What is included in the post production of the song

Post-production is part of post-production.

The rest of the work:

**: According to the requirements, according to the script, for the purpose of highlighting a certain theme content editing production, paragraph deletion, addition and deletion of fragments, increase logo, subtitles, dubbing, montage effects, professional color grading processing, three-dimensional title customization, production tidbits, **various format transcoding, electronic albums, flash, etc., as well as editing and production according to independent requirements.

Finished product output - the produced film and television works are output to various formats of videotapes, broadcast tapes, pressed or burned to ***, VCD, or output data files of various formats.

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1. First of all, noise reduction, before there is no recording, we need to record a dry sound to sample the noise, and then right-click on the audio track to find the waveform.

2. Right-click on the waveform, find the effect (offline), find the restored noise decomposer to sample the noise, make appropriate adjustments to the noise level and noise reduction button, click the save button in the icon, and then load the saved noise preset for noise reduction after the recording is finished.

3. Use the BBE exciter and Antarestube warmer to deal with the sound of insufficient power after recording, generally speaking, the boy's treble is not bright, and the girl's bass is insufficient, so we adjust it according to our own needs, but it needs to be moderate. We generally don't set it more than 6 to 7db, otherwise it will be distorted.

4. This is followed by the pressure limit. The role of the compression limit is to balance the entire dry volume. We did the post-production with the built-in limiter (which is found dynamically in the object effect).

We can adjust those 5 buttons appropriately based on the effect in the preset. Instead of giving the 5 values here, we need to adjust it by our own ears to what we think is the best effect.

5. EQ balance. The equalizer also comes in a self-brought narrative (. We see that there are 4 gain zones, of which the bass, mid-bass, mid-high, and treble correspond to the zones, so we use our actual situation to gain each zone (by adjusting the up and down buttons next to the gain).

6. The fifth step needs to add appropriate reverberation. Generally speaking, we need a certain amount of reverb to work in a good studio, but if you're recording in a place with a bad sound absorption environment, adding reverb will make the effect worse. Reverb we can also use presets to simply adjust the 5 buttons below to get the job done.

With software, different software operates in different ways, but it is similar depending on what software you use.

First of all, see if there is a noise floor in the dry sound, if the noise floor is recorded due to the original sound of the device or environmental reasons, the noise should be reduced first.

The second step is to hang an EQ or equalizer, and it is recommended to use the digital graphics plug-in for beginners, which is easier to understand than the analog plug-in. Not to mention, do a low cut first, generally speaking, the sound below 80Hz is relatively useless, and it can be attenuated appropriately. Then sweep the frequency, that is, raise a frequency and then change the frequency to find the characteristics of each frequency of the voice, listen to the advantages and disadvantages, and do the appropriate attenuation and promotion.

In the third step, the compressor controls the dynamics.

The fourth step is to remove the tooth sounds.

The fifth step is to send the track reverb and send the track delay.

You know, some people sing very well,,, but when they get to the studio, they don't record well. Therefore, the post-production of ,,, ** is very important for the processing of some works.

Of course, you can't understand it so one-sidedly, and you also need to master a lot of production software. First of all, you have to know what a track is, which is more abstract, that is, the software shows a recorded ** clip. This section is composed of many tracks, including left channel, right channel,,, etc.

It's over, for some things that no singer didn't handle well, you use the software's tools to improve them. In addition, you can also make accompaniments to make ** fuller and make them sound more beautiful and harmonious. It's also a test of the ears ...

Add effects to the recorded vocals, instruments, harmonies, etc., so that the vocals are more suitable and richer with the harmonies of other instruments, highlighting the characteristics of the singer and improving the image of the song. The general post-effects are: equalizer adjustment (EQ), BBE excitation, reverberation, sound field expansion, etc., genuine plug-ins are good, each song is handled differently, according to your song style and vocal characteristics.

Net Saitama.

It is to add effects to the recorded vocals or full-track accompaniment to make the vocals and accompaniment harmonious. Improve audiovisual aesthetics. The post-effects of general use are:

EQ adjustments, BBE excitation, reverb, soundstage expansion, and other special treatments, depending on your song style.

First of all, after MIDI is made, the mixer mixes the sound, and after that, the mastering process.