The story of the character of Andr Malraux

Occupation: **Home.

Nationality: French Why is it famous: la condition humaine (the fate of man).

Born: November 3, 1901 Birthplace: Paris, France.

Generation: The greatest generation asterisk: Scorpio.

Died: November 23, 1976 (75 years old) André Malraux lived.

Event1934-02-22André Malraux and Eduar Conigrión Molinier set out to find the lost capital of the Queen of Sheba, as mentioned in the Old Testament Facebook share on Twitter, famous Koharu foolish storyteller Foster, Michael Crichton, and Peter Benchley. Narayan v. SNaipaul William Golding.

André Malraux (1901-1976), whose father ran away from home when he was 4 years old, lived with his mother in a grocery store in Bondi with his grandmother and aunt. Malraux said in Anti-Memoirs: "Almost all the writers I know love their childhood, and I hate mine."

He was naturally eloquent and eloquent, but he never talked about his family and early life, and wanted people to believe that he was born an adult all his life. He knew that life was to be created by himself, and that he could use bold actions as well as moving words.

André Malraux devoted his life to contemplating the human race, the metamorphosis of art, the sensibility, the evolution of thought, the new sublime forms, the eternal relationship between human life and the decay of the civilizations of the past. The series seeks to discover and analyze the building blocks that construct Malraux's theory of the art form and its dynamic thought processes. Starting from Malraux's tortuous and turbulent life experience, I analyze and elaborate on Malraux's logical threads of thinking about literature and art forms, and excavate the profound and complex ideas contained in it, ** the life problems of literature and art that he is concerned about.

André Malraux was a social activist, a politician, a philosopher, and perhaps an aesthete. From 1926 onwards, he abandoned the traditional concept of humanism and sought to introduce people to a new world from the perspective of artistic philosophy. He relentlessly explores the essence and meaning of faith through the art forms of humanistic works, or at least the strong desire of humanity to fight against fate.

In a very unique culturally philosophical and sometimes lyrical way, he explores the riches of art in human nature, celebrating the various forms of artistic creation that can overcome death and become eternal, because for Malraux art is the anti-fate.

Reflections on art.

André Malraux's literary ideas and his long-standing reflections on the art world are both reinterpretations of artistic creation, giving new meaning to the art form. As a leading artist and art critic, André Malraux has succeeded in combining the artist's sensibility, his innate ability to express himself with the plastic arts. He places great importance on the use of words that express color and form in his work.

André Malraux's ** is full of romantic legends, and one can read from his works a fantasy world, a world of art rich in modeling and beauty depicted in words, a humanitarian world that focuses on the human condition with an unusually heavy gaze. However, the art form has always been a staple in Malraux's philosophical and cultural vision. His thoughts on art can be summarized as follows:

1. The art world expresses the individual's transcendence of human destiny, and art should face the demonic world of nothingness and create a world of values by itself to prove that man is greater, and in this sense, man can overcome fate. Art is against fate.

2. The act of creation expresses the questioning of the void and absurdity raised by human beings. It is the work of art created by human beings that perpetuates the voice of human beings, and art that immortalizes human beings.

The fundamental idea of century art is to seek pure form, and modern art is a kind of "poetic" art, which expresses the artist's unique view of the world.

4. Denying nothingness and rejecting death, art will inevitably lead human beings to transcend themselves, transcend time limits, and move towards eternity, and formal creation is a coin leading to the "absolute".

5. Death makes life seem so absurd, makes life seem so fragile and meaningless. However, man is the only higher animal in the world that has the ability to think rationally, so he must give meaning to life through his creative labor.

In Malraux's work, both in ** and in the contemplation of art, we can see that the theme of literature and art is not limited to the family and personal background, it expands to the contemplation of the fate of humanity as a whole. It asks questions about the fate of humanity and questions the mode of thinking based on human existence.

Art is the intrinsic driving force that immortalizes human life.

In short, as Malraux has defined art many times, art is "anti-fate", a stronger and more enduring form of life, and the inner driving force that immortalizes human life. Because, in the end, "the creation of an artist, which was once regarded as a kind of professional training, became a training activity capable of touching the mysterious ability of death, because it has been passed down from generation to generation and is increasingly showing its immortal character." In this way, Malraux gave a whole new meaning to artistic creation, and created a different genre, which contained philosophical, aesthetic and moral ideas that reverberated around the world.

André Malraux, a family and critic, was a man of many words, but he never talked about his family and early life, and throughout his life he wanted people to believe that he was born an adult.