Turkish March Complex Trilogy Form 100

Because most of the world's top ten classic marches are symphonic versions, it is difficult to find other versions (I don't know what version you want, pure piano?). Piano and violin? or something else).

Radetzky March.

Wedding March (from A Midsummer Night's Dream).

The Triumphal March (Prokofiev) was not found.

Army March (Piano Solo).

The Turkish patrol (Theod Michaes) was not found.

Funeral march (piano solo).

Grand March (Giuseppe Verdi).

Turkish March (piano solo).

Wedding march (apparently organized).

The Turkish March (Beethoven) was not found.

Anyway, I've found so much, just give it to me, if you're satisfied, give me another 200 points

I have two, but I don't know if it's what you want. One is 4 pages, one is 6 pages. Just hire me if you need it, or leave an email address.

I like Turkish patrols the most. The music uses three different melodies and variations of dynamics to depict a patrol approaching from afar, passing in front of them and then disappearing into the distance. Good to hear, the tape is still there, but I can't find it on the Internet**.

This piece is written in a typical three-part style, with three equal lengths and a very balanced structure, each with eight bars.

Sections A (1-8) have typical presentation characteristics, which are balanced and square modulated passages (4 4), repeated once, and then inserted into extended interruptions, A phrases (1-4) are presented in F major at a controlled mid-plate tempo, the theme is composed of two bars each, the texture is characterized by a choral texture based on the four-part harmony of the pre-construction state, and the first movement (1-2) is the beginning of the theme as a weak rise (Zing). From the ascending fourth of the key genitive C to the foldback of the main F to form the ascending of the broken chord, stopping at the main note of the higher octave; The material of the second movement (3-4) can be considered as an extension of the main movement at the beginning of the theme, which is modulated into a descending descent through a series of variations, and finally stops on the pentatonic notes of the main chord of the key, forming a positive case semi-termination in the harmony; The second phrase is a variation and repetition of the first phrase, the two phrases form a phrase relationship with the same beginning and different endings, and the second phrase forms a terminal transposition, ending in the main key of C major, but harmonically it is an incomplete and complete termination, (7 of the snap beat to the second strongest beat). In short, the structure of the whole presentation section is parallel, the balance square wisdom section is covered, the harmony is mainly from the main (t) to the genus (d), the harmony is relatively simple, the tonality is relatively stable, there is no more off-key, but at the end of the paragraph turns to the subordinate, which is in line with the characteristics of the presentation section.

The Turkish March is the third movement of Mozart's piano sonata, K331. Mozart composed a total of nineteen piano sonatas. These sonatas all show bright and optimistic musical ideas, perfectly symmetrical structures, and rigorous song-like melodies.

The Piano Sonata in A major is the eleventh and most famous of these. It has only three movements, the first is the "Urbane Andante", the second is the "Minuet", and the third is the "Turkish March".

Mozart's Turkish March is a solo march piece. The full name of this piece is "Variations on the Theme of the "Turkish March", which is a world-famous variation with the theme of "Turkish March". In fact, the theme of the song itself is not in a pure Turkish style, just like the "Turkish March", but only reflects an "oriental style" that was popular at the time, and in the eyes of modern people, the song has almost no oriental flavor.

However, because it has a very popular and smooth melody, it is on a par with Mozart's work of the same name, and has become an immortal classical piece.

It is recommended that you listen to a few more versions, and you will find interesting things. Different musicians, playing this piece, sound super different. In particular, Gould's "Turkish March", he is known for playing strictly according to the score, and when you listen to it, you will find that Mozart's "Turkish March" is not so fast, and it will give you a lot of other feelings.

"Turkish March" is the third movement of the piano sonata No. 11 in A major by the Austrian ** Mozart, also known as the alla turca (Turkish Rondo). Painted in Munich or Vienna between 1781 and 1783.

Symphony:

Beethoven's Symphony No. 1 in C major.

Beethoven's Symphony No. 2 in D major.

Beethoven's Symphony No. 3 in E flat major (Heroic).

Beethoven Symphony No. 4 in B flat major.

Beethoven's Symphony No. 5 (Fate) in C minor

Beethoven Symphony No. 6 in F major (Pastoral).

Beethoven's Symphony No. 7 in A major.

Beethoven's Symphony No. 8 in F major.

Beethoven Symphony No. 9 in D minor [Chorus (Ode to Joy)

Concerto: Beethoven's Violin Concerto in D major.

Beethoven Piano Concerto No. 1 in C major.

Beethoven Piano Concerto No. 3 in C minor.

Beethoven Piano Concerto No. 5 in E flat major (Emperor).

Overture: Beethoven's Overture to Fate.

Beethoven's Coriolan Overture.

Beethoven's Leonora Overture.

Beethoven's "Fidelio" Overture.

Beethoven's "Egmont" Overture.

Others: Beethoven's Romance for violin in G major.

Beethoven's Romance for Violin in F major.

Beethoven Piano Sonata "Pathétique".

Beethoven Piano Sonata "Moonlight Sonata".

Beethoven Piano Sonata "Passion".

Beethoven Piano Sonata "Dawn".

Beethoven Piano Sonata "Pastoral".

Beethoven Piano Sonata "The Tempest".

Beethoven's piano piece "To Alice".

Beethoven's piano piece "Moonlight Song".

Beethoven's orchestral piece "Turkish March".

Sonata and etudes:

Op. 49 2 (G major).

No. 1 (G minor).

Op. 79 (G major).

Op. 14 No. 1 (E major).

Op. 2 of 1 (in F minor).

Op. 14 2 (G major).

Op. 10 2 (F major).

Op. 10 1 (C minor).

Op. 10 3 (D major).

Op. 13 (also called Pathos in C minor).

Op. 26 (A flat major).

Op. 27 1 (E flat major).

Op. 28 (D major).

Op. 22 (B flat major).

Op. 2 2 (A major).

Op. 2 of 3 (C major).

Op. 78 (F sharp major).

Op. 90 (in E minor).

Op. 7 (E flat major).

Op. 31 3 (E flat major).

Op. 54 (F major).

Op. 31 2 (D minor).

Op. 27 2 (Moonlight in C sharp minor).

Op. 31 1 (G major).

Op. 109 (E major).

Op. 110 (A flat major).

Op. 81a (Farewell in E flat major).

Op. 53 (C major, Walstein).

Op. 57 (Passion in F minor).

Op. 101 (A major).

Op. 111 (C minor).

Op. 106 in B flat major (hammer piano).

According to the order in which the main part and the interpolation appear, the rondo can be divided into: "the rondo with the main part" (or "the rondo at the beginning of the main part") and the "rondo with the leading part of the interpolation" (or "the rondo at the beginning of the interpolation"). The "leading rondo" of the main part is more commonly used than the "leading rondo of the interpolation".

Because of Mozart, its musical structure is: interpolation 1 (reproduction of single three) + interpolation 2 (reproduction of single three) + main part (one part).

"Turkish March" is the third movement of the piano sonata No. 11 in A major by the Austrian ** Mozart, also known as the alla turca (Turkish Rondo). Painted in Munich or Vienna between 1781 and 1783. The song has also been adapted as the theme song (opening song) of the Hong Kong animation "McDull Story" and the Hong Kong TVB situation comedy "Three Friends".