Who is Liu Yazi on the yuan and who is Liu Yazi on the banknote?

Avatar on the RMB.

The fourth set of renminbi is the 1980 version of the renminbi, which has been issued since 1987. The full set is:

A corner of the head of the Gaoshan and Manchu characters.

Two Corners (Found).

Pentagon Miao and Zhuang character heads.

One Yuan Dong and Yao characters.

Binary Uyghur and Yi character portraits.

Five Yuan Tibetan and Hui character portraits.

Ten yuan Han and Mongolian heads.

Fifty yuan Portraits of workers, peasants, intellectuals.

One hundred dollars ***, ***, ***, **side relief statues.

Replacement of the renminbi.

On December 1, 1948, the People's Bank of China was established, and the first set of renminbi was announced on the same day.

It was later published on March 1, 1955, April 15, 1962, April 27, 1987, and October 1, 1999.

Two, three, four, five sets of RMB.

Who is the hand of the figure painting?

According to records, all the character paintings on the tickets were made by Hou Yimin.

Innovations and breakthroughs in the RMB.

The fourth set of renminbi has certain innovations and breakthroughs in design ideas, styles and printing processes.

This set of renminbi embodies a common theme idea, that is, under the leadership of the Communist Party of China, the people of all ethnic groups across the country will be full of vigor and unity to build socialism with Chinese characteristics.

The picture on the back of the main coin is taken from China's scenic spots, famous mountains and rivers, which are the main peak of Jinggang Mountain, Hukou of the Yellow River, Mount Everest, Wuxia of the Yangtze River, "Nantian One Pillar" in the South China Sea and the Great Wall.

The ornamentation of the face of the ticket is all made of patterns rich in China's national characteristics, such as phoenix peony, crane pine, ribbon bird green bamboo, swallow peach blossom and so on.

These scenes, ornaments and ornaments are integrated with the main scene, showing a distinct national style.

In terms of printing technology, the main scene is all large-scale human heads, and the engraving process is complex; The banknote paper uses a full-page ancient money watermark and a fixed character head watermark.

It not only shows the line picture, but also shows the light and dark levels, and the process technology is very high, which further improves the technical level of China's banknote printing process and the anti-counterfeiting ability of banknotes.

Character changes on the renminbi.

Portraits occupy a certain position in each set of RMB designs, especially the heads of the nine banknotes in the fourth set. These portraits reflect the character of the masters of each era, as well as the political and socio-economic context of the time.

The characters on the first three sets of banknotes are basically manual laborers such as workers, farmers, herdsmen, and boatmen, reflecting the earth-shaking changes in the founding of New China and the working people becoming the masters of the country. For the first time, the image of an intellectual appeared on the 50 yuan banknote in the fourth set of renminbi.

Why choose *** avatar.

According to reports, the front pattern of the fifth set of renminbi has considered the selection of famous figures in Chinese history, but the more familiar the people are with the image of the characters on the banknotes, the better, so that as long as the image of the characters on the banknotes changes slightly (such as encountering counterfeit banknotes), it will cause alarm. Therefore, the image of *** is the best, because the image of *** is the most familiar to everyone.

Song Pingling, Mo Crepe, Qi Qi, Chong, Boying, Gao Tao, Yi Yi, Liao Sun Tao, version of the threshold temperature.

It should be Liu Yazi, right? It's not Liu Yazi.

Liu Yazi?

Liu Yazi, formerly known as Wei Gao, the word Jiaxuan, the number Yazi. Founded and presided over the Southern Society. He used to be the secretary of Sun Yat-sen's government, a member of the National Supervisory Commission of China, and the director of the Shanghai Tongzhi Museum.

After the April 12 coup d'état, he was wanted and fled to Japan. In 1928, he returned to China and carried out anti-Chiang activities. During the War of Resistance Against Japanese Aggression, he engaged in anti-Japanese democratic activities with Song Qingling and He Xiangning, and served as a member of the Standing Committee of the Revolutionary Committee of the Chinese Kuomintang and Chairman of the Supervisory Committee, an executive director of the Three People's Comrades Federation, and an executive member of the China Democratic League.

In 1949, he attended the first plenary session of the Chinese People's Political Consultative Conference. After the founding of the People's Republic of China, he served as a member of the People's Committee and a member of the Standing Committee of the National People's Congress.