How to use technique when singing, technique when singing Basic skills of singing

I think that singing is like telling a story, a story to tell vividly, of course, you must be engaged, know what the story is, there must be ups and downs, maybe we can raise the pitch when speaking, strengthen the logical stress, and singing, we use skills instead, such as: real singing, falsetto singing, real singing, boo, breath and so on. It depends on your understanding of the song.

There are also many techniques, all of which are based on the singer's understanding of the song. Everyone sings differently, and this is personality.

Technique is actually a tool to support emotion, but emotion can also drive the use of your technique.

I hope you keep up the good work.

The most important thing is, of course, to invest in your feelings, once you are emotionally involved, you will be very forgetful, and everyone will be easily moved by you......

Of course, there are also skills, depending on what type of song you sing, whether it is popular ethnic or bel canto.

Generally speaking, it is better to sing standing up, and the body is relaxed. Let the sound come out of the ribcage very smoothly (note that it is not a voice, otherwise it will .......)The center of his eyebrows shook slightly.

Keep practicing, be confident, relax your body, invest in your feelings, keep recalling the melody, feel the mood of the singer, if your Adam's apple doesn't vibrate when you sing, you can sing well.

You don't understand singing very well. , Skills are to be practiced, obviously your breath is not there, your singing position is not right, to read the same, this is recommended that you find a teacher to teach you, is it not okay you go to see 87935314 this group to see, the inside is good like singing, you communicate more.

<>1. The most important and basic thing in singing is qi, and when singing, breathing is very important.

The breathing when singing is not the same as the breathing of ordinary life talking, in singing, the voice is required to have a certain volume and strength change, and singing for a long time is easy to make the dust finger voice appear tired and hoarse, so it is necessary to have a controlled and rhythmic breathing mode that is strong or weak or low only vertical or high.

2. Singing and ventilation are also key. When singing, put all the qi in your stomach and use the qi in your stomach to flush out the voice. Specifically, the stomach is puffed up when you inhale, and the stomach is tucked in when you exhale, which is also called abdominal pronunciation.

3. When singing, you should also pronounce words clearly (except for rap songs), and it is best to sing in Mandarin.

4. When singing, it is best not to bend over and hunch, but to keep your chest up and your head up, which is conducive to the opening of the voice.

5. Learn to distinguish the pitch of the pitch, so that you can sing without going out of tune, you can listen to more and imitate more, or practice pitch on the piano by yourself.

The breathing exercise consists of two processes: inhalation and exhalation

1. Inhale.

Inhale vertically down with the mouth and nose, inhale the air to the bottom of the lungs, pay attention not to lift the shoulders, inhale the breath so that the lower ribs are expanded, and the abdomen, the diaphragm gradually expands, so that the abdomen expands forward and left and right, and the lower abdomen should be contracted forcefully, not expanded. The back should be erect, the spine is almost immobile, but the sides of it can move, and it must also expand downward and left and right, at this time, the qi is pushed to the sides and the back and stored there, hold it and then slowly exhale it.

2. Exhale.

When singing, keep inhaling. This is very important, just like giving the bicycle enough air, can not relax all at once, there is also a problem of keeping breathing, to keep the breath, you must always keep the state of inhalation in the process of singing, control the breath slowly exhaled, to save the breath, even exhale, this is the so-called breath confrontation. In the process of exhalation and inhalation, we should pay attention to the feeling of stiff breathing, the whole body expression should be actively relaxed, the tense part is the diaphragm, the two ribs, the two ribs are like a sufficient balloon, we have to let the sound sit on it, pull down, can not let the balloon float up, that is to say, to pull the breath, can not let it come up, which involves a breath fulcrum problem.

3. When singing, there should be breath support.

The support point is that the sound of laughter should have a foothold, and this foothold is the support point on both sides of the diaphragm and lower ribs, and when we cough or laugh, we can directly feel its supporting effect. People who have not undergone breathing training, often when singing, their faces are red and their necks are thick, their muscles are violent, their singing voices are stiff, their treble does not go up, their bass does not come down, etc., all of which are related to the fact that the breath support point is not maintained. On the contrary, when we master the breathing method and have a sense of support, then when I sing and make a sound, I will feel as if the sound falls on the breath that we control, that is to say, the sound is supported by the breath, which is not only pleasant and loud, but also able to make various changes freely.