What are the performing artists of Peking Opera?

Mei Lanfang, Meng Guanglu, Yu Kuizhi, Liu Changyu, Li Shengsu, Wu Lingfen, Li Men, Gao Yuqian, Du Jinfang, 、、、 many more.

Before the Cultural Revolution, only Mei Lanfang and Zhou Xinfang were of the older generation, and after the Cultural Revolution, basically all the famous artists became artists, and there were many of them, such as Liu Xiurong, Zhang Xuejin, Yuan Shihai, Zheng Yan, Yang Naipeng, and so on.

Tan Xinpei, Ma Lianliang, Zhang Junqiu, Yan Jupeng, Mei Lanfang, Wang Yaoqing, Mao Shilai, Li Shihui.

Isn't Mei Lanfang's son's beloved disciple the best heir of the Mei faction? is still the first person in Tsing Yi, Li Shengsu.

You'll have to go to the branch to ask, quite a lot.

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China's famous Peking Opera performance artists include: Cheng Changgeng, Tan Xinpei, Gai Zhaotian, Yu Shuyan, Ma Lianshen Queliang, Tan Fuying, Zhou Xinfang, Tang Yunsheng, Jin Shaoshan, Mei Lanfang, Cheng Yanqiu, Xun Ji Huisheng, Shang Xiaoyun, Yang Baosen, Yu Kuizhi, Li Sheng, Suzi Xiaozao, etc.

1, Tan Xinpei (1847-1917), a native of Wuchang, Hubei, an old actor. He not only laid the development pattern of Peking Opera, but also formed a situation of "no tone and no learning Tan", and thus led to the development of Peking Opera in many aspects, so he is known as the "King of the Lingjie".

2, Wang Yaoqing (1881-1954), a native of Jingjiang, Jiangsu, was an actor. Wang Yaoqing is an important figure in the development of Peking Opera, he is good at blending, and has many outstanding creations, so Wang and Tan Xinpei are called "Liyuan Tangwu". Wang Yaoqing has cultivated a large number of outstanding Danjiao artistic talents, and the "Four Famous Dans" are all from his disciples.

3, Mei Lanfang (1894-1961), a native of Taizhou, Jiangsu, is an actor. Mei Lanfang is by far the most influential figure in the history of Peking Opera, and people often refer to the performance system of Chinese opera art by his name. His art is peaceful and charming.

Mei is the ultimate character in classical Chinese opera, and can be described as the "drama saint".

4, Yang Xiaolou (1878-1938), a native of Huaining, Anhui Province, a martial arts actor. Yang Xiaolou is the grandmaster of the Peking Opera Wusheng Xing, and his exploration of the artistic value of Peking Opera Wusheng is reflected in his personal practice of "Wuju Wen Singing", which pays attention to the portrayal of characters and the grace of form. Yang's performance, whether it is singing or playing, is indulgent and free, like a heavenly sound.

5, Yu Shuyan (1890-1943), a native of Luotian, Hubei, is an old actor. Yu Shuyan takes the ancient as the top and strives for perfection, and greatly advances the art of the old students in the direction of refinement and elegance. The "Yu School" he founded has a down-to-earth and peaceful style, fresh and elegant, and has a wide range of acquaintances among high-level people in intellectual circles.

6, Zhou Xinfang (1895-1975), a native of Cixi, Zhejiang, is an old actor. Zhou Xinfang has been performing in Shanghai for a long time, making him an outstanding representative of Shanghai-style Peking Opera. In the history of Peking Opera, he is particularly known for his reform and innovation.

His performance is rhythmic, emotional, close to life, and infectious. The Qipai art he founded, many drama and film actors also drew nourishment from him.

7, Cheng Yanqiu (1904-1958), a Changbai native of Jilin, a Danxing actor. Cheng Yanqiu is a genius in Peking Opera, and he has created a world-renowned "Cheng Cavity" with a singing voice that is regarded as a "ghost sound", which is popular in the north and south, and has a far-reaching influence, which has not faded to this day. Cheng Yi's vocal art has the highest achievement, and his singing style is exquisite, faint and profound, and moving.

