Tao Yuanming s poems describing the Peach Blossom Spring, poems about the Peach Blossom Spring

The verses about the source of the peach pants slide are as follows:

1. Original text: Zimo red dust is blowing on the face, and no one is looking at the flowers. The peach trees in the Xuandu Temple are all planted after Liu Lang goes.

Interpretation: On Chang'an Road, pedestrians, cars and horses flow endlessly, and the dust raised is blowing in the face, and people say that they have just returned from enjoying the flowers in the Xuandu Temple. There are many peach tree trouser belts planted in the Xuandu Temple, all of which were planted after I was demoted from the capital.

Appreciation: On the surface, this poem describes the scene of people going to Xuandu ** peach blossoms, but in its bones it is a satire of the powerful at that time. On the surface, the first two sentences are written about the pomp and circumstance of seeing flowers, with many characters and busy comings and goings, and in order to highlight these phenomena, we will first start with the road that depicts the capital.

Along the way, the grass and trees are verdant and dusty, which sets off the noisy and endless grand scene of people and horses on the avenue. Write to see the flowers, and do not write back but only write back, and use the words "no one does not say" to describe people's satisfaction and happy demeanor on the way back after seeing the flowers, then the prosperity of the peach blossoms is beautiful, and there is no need to praise the word directly.

2. Original text: A tree of red peach is in the pond, and the bamboo shade is shaded by the pine when it blooms late. If it is not because the sun is slanting, there is no reason to see it, and it is not because the idler knows it. It is easy to leave a school in a cold region, and it is often late for a poor family to marry a daughter. Who pities the deep spring, the white waiter comes to break a branch.

Interpretation: A peach tree in full bloom with its branches hanging obliquely on the water, and blooming later because it is shaded by lush pine and bamboo. If it weren't for the slanting sunset penetrating into the forest, there would be no way to send it, but only idlers like me, who like to seek seclusion, would come over.

It's a pity that this peach blossom doesn't grow in the right place, just like people born in poor families are easy to be ignored, and the daughters of poor families are always married later than ordinary people.

Pity this peach blossom in this spring is strong, about to wither and did not enjoy the spring and the appreciation of tourists, today by chance I found, I folded a branch back to appreciate.

Appreciation: This poem borrows the scenery to romance, and the love is born because of the scene. It was the late blooming "A Tree of Red Hearts" that triggered the poet's creative opportunity and made him have such deep associations and feelings.

It not only depicts the loneliness and loneliness of the "late-blooming" peach blossoms that are "deep in spring", but also expresses the poet's cherished feelings of talent through the pity and aria of the peach blossoms.

3. Original text: The lizard double peach is more red at night, and the peep window reflects the bamboo and sees exquisiteness. It should be known that the history of the service is returned to the sky, so the companion Xianlang is forbidden.

Interpretation: A branch of the hundred-leaf peach blossom in a row double peach blossoms more red in the evening, they peep into the window to reflect the green bamboo, showing more delicate and exquisite. Shangshu was surrounded by the servants and entered the palace, and only Baiye Shuangtao accompanied me, the Lang official, to stay in this official office.

Appreciation: This poem expresses the author's knowledge of the system in the examination of the Ministry of Officials, the position is close to the cardinal, and the happy mood of the court. The peach blossom symbolizes spring.

Shuangtao implied that Han Yu had two major responsibilities and felt that his spring was coming, but his life was a little later after forty. This poem shows that Han Yu, who called for the promotion of Confucianism and benevolence, finally ushered in the spring of his life after the age of forty, and he could wear a crimson official uniform and hold dual jobs, but he had not yet fully realized his ideals, and he was still a little lonely.