Tell me what is the correct way to touch the keys on the piano and how to practice

The correct one should be to use the wrist afterburner and the fingers to "flick" down.

The posture should be like holding a small apple or a ball in your hand.

The arms and wrists should be at the same level when playing.

Then relax your arms and touch the keys with the feeling that your wrist falls naturally.

The sound must be crisp and bright, and the rhythm between each note must be grasped.

Has your daughter ever studied Hanon seriously?

It's best to do this well, it's the most basic, and there are a lot of etudes in it that can correct a lot of problems.

Now that the child is still young, you must lay a good foundation for her.

I would like to ask, how long does your daughter learn to play the piano?

Points to note in the piano touch method: the use of force, the way the finger joints move, and various types.

The touch technique of the playing technique.

1. The use of power.

When playing, the beautiful and pleasant timbre is directly related to the power and dynamics of the fingers when they touch the keys. The sound produced by the correct way to touch the keys should be clear, bright, strong and full, which is what some teachers often call "transparent" and "transparent". The problem that often arises here is the degree of relaxation, and many people tend to pursue the feeling of relaxation excessively, so there are phenomena such as loose fingers and "empty" voices.

When using power, it should be made clear that complete relaxation cannot be played; The indiscriminate use of brute force is also different. We must learn to unify tension and relaxation, so that "strength is born from the heart, and it is free to retract and release".

2. The movement of the finger joints.

There are three joints from the fingertips to the base of the fingers, so you can ensure that you touch the keys regardless of the method.

The support of the first and second joints will not be introduced here. The key refers to the movement of the root (metacarpal joint), which is the controversial "high-position key touch method" and "low position key touch method", referred to as "high finger lift" and "key sticking". "Just do it properly."

In practice, it is especially important to "stick the keys", which allows the fingers to have more precise control over the keys.

3. Touch the keys of various performance techniques

Staccato: The fingers are naturally placed on the keyboard, and the force of the fingers and wrists is used to get up from the keyboard like a ball. The sound should be "bright", "crisp", and "bouncy".

Non-legato: Fingertips are attached to the keyboard, before the next key as if to firmly grasp the keyboard, when the key is down, the key should be touched slowly, the sound should be disconnected, like a song.

Legato: Arm weight is transferred from one finger to the other.

Double notes, octaves, chords: The big arm goes down naturally first, to ensure that the power runs through the entire arm, the fingers that touch the key before the next key should be fully prepared, and even make a firm hand shape to ensure that the sound is firmly grasped before playing, and the last moment of the key down to ensure that the fingers touch the key neatly.

The main points of bouncing are: fingers close to the keys (tactile sensation), finger strength**, fast play of the keys, fingers quickly off the keys, and the sound is concentrated, bright and flexible. Another way is to prepare in the air, touch the keys quickly, and make a clear and bright sound.

This is also known as the lower elastic jump.

Finger touches can be summarized into two actions: vertical and horizontal. Use your fingertips for vertical touches and fingertips for horizontal touches.

The piano can be easily divided into six ways to touch the keys: percussion, percussion, strumming, pressing, slipping, and kneading. The first four belong to the vertical touch key, with the finger tip; The latter two belong to the horizontal touch key, with the finger belly.

1. Knock: Shoulder lifting, big and small arms drive wrist fingers to work together, use the fingers to condescendingly, vertical keystrokes, like playing drums, inhale when playing, lift shoulders, raise arms, and the range of action is large and exaggerated. The power is high, the time is short, and the sound is powerful.

2. Hit: The quick touch key is the key requirement for staccato playing. The forearm drives, emphasizing the wrist, and the fingers are crisp and neat, which is different from knocking, and the force is smaller than "knocking" and heavier than "springing". The fingers deliberately stay on the keys for a moment, and after the key is struck, the wrist moves the fingers away from the keys, and the sound is bright and enthusiastic.

3. Play: the most commonly used finger keystroke method, emphasizing the fingers, the fingers are natural after the keystrokes, very casual, like a ball, this is the basic method when learning to play the piano, there is no deliberate place, and the fingers stay on the keys for a natural time.

4. Press: Touch the key slowly, stay for a while, stay for a little longer than "play", first point to the belly and then finger the end face, stand up and leave the key, the sound is stable, uniform and coherent, which is the finger requirement when playing legato.

5. Slide: Use your fingers, touch the key slowly, through the wrist like a dragonfly dotting water, the force is very small, slowly touch it, as if pushing a boat along the water, the flexibility is large, and there is almost no gap between the two scales. The expression is lyrical, the voice is very soft, and the feeling of tenderness is like water.

6. Kneading: Hit the key with your fingers, touch the key slowly, characterized by two long: play down for a long time, stay on the key for a long time, slightly longer than "slippery", after pressing the key, the wrist is slightly clicked, the sound is soothing and dreamy, hazy, and the feeling of crying is like a complaint.

The march is generally based on percussion and playing, and percussion is used when it is particularly strong. The singing accompaniment should not dominate the crowd, and it is generally based on hitting, playing, and pressing. Dance music cannot be percussed, but mainly played, pressed, and sliding.

The lyrical music is mainly sliding and kneading. In this way, the timbre will be rich and colorful, and it will enhance the appeal.

Sending the hand forward is just a way to touch the keys, different tunes require different ways to touch the keys, there is no absolute right or wrong, that is the way to play in real music, as long as it can produce the required timbre.

However, the method of practicing the piano (practicing the basic finger skills) is a question of whether it is right or wrong, and the efficiency is higher than the problem of not being high. Some methods are highly efficient, while others are not good, and bad habits will be formed. For example, the author's second CD is an efficient method of practice.

But that's not a playing method, just like a leg press is not all there is to a martial arts routine, but it is a basic skill that must be practiced to do a good martial arts routine.

Playing the piano is not just about pressing the keys with your hands, but about using the big arms of your arms to drive the whole hand and connect it into a line.

You can hold your right arm with your left hand and suddenly let go of your left hand and your right hand will fall naturally, and that's what you want to feel when you play the piano.

In addition, the hand type does not hold the keys, the feeling of half-gripping, and the use of playing the piano"Fingertips", some say fingertips. This may be better understood, and the other most basic ways to play are: staccato play, legato , skip notes, and legato jumps. You need to be familiar with and master these 4 articulations first

to be able to play other tunes well. ~~

Fingering is also important.

Hope it helps. ~

When playing the piano, the most important thing is fingering, and how to press the keys with the fingertips is not the key, generally we use the belly of the hand to touch the west and east, but this piano is different, with the fingertips to hit the keys, but also pay attention to how to press the fingers down, it is necessary to master the control of the joints on the fingers, the fingers are divided into three joints, counting from the fingertips, when playing the piano, the leading role is to use the upper and lower control of the second joint, and the second key is not forced. Only by practicing this fingering regularly can you play a beautiful tune!

The phone should be lightly placed on the keys and not too hard.

1) When you are a beginner, you should first practice the feeling of support for each finger, at this time, the position of one finger touching the key should be the place with the nail and flesh on the front end of the left side of the big finger; (2) The position of the touch key of one finger when playing the piano is related to the interval you play and the position of the keyboard, and it is also related to the need for facial expressions.

3) The touch keys of the piano fingers should ensure that the piano vocal music is pleasant, and the movement method is smooth, scientific and natural. Therefore, every link of the player's body should pay attention to his scientific rationality.

You can talk to Mr. Sansan about this question.

The fingertips are hard, so when I first start playing the piano, the teacher will teach me to hit the keys vertically downward.