Poet Shu Ting s poem, poetess Shu Ting introduced

Shu Ting rose in the Chinese poetry scene at the end of the 70s, and she and her contemporaries Bei Dao, Gu Cheng, Liang Xiaobin, etc., set off a wave of "hazy poetry Hu Hu Yun" in the Chinese poetry circle with a poetry style that was very different from that of their predecessors. The following is an introduction to the poetess Shu Ting that I have compiled for you, welcome to refer to it

Introduction:

Born in 1952 in Shima Town, Fujian;

In 1969, he went to the countryside to join the queue;

In 1972, he returned to the city to work as a trouser beam worker;

In 1979, he began to publish poetry works;

In 1980, he worked in the Fujian Provincial Federation of Literary and Art Circles and engaged in professional writing.

Personal Introduction:

Shu Ting, formerly known as Gong Peiyu, was born in 1952 in Shima Town, Xiamen, Fujian Province, one of the representative writers of the Hazy Poetry School. In 1969, he went to the countryside to join the queue, and returned to the city in 1972 to work as a worker. In 1979, he began to publish poetry works;

In 1980, he worked in the Fujian Provincial Federation of Literary and Art Circles and engaged in professional writing. He is the author of poetry collections "Brig", "Singing Iris", "Archaeopteryx", essay collections "Heart Smoke", "Autumn Mood", "Hard Bones", "Poetry in the Dewdrop", Shu Ting's Anthology (3 volumes), etc. The poem "Motherland, I love to be a stupid motherland" won the 1980 National Young and Middle-aged Outstanding Poetry Award, and "Brig" won the first National New Poetry Outstanding Poetry Collection Award and the 1993 Zhuangzhongwen Literature Award.

Shu Ting is good at introspection of her own emotional rhythm, and she especially shows the unique sensitivity of women in capturing complex and detailed emotional experiences. The complexity and richness of emotions are often expressed through special sentence structures such as assumptions and concessions. Shu Ting was also able to discover sharp and profound poetic philosophies ("Goddess Peak", "Hui'an Woman") in some conventional phenomena that are often ignored, and wrote about this discovery with both speculative power and moving.

Shu Ting's poems have bright and beautiful imagery, meticulous and smooth thinking logic, and in this respect, her poems are not "hazy". It's just that most poems use metaphors, partial or overall symbolism, and rarely use direct expression'way, the image expressed has a certain ambiguity.

Achievements:

The poem "Motherland, My Dear Motherland" won the 1980 National Outstanding Poetry Award for Young and Middle-aged People;

Brigs won the first National New Poetry Outstanding Poetry Collection Award and the 1993 Zhuang Chongwen Literature Award;

"True Water Without Fragrance" won the "Essayist of the Year Award" at the 6th Chinese Literature and Media Festival;

Under That Star - An Incident in Middle School" was selected as a Chinese textbook under the sixth grade of the Shanghai Education Edition;

In 2008, he won the honor of "China's Top Ten Poets of 2008" sponsored by Selected Poetry Magazine.

Winner of the 2012 Cross-Strait Poetry Association Laureate Award.

Shu Ting's poems are as follows:

1. "Brig" is a modern poem written by modern poet Shu Ting in 1979. This is a hazy poem with two stanzas: the first stanza contains the poet's infinite bitterness and emotion of life, symbolizing the transience and drift of love; The second stanza is about the poet's transcendence of the transience of love and the transcendence of sentimentality.

2. "Singing Iris" is a long poem written by Shu Ting at the end of October 1981, and it is one of the representative works of "Hazy Poetry". The poem consists of sixteen stanzas, and the number of lines in each stanza is not fixed. It expresses the narrator's desire to live as an ordinary person who needs to be warmly cared for and take the initiative to respond to the echoes of the times"historical responsibility", and how this contradiction is overcome.

3. "To the Oak Tree" is a modern poem written by Chinese poet Shu Ting in 1977. This poem has a total of 36 lines, and the first 13 lines of the poet use six images of climbing flowers, infatuated birds, springs, dangerous peaks, sunlight, and spring rain to deny the traditional concept of love; Lines 14-36 positively express their ideal view of love.

4. "Goddess Peak" is a poem written by Shu Ting in June 1981, which is a lyrical poem that expresses the awakening consciousness of women. In the writings of literati and scholars in the past dynasties, the goddess of Wushan symbolizes the purity, loyalty, and perseverance of women. In the face of this mysterious stone peak, the poet questioned the traditional concept of love, reflecting the rebellion of contemporary women against feudal ethics and morality, the pursuit and thinking of pure love, and the call for the return of human nature.