Who wrote One Hundred Years of Solitude and which genre is he the most outstanding representative

García Márquez (1927a) Colombian writer and journalist. Born in the town of Aracataca, Magdalena. His father was a telegraph operator and homeopathic doctor.

He grew up in his maternal grandfather's house. My grandfather was a colonel officer, and he was kind, stubborn, and radical in his thinking; My grandmother was a well-versed storyteller of myths, legends and ghosts, which had an important influence on the writer's later literary creation. At the age of 13, he moved to the capital, Bogotá, where he attended a mission school.

At the age of 18, he entered the Universidad Nacional de Bogotá to study law and joined the Liberal Party. In 1948, a civil war broke out in Colombia and he dropped out of school. Soon after, he entered the press as a reporter for the Observer, while also writing literature.

Since 1954, he has been the newspaper's correspondent in Europe. Since 1961, he has been a journalist for the Latin Press of Cuba. From 1961 to 1967 he lived in Mexico, where he worked in literature, journalism and film.

In 1971, he was awarded the honorary doctorate of letters from Columbia University, in 1972, the Gallegos Prize for Literature, the highest award in Latin American literature, and in 1982, he was awarded the Nobel Prize in Literature and an honorary member of the Colombian Academy of Linguistics.

The main feature of García Márquez's work is the ingenious combination of fantasy and reality, as a way to reflect the reality of social life, to examine life and the world. His important works include "One Hundred Years of Solitude" (1967), "The Decline of the Parents" (1975), "Love in the Time of Cholera" (1985), "Withered Leaves" (1955), "Evil Times" (1961), "The Colonel Who Nobody Wrote to Him" (1961), "The Case of One Thing First" (1981), the short story collection "Sapphire Eyes" (1955), "The Funeral of Aunt Grande" (1962), and the film literary screenplay Abduction (1984), literary conversation book The Fragrance of Guava (1932) and reportage collections The Story of a Shipwreck at Sea (1970), The Adventures of Miguel Littin (1986), among others.

"One Hundred Years of Solitude", which is known as "a monumental work that reproduces the historical and social picture of Latin America", is García Márquez's masterpiece and a representative work of Latin American magical realist literature.

Gabriel García Márquez is a representative writer of Latin American magical realist literature.

García Márquez Latin American Magical Realism.

Many years later, facing the firing squad, Colonel Aureliano Buendia will recall the distant afternoon when his father took him to see the ice. At that time, Macondo was a village of 20 families, with mud houses built on the banks of the river, and the water of the river was clear and flowed along the bed of stones, which were smooth and white, like a giant egg in prehistory.

This is the beginning of the famous "One Hundred Years of Solitude". His greatness lies in the fact that he has created a narrative that is almost unprecedented—recalling the past from the perspective of the future. This flashback technique of recalling the past from the future has influenced generations of Chinese writers, so much so that some people would say that when every writer writes the beginning again, they first think of Márquez's "One Hundred Years of Solitude", and they will think of the time when they first read "One Hundred Years of Solitude".

In the 80s of the 20th century, with the change of society and the revival of culture, you will find that most writers at that time would imitate Marquez. Writers were newly exposed to the excellent works of many foreign writers, and of course various forms of writing were produced, and Marquez's "One Hundred Years of Solitude" influenced Chinese writers at that time.

Mo Yan, Chen Zhongzhong, Harper Li, Yu Hua, Guo Jingming and other writers have imitated the beginning of "One Hundred Years of Solitude". I think the beginning of "One Hundred Years of Solitude" is very meaningful and worth imitating.

I think there are many writers who have imitated it, Mo Yan, Yu Hua, Guo Jingming, Harper Lee, etc. Bailuyuan also borrowed from the beginning of "One Hundred Years of Solitude" and successfully imitated it.

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The beginning of "One Hundred Years of Solitude" can be called a classic, which writers have rushed to imitate?

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Chen Zhongzhong's "White Deer Plain" three: Harper Lee's "To Kill a Mockingbird" four: Yu Hua Zheng Liangcha's "Brothers" key Bu five:

Guo Jingming's shouting "Phantom City".

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The author of One Hundred Years of Solitude isMarquez

At the age of 18, Márquez was admitted to the Faculty of Law of the Universidad Nacional de Bogotá, but the writer had no interest in law. Later, due to the turbulent situation, he dropped out of school and then joined the "Observer Daily".

He worked as a journalist and gradually embarked on the path of literary creation. Since the mid-50s of the 20th century, a series of short and medium-length stories have been published.

In 1965, he began to write "One Hundred Years of Solitude".