Cheng Changgeng, Tan Xinpei, Gai Zhaotian, Yu Shuyan, Ma Lianliang, Tan Fuying, Zhou Xinfang, Tang Yunsheng, Jin Shaoshan, Mei Lanfang, Cheng Yanqiu, Xun Huisheng, Shang Xiaoyun, Yang Baosen, Yu Kuizhi, Li Shengsu, etc.

Mei Lanfang (, Minglan, also known as Heming, milk name skirt sister, the word Wanhua, alias the owner of Yuxuan, stage name Lanfang. A native of Beijing, his ancestral home is Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts.

To add, in addition to the four famous Dans, the four famous students, the four small famous students, etc., Qiu Shengrong, Guan Sushuang, Fang Rongxiang, Li Bingshu, Yang Chunxia, Ma Changli, and Yuan Shihai are also very popular.

E: Shang Xiaoyun, Mei Lanfang, Cheng Yanqiu, Xun Huisheng. These are the four famous Dans.

Mei Lanfang (October 22, 1894, August 8, 1961), known as Lan, also known as Heming, breast name skirt sister, the word Wanhua [1], alias the owner of Yuxuan, stage name Lanfang, was born in Beijing in the twentieth year of Guangxu in the Qing Dynasty (1894), and his ancestral home is Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts.

Mei Lanfang learned drama at the age of 8, worshiped Wu Lingxian as a teacher at the age of 9, and appeared on stage at the age of 10. Later, he sought advice from Qin Zhifen and Hu Ergeng to learn Hua Dan. From April 1915 to September 1916, 11 new plays were rehearsed, including "Huan Hai Jian File Wu Chao", "Mandarin Duck in Prison" and "Sifan".

Before 1949, he performed in Japan, the United States, and the Soviet Union, and received honorary doctorates of letters from Pomona College and the University of Southern California.

In 1950, he was appointed president of the Peking Opera Company of China, in 1951, he was appointed president of the Chinese Academy of Drama, and in 1953, he was appointed vice chairman of the Chinese Dramatists Association.

In 1959, he joined the Communist Party of China, and on August 8, 1961, Mei Lanfang died of illness in Beijing. He was 67 years old.

Peking Opera, also known as Ping Opera, Peking Opera, etc., is one of the quintessences of China and is the most influential opera genre in China, with Beijing as the center and all over the country.

Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes that originally performed in the south, such as Sanqing, Sixi, Chuntai, and Hechun, which were mainly composed of Anhui artists, entered Beijing one after another, cooperated with Han tunes artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration.

Peking Opera has a set of standardized artistic expressions in literature, performance, stage art and other aspects. The singing cavity of Peking Opera belongs to the plate variant, with two reeds and Xipi as the main vocal cavities. The accompaniment of Peking Opera is divided into two categories: the Wenchang and the Wuchang, with the Huqin as the main instrument and the Wuchang as the main instrument.

The roles of Peking Opera are divided into Sheng, Dan, Jing, Chou, Miscellaneous, Wu, Liu, etc., and the last three lines are no longer specialized. The roles of Peking Opera are now divided into four types: Sheng, Dan, Jing, and Ugly. Each profession has a set of performance forms, and the skills of singing, chanting, doing and playing have their own characteristics.

Peking Opera mainly focuses on historical stories, with more than 1,300 traditional repertoire, and more than 3,400 are often performed.

Peking Opera has spread throughout the country and has a wide influence, and is known as "National Opera". The Peking Opera performance system named after Mei Lanfang is regarded as a representative of the Oriental drama performance system and is one of the three major performance systems in the world. Peking Opera is an important form of expression of the traditional Chinese culture, and a variety of artistic elements in it are used as symbols of traditional Chinese culture.