How to appreciate Li Shangyin s beautiful five unique Drizzle ? What kind of mood does it express?

Li Shangyin's beautiful five unique "Drizzle" vividly describes the charm of rain, writing that the light rain is from imperceptible to penetrating into the heart, which is very detailed, expressing a kind of bleak artistic conception of light rain at night.

This poem plays a role in metaphor and imagination, and is written more flexibly. Imagine the goddess at that time, her long thick hair falling from her shoulders, like a drizzle in front of her.

The penmanship of this poem belongs to the front, using metaphor, imagination, and allusion. The poet compares the sky to a bed, and the drizzle to a curtain and a mat, both of which are finely textured and softly textured objects, which not only reflect the dense shape of the drizzle, but also depict the lightness and spirit of the drizzle drifting in the wind. The color of "Hair Color" and the cool atmosphere of "Xiaoxiao", the poet's virtual imagination of the goddess is full of rhyme.

After understanding the background of the poet's poem, we can feel that the whole poem expresses an aesthetic, illusory, and melancholy artistic conception.

This drizzle is chic, exquisite, and illusory, and Li Shangyin writes about drizzle, perhaps it is the hazy, blurry, and cold feeling that moves his mind and stimulates his desire to create.

Li Shangyin's drizzle was to express his melancholy, because Li Shangyin had just left his country at that time, and he missed his wife very much.

In fact, I think this poem is really good, by borrowing the scene lyricism to express Li Shangyin's loneliness, no one accompanies him, only Xiaoyu still thinks about himself.

I think this drizzle is an expression of Li Shangyin's compassion for the world, and it is a poem that misses the love of two people.

Li Shangyin's poem "Light Rain".

The differences from "Drizzle" are as follows:

Both poems write about rain, but neither directly writes about rain burning tung liquid, and "Light Rain Skin" uses the surrounding things and people's subjective feelings to make a multi-faceted escort and rendering from the side. "Drizzle" uses metaphor and imagination, and the whole poem is rich in imagination and beautiful in artistic conception.

There is not much difference between drizzle and micro-friend cracked rain, drizzle is the representative of the rain, while the light rain is indiscriminate, it is the strength of the rain. Both poems are written about the rain, but the focus and expression of the writing are different.

The previous poem wrote the scene of the light rain from dusk to night from the beginning to the beginning of the day, focusing on the auspicious process of the rain returning to chaos; The latter focuses on outlining the gesture of drizzle. The previous song borrowed people's feelings as a side baking travel support.

Light rain. Li Shangyin.

At the beginning, with the forest haze, a little cold night.

The windows are cold, and the courtyard is empty and the water smells.

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Xiao Xiao Hui Ting, slightly too short pavilion, visual from far and near, wrote the state of drizzle: bleak, faint. The air is cool and the bamboo is moved first, and the point is not opened, which is tactile and psychological.

The use of air cool to write about light rain is particularly expressive, the kind of cool air before, during or after the rain that each of us has felt, that is a kind of air, a kind of rain, she is not only dynamic, but also alive. In fact, when we say weather, it is actually the temperament of the sky, the complexion, breath or temperament, whether it is rainy or sunny, it is the breath of the sky. The slightly sparse fireflies are visual, auditory, and psychological.

The rain is a little faster, like a swallow flying high, still written carefully, but it is already a psychological association; When the rain clears a little, it's like the bright little fireflies flying. 2013-01-27 12:16:

46 Supplement: I am a Liesheng, and my brother invited me to eat a meal.

Reference: Internet Search.

Xiao Xiao Hui Ting, slightly too short pavilion, visual from far and near, wrote the state of drizzle: bleak, faint. The air is cool and the bamboo is moved first, and the point is not opened, which is tactile and psychological.

The use of air cool to write about light rain is particularly expressive, the kind of cool air before, during or after the rain that each of us has felt, that is a kind of air, a kind of rain, she is not only dynamic, but also alive. In fact, when we say weather, it is actually the temperament of the sky, the complexion, breath or temperament, whether it is rainy or sunny, it is the breath of the sky. The slightly sparse fireflies are visual, auditory, and psychological.

The rain is a little faster, like a swallow flying high, still written carefully, but it is already a psychological association; When the rain clears a little, it's like the bright little fireflies flying. The tobacco color of the old garden, still nearly five greens, is visual, but also a psychological feeling. From the green grass in the drizzle, I thought of my hometown The color of the grass, the grass color seems to spread to the capital, slightly revealing homesickness.

It is more appropriate to use Li Yu's words to describe it: away from hatred is just like spring grass, and it is farther and farther away.

Chic back to Ting, slightly too short pavilion. The air is cool and the bamboo is moved first, and the point is fine and not opened. Slightly high swallow, slightly sparse fireflies. The old garden is tobacco-colored, and it is still nearly withered and staring at Wumen Green. Poetry and Confession Works:Drizzle

Although the explanation is that the southern slender waist is beautiful. But this poem is supposed to refer to women like official prostitutes. Li Shangyin.

's "flower non-flower fog is not fog" is written about official prostitutes. This virtue ......

So emotionally it is nothing more than nostalgia for the beautiful figure of a certain woman who has appeared in her life. and the regret of the good times gone.