After its publication in 1967, it was hailed as a masterpiece of Shi's wild attack, and in a short period of time, it was translated into many languages and became famous all over the world, establishing the writer's status in the literary world. Later, he created "The Decline of Parents" and "The ** Case of One Thing Publicized First".

Wait**. Brother Annihilation.

Introduction to "One Hundred Years of Solitude":

One Hundred Years of Solitude depicts the saga of seven generations of the Buendía family and the century-old rise and fall of the Caribbean Ridge Sea town of Macondo, reflecting a century of Latin America's turbulent history. The work incorporates myths and legends, folk tales, religious allusions and other mysterious elements, skillfully blending reality and fantasy, showing a magnificent imaginary world, and has become one of the important classic literary masterpieces of the 20th century.

García Márquez.

One Hundred Years of Solitude" is a novel created by Colombian writer García Márquez**, which is his masterpiece and a representative work of Latin American magical realist literature, and is known as "a masterpiece that reproduces the historical and social picture of Latin America".

The work depicts the saga of seven generations of the Buendía family and the rise and fall of the Caribbean coastal town of Macondo over a century, reflecting a century of Latin America's changing history.

About the author: Gabriel José de la Concordia García Márquez (March 6, 1927 – April 17, 2014).

Colombian writer, journalist and social activist, representative of Latin American magical realist literature, one of the most influential writers of the 20th century, winner of the Nobel Prize in Literature in 1982.

His representative works include One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985).

One Hundred Years of Solitude was written by García Márquez. He is a Colombian writer whose One Hundred Years of Solitude is a masterpiece of Latin American magical realist literature.

The author of One Hundred Years of Solitude is Garref García Márquez.

The author of One Hundred Years of Solitude is Colombian writer García Márquez.

Gabriel García Márquez.

Gabriel José de la Concordia García Márquez (6 March 1927 2

One Hundred Years of Solitude was written by Colombian writer García Márquez.

Gabriel José de la Concordia García Márquez (March 6, 1927 – April 17, 2014) is a Colombian writer, journalist and social activist, a representative of Latin American magical realist literature, one of the most influential writers of the 20th century, and winner of the Nobel Prize in Literature in 1982.

One Hundred Years of Solitude is García Márquez's masterpiece, and it is also a representative work of Latin American magical realist literature, which is called "a masterpiece that reproduces the historical and social picture of Latin America".

One Hundred Years of Solitude is the story of seven generations of the Buendía family, as well as the centuries of prosperity and decline in the Caribbean coastal town of Macondo. The work incorporates myths and legends, folk tales, and religious allusions to create a gorgeous virtual world that perfectly combines reality and fantasy, making this book one of the most important classic literary masterpieces of the 20th century. The book is an astonishing and crazy history of Latin America, which has earned Márquez the nickname "the literary benchmark of the twentieth century."

"One Hundred Years of Solitude" has a lot of writing characteristics, as follows:

An innovative flashback.

One link after another, creating new suspense for the reader. The book's dignified historical connotation, sharp critical vision, profound national cultural introspection, and huge mythological metaphor system are all connected by a mysterious language, which is refreshing. This intuitive, minimalist language is indeed effective in reflecting a new perspective, a sense of self of a backward people, the human child.

The bitter smile of the person concerned replaces the tears of the onlookers, and the pain of the self-expression of the "fool" replaces the seemingly fair criticism and analysis of the "wise man", which can cause the objective effect of deep reflection of the fooled group.

Use Indian legends, Eastern mythology, and biblical allusions.

This adds to the mystique of the book, and the folk tales are often superstitious, and writers sometimes describe them as reality while they are there.

Magical realism.

Through ingenious conception and imagination, this creepy reality and myths and legends derived from myths and legends have formed a colorful and unique style of pictures, so that readers can get a familiar and unfamiliar feeling in the image of "plausible and plausible", so as to trace the roots and recover the meaning of the writer's desire. Magical realism must be grounded in reality, but that doesn't stop it from taking extreme exaggeration.

The content of the story is intricate, the stories of the second and third generations often use the same name, and in the process of reading, if the complex relationships between the characters are not recorded, hallucinations and delusions arise, giving rise to the absurd idea that the characters in chapter 10 have died and the characters in chapter 40 have been resurrected. The author captures the continuation of the complex relationship between multiple generations of the same name, and the sense of repetition from generation to generation deepens the magical loneliness of the whole work.

Extended Materials. "One Hundred Years of Solitude" is considered to be a masterpiece of the era of Latin American literature and occupies an extremely important position in the history of world literature. Only a handful of writers in the Latin American world, such as Borges, can compare with it, and it has set off a trend of Latin American literature all over the world.

Magical realism is also considered to be one of the creative techniques.