A comparison between Sun Li s lyrical prose and contemporary prose

Features of Sun Li's prose:

The deliberate pursuit of truth, goodness and beauty is the main feature of Sun Li's prose in the new era, and it is also his consistent aesthetic pursuit. He believed that "the duty of literature is to reflect the beauty and goodness of reality." This is true of ancient and modern Chinese and foreign literary works."

This is evident in his early creations. However, compared with the "simple brightness and warmth" of Lotus Lake, Sun Li's understanding of beauty in his later years was more mature and profound, and his emotions for the beautiful people expressed in his pen were also stronger and heavier, giving people more of a sense of depression and desolation.

Disadvantages: His wartime prose contains few direct depictions of war scenes.

Mr. Sun's works during the War of Resistance Against Japanese Aggression are an important part of his work, but his wartime prose has almost no direct depictions of war scenes. He is emotionally delicate, pursues beauty, and is reluctant to write directly about that kind of bloody content.

Lotus Lake (**, collection of essays), 1947, Ocean Book House, Hong Kong; 1959, Humanities "Luhuadang" (short story ** collection) 1949, Qunyi.

Instructions" (short ** collection) 1949, the world.

Village Song (Novella**) 1949, Tianxia.

Rural Sketches (prose, ** collection) 1950, Reader "Cai Po Tai" (short ** collection) 1950, triptych.

Shanhaiguan Red Continuation Song (poetry collection) 1951, Knowledge Bookstore "The First Chronicle of the Wind and Cloud" (long **) l collection, 1951, humanities; 2 episodes, 1953, Humanities; Episodes 1-3, 1963, writer.

Baiyangdian Chronicle (**, essay collection) 1958, Zhongqing "Iron and Wood Prequel" (novella**) 1959, Tianjin People's "Jinmen Small Collection" (essay collection) 1962, Baihua.

The Song of Baiyangdian (poetry collection) 1964, Hundred Flowers.

Late Hua Ji (Essay Collection) 1979, Hundred Flowers.

Xiulu Collection (prose, ** collection) 1981, Hundred Flowers.

Gengtang Miscellaneous Records (Essay Collection) 1981, Hebei People.

Frontier Collection (Essay Collection) 1981, Hundred Flowers.

Qin and Xiao (**, collection of essays) 1982, Huashan.

Sun Li** Selection" 1982, Sichuan people.

Sun Li's Collected Works (L-5 volumes) 1981-1982, Baihua "Cultivated Prose" 1982, Huacheng.

Ruler Ze Collection (Essay Collection) 1982, Hundred Flowers.

Sun Li's Essays, 1983, Humanities.

Shulin Qiucao (Essay Collection), 1983, triptych.

Selected Essays of Sun Li, 1984, Humanities.

Far Away Collection (prose) 1984, Hundred Flowers.

Old Wilderness Collection (Essay Collection) 1985, Shanghai Literature and Art.

The Alley Collection (Essay Collection) 1987, Hundred Flowers.

1988, Hunan People.

Wu Wei Ji (prose) 1989, Humanities.

Yun Zhai**, 1990, People's ** Publishing House.

1. Sun Li** has a distinct poetic stance, and is regarded as poetic by readers. Main performances: First, it has created a large number of unique and charming female images; the second is the poetic scene description; Sanzheng slip is a poetic language description.

2. The poetic beauty of its first class is perfectly reflected through poetry, poetry, and poetry, and it shines with the brilliance of beauty everywhere, so it has won the love of the majority of readers and has permanent artistic charm.