In the context of Chinese culture, what spirit does a designer need to create a good design?

Limiting the choice of design content, such as the six dynasties of our country, the Xuanfeng flourished, the celebrities advocated the Qing talk, the wandering remains, the rise of Buddhism, at this time bronze, stone carving, weaving and embroidery and so on most of the table.

The theme of Buddhism.

Second, the influence of cultural tradition on the formation of design style. The diffuse nature of culture determines the ubiquitous and pervasive characteristics of the house, and the cultural tradition is deeply hidden in the psychology of the designer.

It is a powerful force with internal constraints. For example, different countries have different cultural traditions, and the design presents different characteristics. Such as the traditional British society Dan world will have a deep.

Thick classical humanist tradition, American pragmatism, French romance, etc. China has a profound cultural tradition, and Confucian culture, which is the mainstream of cultural traditions, is also deeply influenced.

The design of our country sounds. In the context of traditional Chinese culture, which is centered and rooted in Confucian culture, Chinese design has had some characteristics that are different from those of the West since its inception.

How to understand the spirit of traditional Chinese design and Yusen is that it can be passed down to the world, and beauty will never go out of style. We should not presumptuously underestimate the great design spirit produced on our own soil, because it is inherited in an orderly manner, and we must establish the Chinese cultural context to move forward and develop again, so that aesthetics can be contemporary, and beauty and dust science can be integrated into contemporary life, and then develop contemporary aesthetics. Graft the design aesthetic spirit of faults, form the spirit of Chinese design, let it blossom and bear fruit, and reproduce the great power of oriental culture. Call the mu.

Summary. Cultural innovation provides designers with many resources and inspiration, while also showcasing the broader field of design. Cultural innovation involves a variety of fields, such as art, architecture, fashion, etc., all of which have a great impact on designers.

First of all, cultural innovation drives the diversity and innovation of designers' thinking. By learning and absorbing elements and characteristics of different cultures, designers are able to better understand consumer needs and develop innovative design concepts. They can combine the colors, shapes, materials, patterns and other elements of different cultures to create more unique and personalized design pieces.

Secondly, cultural innovation provides designers with more creative inspiration. Designers can take inspiration from culture and turn those inspirations into creative designs that meet the needs of consumers. Culture stimulates designers' imagination and sense of exploration, helping them to break new ground in design.

Finally, cultural innovation also provides more market opportunities for designers. As the world becomes more diverse, designers can offer consumers of different cultures design products that are more closely related to their psychology and values. As a result, designers can gain more market opportunities on a global scale and be favored and recognized by more consumers.

I'm still a little confused, can you be more detailed?

Cultural innovation provides designers with many resources and inspiration, while also showcasing the broader field of design. Cultural innovation involves a variety of fields, such as art, architecture, fashion, etc., all of which have a great impact on designers. First of all, cultural innovation drives the diversity and innovation of designers' thinking.

By learning and absorbing elements and characteristics of different cultures, designers are able to better understand consumer needs and develop innovative design concepts. They can combine the colors, shapes, materials, patterns and other elements of different cultures to create more unique and personalized design pieces. Secondly, Suiqiao, cultural innovation has provided more creative inspiration for designers to improve the chain.

Designers can take inspiration from culture and turn those inspirations into creative designs that meet the needs of consumers. Culture stimulates designers' imagination and sense of exploration, helping them to break new ground in design. Finally, cultural innovation also provides more market opportunities for designers.

As the world becomes more diverse, designers can offer consumers of different cultures design products that are closer to their psychology and values. As a result, designers can gain more market opportunities on a global scale and be favored and recognized by more consumers.

Traditional aesthetics is an objective existence, an accumulation in the progress of history, which accumulates strength and provides nourishment for the progress of human history. Therefore, it will inevitably have an undeniable great impact on modern and future art design. In the field of art and design, Chinese culture has also had a huge impact on the world.

Modern art design needs to be constantly innovated and developed, but we can't deny traditional culture because we want to innovate. Innovation, for traditional culture and art, is to promote and abandon. If the connection between traditional culture and modern art and design is severed, then modern art and design will be eclipsed or even die.

Any vigorous and lasting culture, whether it is a foreign invasion or a natural continuation, is a positive inheritance of the original history and culture.

The reason why our Chinese national culture has stood in the forest of world culture for thousands of years is that we always live in a world constructed by traditional culture. As a fertile land for modern art design, traditional culture will become an inexhaustible source of nutrition for China's characteristic art design. Any traditional culture will inevitably have a very profound impact on the development of art and technology, and will have a huge impact on modern design directly or indirectly through art and technology.

The speed of modern design development is quite fast, and various forms of national elements have appeared in the early stage of the development of modern design in China. It is true that modern design is a clear phenomenon of economic activity with distinctive commercial characteristics, but it is oriented to and aimed at a wide range of social masses in the process of dissemination, so it has produced a unique ideological and educational role, and it can also be said that because of this, modern design has become a cultural phenomenon.

As a cultural phenomenon, it inevitably carries the cultural charm and aesthetic habits that are compatible with it. In other words, if modern design wants to be recognized by the audience, it should first conform to its own cultural traditions and aesthetic habits.