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Of course, the so-called "layman audience" (personal opinion).。I usually only watch Deyun Club, thinking that cross talk is very prosperous, but now I jump out to see the whole market, it's really a chicken feather, Lao Guo should really want to develop cross talk now, but unfortunately, Lao Guo wants to promote traditional culture, but he is stopped by the old tradition.
Not long ago, I saw a close friend who said that their troupe performance does not let the video be used for fear of being scraped, I also admire it, including today's Mid-Autumn Festival, CCTV ten sets of Jiang Kun's apprentice Zhou Wei hosted a program, the two said that there is such a tongue twister for cross talk, you will say traditional cross talk, just say my traditional cross talk, you won't say my traditional cross talk, don't touch the topic, rub the heat and say my traditional cross talk, probably this is what it means, cross talk can't develop for a reason, I feel sorry for my peach, some people for their own jobs, really don't hesitate to ruin the entire industry, you have to develop cross talk, mature, healthy, and positive, you have to start the market first, first develop a group of cross talk audiences and then slowly adjust the styleIf you come up, you have to learn well, you have to be positive, Lao Tzu spends money to listen to you teach me a lesson!
Therefore, compared to the "expert audience" who pays more attention to the content of cross talk,"Lay audiences" like Deyun Club more. And, more realistically, young people nowadays are richer and more willing to spend.
Cross talk is not a high-end art, Deyun Club has not entered the system, there is no funding and sponsorship, it is self-reliant, it can attract young girls to come in, and it is stupid to be willing to spend money, even if it is capable. When you're all full, let's pick the audience if you can't hold it out. At this stage, I can only let the actor have the ability to guide and subdue himself more on the scene.
Convince people with reason, convince people with ability, isn't it? Mr. Guo himself also sincerely said "food and clothing parents", when Party B is not so strong, find less fault with Party A, after all, it is Party A who spends money. And Party A doesn't have to be you.
Therefore, the "layman audience" should be more important.
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In fact, young people nowadays are richer and more willing to spend.
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It is very important to be an insider or a layman, after all, they are all audiences, and if there is no audience, what kind of layman is there.
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Insiders and laymen are indispensable.
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In fact, the insider's view is the doorway, and the layman's view is lively.
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It's all important. Insiders look at the doorway, and laymen look at the liveliness.
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Lao Guo wanted to promote traditional culture, but he was stopped by the old tradition.
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In fact, for the audience, it's good that the cross talk is good and happy.
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The performance form of Deyun Club mainly draws on the performance form of sketches, and in order to cater to the audience, it is hard to pile up baggage. At a certain time, it is bound to be aesthetically fatigued. Some tightropes will definitely say, we love the Deyun Society, but they only love the Deyun Society!
It's definitely not love cross talk!
The recession of Quyi and the misleading of the Quyi Association made Deyun Club stand out in a rugged environment. Under the fame, in fact, it is difficult to deserve, and Deyun Club will inevitably have problems, one is the overflow of performance styles, and the other is that the newcomers are uneven.
In fact, the various courses and various unique skills of cross talk can be called the art of language. Guo Degang once said"It's not that you can speak cross talk, but for the rapidly growing team of disciples and grandchildren, it is not very unsatisfactory to watch.
Deyun Club is becoming more and more like Lao Guo's most hated appearance. Lao Guo has no time to create, and now he is basically eating his old book by occasionally talking about cross talk. It's not like Jiang Kun back then.
It's all supported by a group of cute and cheap apprentices. Once in a talk show, Lao Guo satirized mainstream cross talk, and the actor in his twenties became popular before he learned cross talk, now let's see if this is the case in Deyun Club. Before the young people could say anything, the audience applauded, I don't know if they were crazy or brainless.
In short, Lao Guo satirized the mainstream cross talk back then, and there were many problems with Deyun Club, and some aspects were more serious. In a word, mainstream cross talk can't do Deyun Club, but Deyun Club is becoming more and more like mainstream cross talk!
