How much is Yao Huimin s calligraphy

The regular script mainly includes Yan Zhenqing's "Duobao Pagoda Tablet", Liu Gongquan's "Shenjun Policy Tablet", "Mysterious Pagoda Tablet" and Ou Zhuan Yangxun's "Jiucheng Palace Liquan Ming", which belongs to Zhong Shaojing's "Lingfei Jing" in Xiaokai, I think it is also very good; There are Wang Xizhi's "Orchid Pavilion Preface", Yan Zhenqing's "Sacrifice Son and Nephew Wen", and Su Shi's "Huangzhou Cold Food Post", which are known as the first.

I. 2. The third line of the book; Cursive script includes Zhiyong, Zhao Mengfu and Huaisu's "True Grass Thousand Character Text", Wang Xizhi's "Seventeen Posts", "Funeral Posts", "Far Eunuch Posts" and Huangxiang's "Urgent Chapter"; Lishu has "Zhang Qian Tablet", "Cao Quan Tablet" is very representative, seal script is rarely written now, and the practicality is not very strong, it is not easy to recognize, so it has not been involved yet!

When it comes to calligraphy, everyone basically thinks of "Yan Liu Ou Zhao" first, which is the four masters of regular script, of course, they are not ordinary people in cursive writing, especially the old man Yan's "nephew manuscript" ranks second in the world.

The top ten books in the world, which are said to be evaluated by Yuan Xian Yushu, are still very representative, but Yuan and later ones did not participate in the evaluation.

1, Wang Xizhi's "Orchid Pavilion Preface"; 2, Yan Zhenqing's "Manuscript for the Sacrifice of Nephews"; 3, Su Dongpo, "Huangzhou Cold Food Post"; 4, Wang Xun's "Boyuan Post"; 5 Yang Ning's "Leek Flower Post"; 6 Liu Gongquan's "Mengzhao Post"; 7, Ouyang Xun, "Zhang Hansi Perch Post"; 8 meters of Fu "Shu Su Ti"; 9 Huang Tingjian's "Songfeng Pavilion Post"; 10 Li Jianzhong's "Soil Mother Post".

Lan Tingxu ranks first with the only surviving copy, which shows that Wang Xizhi is the first person in calligraphy.

In the Wei, Jin, Southern and Northern Dynasties, there were also Zhong Xuan, Wang Xianzhi, Wang Xun, etc., all of whom were also great calligraphers.

Looking back, there were still Zhang Zhi and Cai Yong in the Qin and Han dynasties. Earlier Lishu, because it was in the initial stage of calligraphy, such as Li Si and so on were not known as calligraphers, Lishu as calligraphy, especially seal carving, was prevalent in the Ming and Qing dynasties and modern times.

Tang Youzhiyong, Zhang Xu, Chu Suiliang, Huaisu, Sun Guoting, Yang Ningshi, etc., are also not to be missed, and of course, Yan Zhenqing, Liu Gongquan, and Ouyang Xun are really big names.

Song has Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, Li Jianzhong, Zhao Ji, mainly Shangyi, all of them are masters.

The Yuan Dynasty was most famous for Zhao Mengfu and Xian Yushu.

Dong Qichang of the Ming Dynasty was famous, and there were Wen Zhengming, Zhu Yunming, Fu Shan, Tang Yin, etc., which were also mostly called by Wen.

Qing calligraphy is a hundred schools of thought, there are Fu Shan, Zhu Qi, Jin Nong, Deng Shiru, Yi Bingshou, Wu Changshuo, the achievements are extraordinary, let's not compare with Wang Xi.

In modern times, Fan Zeng, Qi Gong, Ouyang Zhongshi, Yu Youren, etc., are more well-known. By the way, *** cursive is a family of its own, but it is a little difficult to learn.

In the history of Chinese calligraphy for thousands of years, many calligraphers have emerged, including Wang Xizhi of the Jin Dynasty, Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty and Su Shi of the Song Dynasty are the five great calligraphers who have great influence.

Wang Xizhi (321-379) was a native of Linyi, Shandong. He began to learn calligraphy with Mrs. Wei at the age of seven, and later traveled to famous mountains and rivers, gathering the masterpieces of calligraphy from the Qin and Han dynasties, forming a unique style of peace and nature, strange and bold, and subtle and flavorful, and creating a new generation of calligraphy style of Yanmei Liubian. "The Preface to the Orchid Pavilion Collection" is his masterpiece.

In the development process of calligraphy, Wang Xizhi has played a role in connecting the past and the future, and has always been known as the "saint of calligraphy".

Ouyang Xun (557-641) was a native of Changsha, Hunan. His calligraphy in his early years won Wang Xizhi's penmanship, and his masterpiece "Jiucheng Palace Liquan Ming" has the flavor of Wang Xizhi's regular script. Ouyang Xun also extensively studied the inscriptions of the Northern Dynasties, and at the same time absorbed the strengths of other calligraphers in the Tang Dynasty, and integrated them, thus forming a unique style of robustness and danger, and strict law, which is known as "European style".

The biggest feature of European sports is "dangerous", and at the same time seeking stability in the danger. It's like a high-rise building on a cliff, which looks very thrilling, but it is built smoothly and solidly.

Another great calligrapher of the Tang Dynasty was Yan Zhenqing (709-785), a native of Jingzhao Wannian (present-day Xi'an, Shaanxi). His calligraphy is vigorous and vigorous, fully showing a large but innovative spirit that is not bound by the calligraphy of the Wei and Jin dynasties, which is unprecedented among calligraphers in the Tang Dynasty.

His calligraphy has a dignified and heavy, simple and broad beauty, showing a graceful, generous, open and majestic spirit.

Yan Zhenqing's calligraphy opened up a new realm after the Wei and Jin dynasties, representing the second peak of calligraphy in the Tang Dynasty, enriching the art of Chinese calligraphy and exerting a great influence on later generations. His famous inscriptions include "Duobao Pagoda Induction Tablet", "Magu Immortal Altar Record", "Yan's Family Temple Tablet", "Yan Qinli Tablet", "Fighting for Seats", "Sacrifice Nephew Digest" and so on.

The most famous calligrapher of the Tang Dynasty was Liu Gongquan (778-865), a native of Yaoxian County, Shaanxi. He is also a representative of the second peak of calligraphy in the Tang Dynasty. Wang Xizhi's calligraphy had a great influence on Liu Gongquan's early years, but Liu Gongquan also paid great attention to absorbing the achievements of calligraphy since the Sui and Tang dynasties, so as to gradually create his own vigorous and thin style.

In his calligraphy, he absorbs more components of the face and body, emphasizes the beauty of bone strength in the brush, but has a beautiful charm, pays attention to the structure of craftsmanship and strictness, but does not lose the characteristics of openness and nature. Compared with the willow body, the willow body is majestic in the beauty, and the face body is beautiful in the majesty, each with different characteristics, so it is known as the "Yan muscle willow bone". The famous inscriptions of Liu Gongzhu are:

Mysterious Tower", "Shence Military Monument" and so on.

Although the regular script of the Song Dynasty is not as good as that of the Tang Dynasty, a new situation has emerged in Xingcao. As the saying goes: calligraphy "Jin Shangyun, Tang Shangfa, Song Shangyi".

The "Shangyi" of Song Dynasty calligraphy emphasizes the attitude and pays attention to the expression of personal thoughts and feelings. Su Shi is such a calligrapher.