Explanation of Cao Yi s idiom? Cao Yi out of the water refers to

"Cao Yi out of the water"Also known as:"Cao Jiaxiang"It is one of the ancient Chinese ruffle painting methods created by Cao Zhongda of the Northern Qi Dynasty of the Cao State in Central Asia. "Pictures and Stories" said that Cao Zhongda's figure paintings, the folds of clothes are mostly tightly tied with fine brushes, like clothes covered with tulle, and like the feeling of just being fished out of the water, and later generations named it.

There is no idiom for "Cao Yi out of the water".

The multi-Chinese character and graphic symbol input method (multi-code) comes with 90,000 words, among which there are no idioms or vocabulary as described in the title.

A search on the Internet shows that "Cao Yi out of the water" is not an idiom, but refers to a brushwork for painting Buddha statues. According to legend, Cao Zhongda of the Northern Qi Dynasty and Wu Daozi of Tang Dynasty were good at painting Buddha statues, and Cao's brushwork was dense and thick, and the clothes belt was tight and narrow; Wu Ze's gesture is round, and the clothes are fluttering, so the descendants call "Wu takes the wind, and Cao Yi comes out of the water".

Hello, this idiom is used to describe the painting technique is very superb, indicating the vivid appearance of the painted characters' clothes.

It mainly refers to the two different expressions of the folds of clothes in ancient figure paintings, describing the roundness and elegance of the brushwork, and the clothes and belts of the painted characters seem to be fluttering in the wind.

Cao Yi out of the water refers to two different expressions of the folds of clothes in ancient figure paintings.

Cao Yi Chushui is one of the ancient Chinese figure clothes pleated painting methods created by Cao Zhongda of the Northern Qi Dynasty of Cao State in Central Asia.

The Picture Sees and Hears Chronicle says that Cao Zhongda's figure paintings, the folds of the clothes are mostly tightly tied with fine brushes, like clothes covered with tulle, and like the feeling that the brother is being fished out of the water, and the descendants named it.

The impact of Cao Yi's water flow:

Cao Zhongda is good at both Buddhist painting and clay sculpture. Self-blazing and unique, Buddhist painting enjoyed the reputation of "Cao's style" in the Tang Dynasty. At the same time, Zhang Sengqiu's "Zhang family style" was summed up by the Tang people.

In addition, Wu Daozi's "Wu Family Style" and Zhou Fang's "Zhou Li Regret Family Style" were also popular in the Tang Dynasty.

Their influence can be seen in Tang Dynasty murals, from which researchers can explore. The Tang Dynasty summarized the characteristics of the Cao family as "Cao Yi out of the water", which was quite noisy. If you compare it with the Wu family of "Wu with the wind", the appearance of the two is quite clear and easy to understand.

Artist Profile

Cao Zhongda, originally from Cao State in the Western Regions (present-day Samarkand, Uzbekistan), was born and died in an unknown year. The official to the Northern Qi Dynasty is a doctor. In the record, it is said that he is good at painting Buddhist paintings, and he is also good at clay sculptures, and the Buddhist paintings he made were called "Cao Jia Style" in the Tang Dynasty, and "Zhang Family Style" was called together.

Cao Zhongda's "Cao Yi out of the water" painting method is called the same as Wu Daozi's "Wu Belt Wind" in the Tang Dynasty. In the Tang Dynasty, Cao Zhongda's Buddhist painting style was called Cao Jiaxiang, which was juxtaposed with Zhang Shengjiao's Zhangjia style, Wu Daozi's Wu family style, and Zhou Fang's Zhou family style, which was regarded as a model, and had a significant influence on Buddhist painting and sculpture.