The apprentices led by Yue Yunpeng were addicted to the original form of performance, singing, playing cute, and handsome, and harvested a group of Deyun girls, but they are getting farther and farther away from real cross talk, and many honest people have slowly changed from steel fans to telling the truth.
Guo Degang and Yu Qian's level is too high, if you look at the history of Deyun Club, the two of them are the pinnacle. Nowadays, Guo Degang and Yu Qian have become famous, and they are not distracted in creation, Guo Degang always wants to cross borders, and he is hosting, making movies, and singing Peking Opera, and the level is not as good as before. Guo Yu can be said to be the "quality responsibility" of Deyun Club, they both pulled their hips, and the level of Deyun Club went downhill.
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It's because some of Deyun Club's programs are very cheesy, and there is no way to bring some new laughs to people. I think there are a lot of problems in their development, and they should create more and follow the development of the times, so that more people may be attracted to watch.
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This is because the current Deyun Club's programs are not so exquisite, and there is a big gap between them and the previous quality, and then all kinds of jokes are also the same, which makes people have a kind of aesthetic fatigue, and then many young cross talk actors in Deyun Club are too impetuous, and the cross talk they say is not so exciting.
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Finally, Guo Degang often says, what is the mainstream? What is Non-Mainstream? What Guo Degang learned is the real traditional cross talk, and Guo Degang is the mainstream!
It is precisely because the so-called mainstream cross talk has ruined the reputation of cross talk, and it has not made the audience feel the charm of cross talk. If the ability is not reached, it is something they dare not imagine to open a special commercial performance! Guo Degang once joked that some people in the mainstream cross talk industry told him that if he could perform a 10-minute cross talk in Beizhan, his life would be complete!
Therefore, they didn't think about holding a commercial show.
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is because of the lack of heart, this is the real mentality of mainstream cross talk celebrities for large-scale commercial performances, in fact, commercial performances are not only to make money, but also to reflect the measurement of cross talk artists' audience reputation and market recognitionAccording to the current development trend of the industry, Guo Degang and the Deyun Club led by him have become leaders in the cross talk performance market, especially the apprentices including Yue Yunpeng, Zhang Yunlei, Zhang Helun and Meng Hetang, who have also passed Guo Degang's mantle and become hot cross talk actors.
For the commercial performance of cross talk, almost no one dared to think before there was no Deyun Club, whether it was the group of artists represented by Jiang Kun, or someThe so-called mainstream cross talk actors, in addition to participating in the recording of some galas guests, have reached a bad level where there is almost no performance marketIt was not until the emergence of Guo Degang that the traditional art of cross talk was gradually rejuvenated and vigorous, and from this point of view alone, Guo Degang's contribution to cross talk is irreplaceable.
But there are dirty things in any industry, even if it is an art category like cross talk, since Guo Degang and the Deyun Club founded by Guo Degang became a big hit, it has become the target of the so-called mainstream celebrities to attack and exclude, in fact, they see Guo Degang and his apprentices The hard-to-find commercial performance is not untempting, but they know that their ability is not to be obtained, you must know that Miao Fu, who is at odds with Guo Degang, once held a commercial performance in Australia, but he couldn't sell tickets and had no choice but to cancel.
In fact, as long as the cross talk industry has healthy competition and healthy development, there is still a lot of room for improvement, but the key to the problem is that mainstream cross talk celebrities are worried that their social status will be threatened, so they have become despicable villains who are bent on making small moves.
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In fact, I think this has a lot to do with the scale of cross talk. Deyun Club is a group, and there are a lot of people in this team, and the development prospects are very good, if a single cross talk celebrity comes to hold a performance, I don't think the audience has the overall effect, so, for this reason, maybe many individual cross talk celebrities will not hold large-scale performances.
The first thing to consider is its overall benefit。Deyun Club has a lot of strength, so if they hold a particularly big commercial performance, many people will come to watch their favorite cross talk actors perform. But you definitely won't watch the performances of other actors because of individual actors, after all, this is a whole performance, so you can only buy tickets and wait for your favorite actors to appear, so that more people will be attracted to the performance.
