Verses describing the 29th of February, ancient poems of the 29th of the lunar month

The ancient poem of the twenty-ninth month of the lunar month is as follows:

One of the nineteen verses.

On the thirtieth day of the lunar month, the twenty-ninth day of the lunar month.

Waiting for the end of the year, there is nothing to do and the poor stay together.

About the author: Shi Shaotan (?).-1297), the word Hisso.

In the ninth year of Emperor Chunyou (1249), he lived in Folong Temple in Qingyuan Mansion. In the first year of Jingding (1260), he lived in Fahua Temple in Pingjiang Prefecture. In the fifth year (1264), he lived in the Xue Dou Zisheng Temple in Qingyuan Mansion.

In the fifth year of Duzong Xianchun (1269), he lived in the Kaishan Temple of Ruiyan Mountain in Qingyuan Prefecture. Yuan Chengzong died in the third year.

There are one volume of "Quotations of Zen Master Xi Su Shao Tan" and seven volumes of "Guanglu of Zen Master Xi Su Shao Tan", which are included in the "Continuation of the Tibetan Sutra". See the "Quotations" and the attached residence path "Worship the Japanese National Kurikan All Respected Zen Master Naiki Zen". The poems of Shi Shaotan are compiled into six volumes from the "Quotations" and "Guanglu" and the verses compiled by the single in it, and those compiled from other books are attached to the end of the volume.

Introduction on the twenty-ninth day of the lunar month:

The 28th or 29th day of the lunar month on the day before Chinese New Year's Eve is called Little Chinese New Year's Eve, Chinese folk culture. On this day, the family has a wine banquet, and people come and go to visit and call the New Year. Incense is burned outdoors, called heavenly incense, and usually takes three days.

Chinese New Year's Eve refers to the night of the last day of the lunar month every year, which is connected with the Spring Festival (the first day of the first lunar month). The word "except" in "Chinese New Year's Eve" is "go; Easy; Chinese New Year's Eve means "the end of the month", people have to remove the old and the new, there is the old year and the new year is removed, the meaning of the new year is the last night of the lunar year.

Therefore, the activities during this period are centered on removing the old and renewing the new, eliminating disasters and praying for blessings. At the end of each year during the Zhou and Qin periods, the imperial palace held a ceremony of "Da Da", beating drums to expel the ghosts of the plague, called "expulsion", and later called the day before Chinese New Year's Eve as Xiao Zhi, that is, Xiao Chinese New Year's Eve; Chinese New Year's Eve is the Great Division, and Changchen is the Great Chinese New Year's Eve.

The poem about the twenty-ninth day of the lunar month is as follows:

On the twenty-ninth day of the lunar month, Chen Wanshi's stone room, Lu Qianxin, and the three brothers visited each other and sat at night

Song] Qiu Kui.

Twenty years ago, the old teachers and friends sat and talked about each other. There is no need to sleep on the incense of the stove, but today is the old year.

On the twenty-ninth day of the month of Gengyin, Sun Jinqing stayed in Qing Xiaoli and rose in the morning to form a rock

Song] Lu Wengui.

drove the horse for forty miles, and was stunned to part. Raise the wine and sit too much, and the years are empty.

The river is mighty, and there are several send-offs here. The old self is whiteboard, and the Qing is peaceful.

The wind blows the wine in the window and wakes up, and the sky is not clear. The small stars compete for the remaining light, and the waning moon tilts southwestward.

On the 29th day of the month of Chengla, Weijin Ke Temple recruited me to calmly win the set with vegetables and rice

Song] release the slippery enlightenment.

Fenglan has not seen the spiritual source, and the six places are like the death of the body. The Dharma was seated, and the door was opened with a flick of his fingers.

The cold plum fence can fall early in spring, and the wild snow lattice window is not dark at night. Wanxiang Senluo's heart is imprinted, and the root dust is super subtle and traceless.

Nineteen Verses

Song] Shi Shaotan.

On the thirtieth day of the lunar month, the twenty-ninth day of the lunar month. Waiting for the end of the year, there is nothing to do and the poor stay together.

On the 29th day of the second month, it is the birthday of the Lent Immortals of Xianci and burns a poem

Qing] Yu Mei. The wind and snow are forcing the year to be removed, and it is called today. The spring soil will not return, and the dream and soul will be separated for ten years. With the encore period, Gu Fu is sad in the past.

It is often heard that children are newborn, and every imitation can be a scarf. Set the non-cantilevered arc, and the rolling fiber is quite expectant. Whoever is lenient is depressed, and fatigue is easy to cause illness.

The meal has been reduced in the morning and evening, but the support is still sincere. The smallest is pity, and the sleep and food are on the side of the relatives. The orphans have been left behind, and the young hair is still covered with foreheads.

How can you know the extreme grace? But the bitter sound is not. Thousands of lines of tears, how to make up for Chunhuide. A bottle of long kneeling lays, and the door of the grass tomb is blue.

The February 2nd verse reads as follows:

1, "February 2nd".

Original text: On February 2nd, the spring is Rao, supporting and persuading each other to eat flower cakes. Support firewood with good health, don't hesitate to work all year round.

Translation: On the second day of February, just after the rain, the grass and vegetable sprouts continued to grow with the help of the rain. The teenagers of Youchun rode horses and lined up at the ferry, which shows that there are really a lot of people who come out of Youchun.

Appreciation: This is a poem by Bai Juyi, in the poem, you can imagine Bai Juyi's leisurely spring mood.

2, "Two Sleepy and Noisy Moons and Two Days".

Original text: On February 2, the river went up, and the east wind was warm and the sheng was blowing. The flowers and willows are scoundrels, and the purple butterflies and wasps are all affectionate. Wanli recalls returning to Yuan Liangjing, and has been engaged in the Yafu camp for three years. Xintan is not enlightened by tourists, and it is more like the sound of night rain in the eaves.

Translation: February 2 is the Youth Festival. The first sentence of the poem, "On February 2nd, the river goes up", pointing out the spring outing on the river on the Qingqing Festival.

The second sentence "The east wind is warm and the sheng is blowing" writes the initial feeling and impression of Jiangxing Youchun. The warm east wind and the warm rising sun all exude a harmonious spring, and even the sound of the sheng seems to carry the warmth of spring back to the earth.

Appreciation: Shuzhong customs, February 2 is the Qingqing Festival. "Smelling the Sheng" and "The East Wind is Warm" respectively write the feeling of stepping on the Qingjiang River from the sense of hearing and feeling - there is a warm spring everywhere.

3, "Out of the Suburbs on February 2nd".

Original text: When the sun is about to rise, the fog is lost and the rain is slight. The sky suddenly made a clear mountain curtain, and the clouds still contained a stone cloth. The north and south of Yancun are in the yellow oriole language, and the high and low purple swallows of Mailong are flying. Who seems to know this joy in the Tian family, and Hu'er plays the flute and returns across the cow?

Translation: Before the sun could come out, the fog by the river began to lighten, and the sky suddenly cleared again, and the white clouds were like stones covered with a layer of clothing. The yellow orioles at the head of the village chirped, and the swallows flew very low because of the foggy sky, who could understand the happiness of the villagers, and shouted the scene of the children of the family riding the oxen back.

Appreciation: This poem writes about the early spring scenery seen slowly in the suburbs, and its beauty is twofold: one is to write that the process of the weather from fog and rain to sunny is extremely vivid, and the jaw is combined with two anthropomorphic methods, and the syntax is flexible and colorful.

The second is to use the natural scenery of the oriole Yanfei to set off the joy of the farmhouse, and reveal the poet's love for nature, and the technique is meticulous and subtle.