Xu Zhimo s writers belong to that school of learning10

He was a writer of the "Crescent School".

The Crescent Sect refers to the members of the Crescent Society and their creations. Founded in Beijing in 1923, the Crescent Society first appeared as a small gathering and then developed into a club. The participants included Liang Qichao, Hu Shi, Xu Zhimo, Lin Huiyin and others.

In 1927, Hu Shi, Xu Zhimo and others prepared to set up the Crescent Bookstore, and in March 1928, they founded the monthly magazine "Crescent Moon", and the activities of the Crescent Society officially began. The main activities and influences of the Crescent School were in the field of literature and art. They paid attention to the pursuit of artistic technique and style, and advocated the movement of new poetic rhythms, believing that "the perfect body is the only expression of the perfect spirit".

Pay attention to the beauty of poetry, architecture and painting. In 1926, the Crescent School also launched the "National Drama Movement", advocating that traditional Chinese dramatic art be borrowed from the new drama. The Crescentists also introduced a large number of writers of the Western genre as well as modern poets.

In June 1933, the magazine was discontinued, the bookstore was accepted by the Commercial Press, and the Crescent Society was dissolved.

Representative Figures and Works:

Xu Zhimo's published poetry collections include Shima's Poems (1925), One Night in Fei Lengcui (1927), The Tigers (1931), and Wandering (1932). "Farewell to Cambridge", "Accident", and "Shayanara's Song for a Japanese Girl" are among the well-known works.

He is not a Mandarin Duck and Butterfly School, the literature of the Mandarin Duck and Butterfly School was born around 1908, and the writers are mainly "foreign talents" led by Bao Tianxiao and Xu Zhenya. The work is based on the use of classical Chinese to describe the love affair of the new talented and beautiful woman**, and later also written in vernacular, the beauty and the talented man "love each other, inseparable and inseparable, under the willow shade flowers, like a pair of butterflies, a pair of mandarin ducks". Therefore, it is known as the "Mandarin Duck Butterfly Pie".

His representative works include Xu Zhenya's "Jade Pear Soul", Li Dingyi's "Beauty Fu", Wu Shuangre's "Lan Niang's Mourning History" and so on.

In the early stage, starting from the spring of 1926, the "Morning Post Supplement Poetry Engraving" in Beijing was used as the position, and the main members were Wen Yiduo, Xu Zhimo, Zhu Xiang, Rao Mengkan, Sun Dayu, Liu Mengwei, etc. They are not satisfied"May Fourth"Later"Freelance poet"Ignoring the style of poetry, advocating new rhythmic poetry, advocating"Rational moderation of emotions", opposing abusive sentimentalism and the prose culture tendency of poetry, he seriously explored the rhythmization of new poetry from theory to practice. Wen Yiduo put forward the famous in "The Rhythm of Poetry"."Sanmei"Assertions, ie"**Beauty, painting beauty, architectural beauty"。

Hence the Crescent Sect is also called"Neo-Rhythmic Poetry"。The Crescent School corrected the weakness of the early New Poetry Writing that was too scattered and cultural, and also brought the New Poetry into a period of conscious creation. In the spring of 1927, Hu Shi, Xu Zhimo, Wen Yiduo, Liang Shiqiu and others founded the Crescent Bookstore, and the following year they founded the monthly magazine "Crescent Moon"."Crescent faction"The main activity shifted to Shanghai, which was the later Crescent.

It is mainly based on the monthly "New Moon" and the quarterly "Poetry Magazine", which was founded in 1930, and the new members include Chen Mengjia, Fang Weide, Bian Zhilin, etc. The Late Crescentists were proposed"Health"、"Dignity"The principle of insisting is still ultra-utilitarian, self-expressive, and aristocratic"Pure poetry"The position is emphasized"The essence of the mellow, the skill of the thoroughness and the discipline of the strictness", but the artistic expression and lyrical way of poetry are close to those of modernism.

The ** beauty in "Three Beauties" refers to the fact that each verse of the Crescent school poetry rhymes differently, as if it were the same. Architectural beauty refers to the fact that the poem is formatted like architecture. Pictorial beauty refers to the fact that each stanza of Crescentist poetry is a paintable picture.

Graceful faction, Graceful faction, Graceful faction.

The Hazy Poetry School The Crescent School is a representative poet and a member of the Crescent Poetry Society.

Xu Zhimo is a representative poet of the Crescent School and a member of the Crescent Poetry Society.

Xu Zhimo, a native of Kipshi, Haining, Zhejiang, is a modern poet and essayist. Formerly known as Zhang Yu, the word 槱森, changed his name to Shima when he studied in the United Kingdom. The pen names he used are: Nanhu, Shizhe, Haigu, Gu, Dabing, Crane in the Clouds, Crane, Delete Me, Xinshou, Yellow Dog, Ge Ge, etc.

Influenced by Western education and European and American Romantic and aesthetic poets. Laid down its romantic poetic style. In 1923, the Crescent Society was established.

In 1924, he became a professor at Peking University. In 1926, he was appointed professor at Guanghua University (the predecessor of Southwestern University of Finance and Economics), Daxia University (the predecessor of East China Normal University) and Nanjing ** University (renamed Nanjing University in 1949). In 1930, she resigned from Shanghai and Nanjing, and at the invitation of Hu Shih, he became a professor at Peking University and Beijing Women's Normal University.

He died in a plane crash on November 19, 1931. Representative works include "Farewell to Cambridge" and "One Night of Fei Lengcui".

Hope it helps.

Founded in 1923, the Crescent Society was an important cultural group after the May Fourth Movement, with its main members including Hu Shi and Liang Shiqiu. Because it has a large number of talented and accomplished poets such as Wen Yiduo and Xu Zhimo, and it is unique for advocating rhythmic poetry, it has formed an important poetry school in the history of modern poetry, known as the "Crescent Poetry School" or "Rhythmic Poetry School".

Xu Zhimo is a modern poet, and Wen Yiduo and Guo Moruo are members of the Crescent Society, because he is inseparable from the development of the Crescent Society, so he is called the "brain" of the Crescent Society, and some people call his poems the Crescent Poetry School.

Xu Zhimo is a representative poet of the Crescent School.