Li Shangyin s seven law love poems, ten seven law love poems

Untitled" is difficult to say goodbye when we meet, and the east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Xiaojing but the clouds and temples have changed, and the night chant should feel the cold moonlight.

There is no way to go to Pengshan, and the blue bird is diligent to visit.

The heart of spring is full of flowers, an inch of acacia and an inch of gray.

Tear. Yongxiang has been complaining about Qiluo for many years, and he thinks about turmoil all day long.

The traces on the bamboo of Xiangjiang are infinite, and there are many sprinkles in front of the first monument.

People go to Zitai to enter the fortress in autumn, and the soldiers are remnants of Chu tent and listen to songs at night.

Asked by the side of the Bashui Bridge, but did not arrive at the green robe to send Yuke.

The ten love poems of the Seven Laws are as follows:

1, Qin Guan "Queqiao Immortal":

The clouds are clever, the flying stars spread hatred, and the silver man is dark. As soon as the golden wind and jade dew meet, they will win countless in the world. Tenderness is like water, the best period is like a dream, endure the return of the Magpie Bridge! If the two love for a long time, how can it be in the morning and twilight?

2, Luo Yin's "Tanabata":

The sky is full of stars, and the family laughs and sets up a red feast. You should thank the female pearl and write the splendid chapter of Tanlang. The incense tents are clustered in rows, and the gold needles are worn to worship Chanjuan. The copper kettle missed the news that the day will dawn, and the melancholy period is another year.

3, Li Shangyin's "Xinwei Tanabata": Youchun.

I'm afraid that the immortal family is a good parting, so the teaching is a good time. The origin of the blue fall on the Milky Way, but when you want the golden wind and jade dew. The leak gradually moved and looked at each other for a long time, and the slight cloud was not late. How can you unintentionally reward the black magpie, but beg for silk with the spider.

4, Shen Shu'an's "Qixi Fu Song":

The moon is bright and the moon is beautiful, and Tianjin is growing horizontally. Stop the shuttle and regain the residual weft, and renew the makeup as soon as possible. The colorful phoenix has become a chariot at the beginning, and the carved magpie has been made into a beam to fill the river. Although I am happy to have the same pillow tonight, I am still sad about the empty bed tomorrow.

5, Bai Juyi's "Tanabata":

The smoke and the moon are long in the sky, and the silver and Han autumn are the same for eternity. A little joy and hatred, every year and in this night. On the seventh day of July, when no one whispered in the middle of the night, the days and the earth were long and sometimes endless, and this hatred lasted forever.

Seven Words Rhythm Poem:

A genre of traditional Chinese poetry, referred to as the Seven Laws, belongs to the category of near-style poetry, which originated from the new style poems of Shen Yue and other new styles of poetry that paid attention to sound rhythm and duality during the Qi Yongming period of the Southern Dynasty, and was further developed and finalized in the early Tang Dynasty and Song Zhiwen, and matured in the hands of Du Fu in the prosperous Tang Dynasty.

Its rhythm is strict, requiring the number of words of the poem to be uniform, composed of eight sentences, each sentence of seven words, every two sentences for a couplet, a total of four couplets, divided into the first couplet, the jaw couplet, the neck couplet and the tail couplet, the middle two couplets require a good spring battle. Exemplary poems include Cui Hao's "Yellow Crane Tower", Du Fu's "Ascending", and Li Shangyin's "Stable City Tower".

Seven-word poetry refers to poems that are seven words and eight sentences and conform to the norms of poetry, referred to as seven-law, which is a kind of poetry. Lyric poetry belongs to the category of near-body poetry, hence its name because of its strict rhythm. The rise of seven-character poetry is later than that of five-character poetry.

It originated in the Northern and Southern Dynasties, sprouted in Qiliang Xinti Shisentan, and was stereotyped in the early Tang Dynasty.

Rose red—Wang Changmin.

The green willows are smiling and the flowers are gorgeous, and the Weaver Girl Cowherd is difficult to complete.

Looking at the lonely shadow of the moon in the distance, looking forward to finding a beautiful woman in a dream.

Untitled" is difficult to say goodbye when we meet, and the east wind is powerless.

The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry.

Xiaojing but the clouds and temples have changed, and the night chant should feel the cold moonlight.

