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Generally speaking, when the face remains in a smiling state, the facial organs will be in a more ideal position. When you smile, laugh muscles.
was lifted up. When the laughing muscles are lifted along with the smile, the upper and soft palate inside the mouth.
It was lifted at the same time. The throat will also open naturally in this case. It's an ideal state of singing.
In addition, when the voice is vocalized, some muscles and organs are tense, and some are relaxed. The organs and muscles that should be tense cannot be relaxed, and those that should be relaxed cannot be tense, and the whole vocal process is composed of tension and relaxation. If the organs and muscles that should be tense are not tense, and if they are tense again, they will not be able to make sounds well.
When a person smiles, the facial organs and muscles are relatively relaxed, which is conducive to the transmission of sound waves and the formation of sound. In the process of transmission and formation, there are two ways for singing: one is to transmit through the resonance generated by the resonance of the resonance cavity; The other is transmitted through the bones and muscles in the facial organs.
If the facial organs are tense, their bones and muscles will inevitably stiffen, and sound waves will not be able to pass through these stiff bones and muscles. As a result, it is more difficult to form a singing voice. Even if it is barely formed, its singing voice is not good.
Friends who learn to sing, you must have had such an experience, when you want to sing your voice by opening your mouth wide, the voice can't be sung, or you can't sing it reluctantly, the singing voice is not only not good, but you will feel very difficult. Because when the mouth is opened, the whole facial organ is in a state of tension, and the bones and muscles are stiff and do not relax. It's natural to struggle or not be able to make a sound.
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Slightly smiling and positive.
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Because singing requires resonance. The laughing muscles (i.e., maintaining a smiling state) allow the sound to pass to the nasal cavity, so that the sound can be released more fully, and the resonance is divided into chest resonance, head cavity resonance, etc.
Thoracic resonance is generally used in the midsole vocal area, which is easy to master, and the head resonance should be experienced in practice, and the head resonance is vividly called mask resonance in the professional terminology of foreign masters, which requires your nasal cavity to be healthy (that is, you can't have cold or nasopharyngitis).
Mask resonance is actually a product of opening the nasopharyngeal cavity. That is, when the singer's voice has gained sufficient mask resonance, the nasopharyngeal cavity is fully open. If opening the throat requires the opening of the laryngopharyngeal cavity and the oropharyngeal cavity, then in order to send sound into the head cavity, the nasopharyngeal cavity must also be opened at the same time.
So the educator Mr. Becky said: "When I say open my throat, I ask to open it up, down, left and right." ”
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The expressions and eyes of the singer when singing need to be learned through the singer's understanding of the background and substituting emotions.
Sing. The facial expressions of the singers should be synchronized with the melody, rhythm and content of the work, so as to shorten the distance between them and the audience. Whether it is in the style of filial piety, rhythm and melody or the transmission of high sense of thought, there are differences, which requires the performer to use the perfect combination of body language and melody in order to accurately express the thoughts and emotions of vocal works.
Sing. The eyes are the windows of the soul" This sentence is not unfamiliar to most people who read the manuscript. The eyes are an important carrier of communication between the vocal performer and the audience, and the eyes should be attentive during the performance, and the performer's eyes should be like the soul of the vocal work, so as to have a certain appeal.
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There is no expression in singing, the most important thing is that there are some restraints that have not been let go, so it is recommended that you practice a few more times, and at the same time, for the emotions expressed in the songs sung, there is a general understanding of Senqing, which will make your expression in singing richer and more devoted.
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Practice in front of the mirror, the expression can't be too stiff, first make the pronunciation of each lyric hail Sun Heqing, use the way of reading aloud to stare at the lyrics first, and then close **!! Practice slowly for a period of time, and you can naturally apply it to the singing tried-up car!
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If there is no expression on Sun Mu's face when he sings, then I may be because of his own body, it may be a habit she has developed in singing for a long time, and if you want to change it, you can change it through the later exercise Brother Feng.
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Hello, because singing is to be excited to drive the opening of the organs, so try to stop the child in his free time to pay attention to the lifting of the laughing muscles when laughing, and at the same time let the child experience the feeling of laughing during class.
Slowly, the child's singing will be improved.
A child star in Guangzhou**.
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First of all, it is judged that Lu can lay a good foundation for vocal music, and the rhythm and pitch can be accurate;
Then learn to sing with the breath to dig Xun, with the breath with the voice, with the feeling of sighing singing, let the breath come out first, 3
Then bring out the voice of Sidhu; Then understand the meaning of the lyrics and the artistic conception of the song, imagine yourself as the protagonist of the song, and integrate yourself into it;
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As long as it sounds good!
A lot of people who sing well have never seen their faces, and they still make people remember it.
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Singing doesn't need to be particularly pretended, so-called expressions. As long as you're genuinely engaged.
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This is how you can manage your expressions and eyes when singing. The basic relationship between facial expressions and voice, as a human being, we are able to speak and sing, in addition to relying on the well-known organ of the vocal cords, there is another equally important factor, which is our mouth.
Our facial expressions and the state of our mouth are always in harmony with each other. Therefore, it is absolutely impossible for us to make a voice independently of our facial expressions. That is to say, what is the basic vocal state of a person, we can often get a glimpse of it through his facial expressions.
The correct state of vocalization, we can't judge the manuscript simply through facial expressions, there are too many factors involved, and Jiang Jiang will talk about it later.
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