front of the portrait is normal, which is the reason why the backlit environment will shoot a "big black face". How can we solve this problem of backlit people? 1. Adjust the camera flash mode to the forced flash mode.

Second, the person should be within 3 meters of the camera, not too far. 3. If you forget to switch to the forced flash mode and your face is too dark, you can use the software to correct it when printing. Photographing people against the light is different from photographing landscapes.

Photographing backlit people** usually has the flash directed at the face. But the ** that will make the traces of the person's face fill in the light is too obvious. There will even be a tendency to overexpose.

We should flip the flash up 45 degrees and pull out the reflector inside to create a refractive flash. This way, the light reaches the person's face much softer. There is no need to reduce the flash when the flash is filled.

Another method that will work well is to use a reflector to reflect the light. Backlit people can sometimes be deliberately left unfilled. At this time, if you increase **, it is generally enough to add two to three gears.

How to shoot portraits against the light so that the portrait does not turn black, you can use flash, reflector, etc. to fill the light. Use a lens hood. Keep light sources out of the lens (unless creative).

Whether it has anything to do with the focus point depends on your camera settings, whether it is focusing and metering at the same point. Also is ISO to be adjusted? Try not to adjust the ISO, a high ISO will easily affect the image quality.

When backlit, the camera will face extremely strong light, and it will generally automatically decrease**, so if you want to shoot the face clearly, you must add **compensation, so that you can shoot the details of the face clearly, and let the light in the background produce a dazzling effect.

It's that complicated. Put the aperture. Turn on the backlight, etc. There are a lot of solutions. when you're using a camera to create. Don't be constrained by machines. I really can't change places.

When shooting in backlit situations, you need to pay attention to the following:

1.Find the right angle: In backlit situations, the subject is often obscured by the light, so you need to find a suitable angle for the subject to be illuminated by the light. You can try adjusting the shooting position or changing the shooting angle to find the best shooting angle.

2.Use reflectors: Reflectors reflect sunlight so that the subject is illuminated by light. You can use the reflector of the professional guess pants, or you can use white cardboard or white cloth instead.

3.Use a flash: In backlit situations, use a flash to supplement the light, allowing the subject to be illuminated by the light. It is important to note that the intensity and angle of the flash need to be adjusted appropriately to avoid over-exposure or reflection.

4.Adjustments: In backlit situations, the camera's parameters may be problematic and need to be adjusted manually. You can try using the ** compensation function, or manually adjust the shutter speed and aperture size so that the subject is illuminated by the light.

5.Avoid looking directly at the sun when shooting: In backlit situations, the sun is usually directly facing the camera, and you need to avoid looking directly at the sun to avoid damage to your eyes. You can use a sunhat or sunglasses to protect your eyes.