There is no way to go to Pengshan, and the blue bird is diligent to visit.

The night rain sends the north" Jun asked that the return date is not due, and the night rain in Bashan rises in the autumn pool.

He cut the candles in the west window together, but when it rained at night in Bashan.

Spring Rain" is lying in the white robe of the New Year, and the white door is very disobedient.

The Red Mansion looks cold across the rain, and the bead foil floating lamp returns alone.

The long road should be sad and late, and the remnants of the sky are still vaguely dreamy.

Jade and Jade, how to reach, thousands of miles of clouds and a wild goose flying.

Jin Se "Jin Se gratuitously fifty strings, one string and one pillar Si Hua Nian.

Zhuang Shengxiao dreams of butterflies, and hopes that the emperor will trust the cuckoo in spring.

There are tears in the pearl of the sea and the moon, and the blue field is warm and the jade is smoking.

This situation can be recalled, but it was already clear at the time.

Traveling alone in Qujiang in late autumn

When the lotus leaves are born, spring hates life, and when the lotus leaves wither, autumn hates them.

I know that I am in love for a long time, and I look forward to the sound of the river.

Untitled" peeked in the mirror at the age of eight, and the long eyebrows were already able to draw.

At the age of ten, he went to the green, and Hibiscus was used as a skirt.

Twelve learned to play the kite, and the silver armor was never unloaded.

Fourteen Tibetans and six relatives, unmarried.

Fifteen crying spring breeze, under the swing on the back.

1. "Night Rain Sends North".

Night Rain Sends North" is a lyrical seven-character quatrain written by the Tang Dynasty poet Li Shang to his wife in Chang'an when he lived in seclusion in the foreign land of Bashu. The first two lines of the poem express the poet's inner loneliness and deep longing for his wife, while the last two lines further highlight the sadness of the moment by imagining the joy of reunion in the future. The style of the whole poem is very poignant and exquisite.

2. "Jin Se".

This poem is a classic work by the Tang Dynasty poet Li Shangyin, and it is an untitled poem. The whole poem borrows the imagery of Zhuang Sheng's dream butterfly, cuckoo crying blood, and the pearl of the sea to express his emotions, and the poet of the whole poem is sad about his misfortune and expresses his boredom. Touching and deep, subtle and deep!

3. Untitled Part I

This is a love poem that expresses the unswerving death of two people, and the poet of the whole poem writes the hatred of parting and the pain of lovesickness with deep and sincere feelings. One of the sentences, "The spring silkworm is dead to the end, and the wax torch turns to ash and tears begin to dry" reflects the poet's unswerving loyalty to love, which has become a swan song for the ages, and is a classic love poem!

4. "Untitled" II

This poem is the second untitled poem of the Tang Dynasty poet, the first couplet of the whole poem is written about the poet's emotional sigh, the jaw couplet is written to recall the dream scene, the neck couplet is written to describe the interior environment, and the last couplet is written to write the intersection of dream and reality. The poet of the whole poem writes about his parting hatred around the "dream", which makes the whole poem full of trance-like feelings.

5. "Untitled".

This poem is one of the classic poems of the poet Li Shangyin, the first couplet of the whole poem is written about last night's happy gathering, the jaw couplet is written about today's lovesickness, the neck couplet is written about the liveliness of the banquet, and the tail couplet is written about the helplessness and sadness of the person in the rivers and lakes. The whole poem starts with mental activities, writes about his feelings, and is confusing!

6. "Untitled" (4).

This poem is about the despair of a deep boudoir woman who is shattered in her pursuit of love. The first couplet of the poem describes the atmosphere of the environment to highlight a blurry tone, the jaw couplet writes about the loneliness of the deep boudoir woman alone, the neck couplet writes the love story between Jia Chongnu and Han Shou, and the last couplet writes about lovesickness and despair.

This is the most beautiful love poem written by Li Shangyin, written is a kind of frustrated and lonely love, if you have the same experience and don't know how to deal with it, you can add a signal professional tutor to solve your doubts.

7. "Untitled" (5).

This poem focuses on the heroine's life experience and the resentment of love frustration. The whole poem is written from the environment, slowly highlighting the inner world of the heroine, feeling the heroine's unfortunate life experience, the sadness of love frustration, and the hopeless bitterness of lovesickness, so that we almost touch the inner world of the heroine.