The second is to consider its operability。If it is just a single cross talk celebrity, even a performance, the duration of his performance will not be as long as the overall team, this kind of performance will take a long time, so the audience may buy a ticket for two hours, and this cross talk is completely over. But if it is a group like Deyun Club to perform, it may be able to perform for most of the day.
Most audiences still want to pay a price that they can afford to watch for a while, so individual performances are not an advantage.
Finally, consider how effective it is. When you put on a show, you want to achieve something that the audience knows you better and likes you as a group. The overall feeling of Deyun Club will feel that the team is very large, and everyone feels very fulfilled after reading it, but if it is an individual, it is too thin compared to the team.
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Cross talk artists, after a certain amount of fame, are actually retired. Although we don't know the details of their specific annual income and so on, it should be divided into 369 like all industriesSince he is a big coffee, the income will not be too low, but it is not a problem to live a tasteful life, and most importantly, the psychological satisfaction brought by the previous honor cannot be measured by money. Of course, after the emergence of Guo Degang's cross talk group, it is unclear how many people can appreciate this honor.
If you want to do a cross talk for a commercial show, the most basic thing is to prepare something for the audience. Whether you are willing to listen or not, whether there is a market or not is one thing, and the audience recognizes you is another. First, many mainstream cross talk actors have lost their audience.
No matter how powerful they are, there will be no market if they are not recognized by the group, especially in the information age, and many things cannot be monopolized.
Most mainstream cross talk actors don't have basic skills, and they can't even say the basic names of dishes, let alone some traditional opera arts. It's not that they can't learn, but because they're all halfway monksthinks that they will be the same as Deyun Club, so they don't bother to learn, and they don't want to study subjectively. As a result, the backwardness of one's own knowledge and ability is not yet self-aware.
The third is that mainstream actors follow the national brand and run around and lack the ability to operate as a team. After all, a commercial show needs a lot of backstage support, and none of them will operate that. The performance content of mainstream cross talk actors is limited at the box office.
After all, preaching and performing cross talk is not popular with the public, so even if they want to, they can't open it.
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Mr. Guo said that commercial performances are the standard for measuring the artistic level of a group, and the audience is unwilling to spend five cents for you, so what art do you talk about? Commercial performances are also the inevitable product of Deyun Club's development to a certain scale, from audience recognition, to popularity, and then to hard to find a ticket, thus creating commercial performances, and also creating Deyun Club's unparalleled hegemonic era in the commercial performance market. Deyun Club's commercial performance is also an inevitable choice for the survival of enterprises.
The small theater is very good, but the ticket price is cheap, and there are many employees, and hundreds of people are worth living here. This is an ordinary cross talk actor, what about the bigwigs, some of them are excellent at learning, advancing or riding in Yangzhou, busy with government affairs and falling into the dilemma of "Jiang Lang's talents"; Some have no quarrel with the world and are indifferent to fame and fortuneWhen something big happened in the cross talk world, he came out and called for a few words of "unity"; Some simply changed careers, opened up another world, and left the "right and wrong" place of the cross talk world.
Governing a big country is like cooking a small fresh, in fact, everything is the same. The big names (artists) in the cross talk industry, after having a teacher and gaining a certain popularity, have actually retired。As outsiders, it is impossible for us to know the details of their specific annual income, but it should be the same as all industries, and it is also divided into three, six, nine and so on.
I don't dare to say that I am going to make money every day, but it is estimated that it is not a problem to live a good life, and the most important thing is that the psychological satisfaction brought by the honor in front of people cannot be measured by money. Of course, it is unknown how much of this honor can be shown off after the rise of the cross talk group headed by Guo Degang. If a commercial performance is held that relies on buying tickets to make a profit, those mainstream cross talk actors have their own self-knowledge, and they know that their performances on TV will definitely not satisfy the audience on the spot, and if they force themselves to perform commercially, they will definitely lose their money.
Can those mainstream cross talk actors meet the needs on the spot? believes that as long as the actors who have studied the basic skills of traditional cross talk seriously, they are all capable of performing traditional cross talk works in the theater. The question is whether we can combine traditional cross talk with social reality to create a new taste that meets the tastes of young people.
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