What does the classical Chinese essay The Shepherd Boy and the Painting tell us?

Shepherd boy and painting Shu has Du Shishi, good calligraphy and painting, and hundreds of treasures. There is a shaft of Dai Songniu, especially loved, a jade shaft. One day exposure (pù sun) calligraphy and painting, there is a shepherd boy who sees it, and laughs and says:

This painting bullfight also? The bull fights in the horns, and the tail twitches (chù contraction) into the two strands, and now it is falling (swinging) the tail and fighting, which is false! The priest laughed.

As the old saying goes: "When you plough you ask a slave, when you weave a slave, you ask a maid." "You can't change it.

Tell us that we must conform to the facts in doing things and learning, and that we must investigate and study, and that without investigation, we have no right to speak. Ask the farmer for advice on farming. Textile matters should be consulted by the Weaver Girl. Unthinkable.

The author of the article is pure nonsense, has he ever seen a real bullfight? There are a lot of tails in bullfighting, which is simply taken for granted. What a plague for thousands of years. If you don't believe me, you can go to the bullring and see for yourself.

There is a shaft of Dai Songniu, a jade shaft: "Cultivate when you ask a slave?" The bull fights in the horns: "This painting of bullfighting is also, now it is off (swinging) the tail and fighting the shepherd boy and painting."

There is Du in Shu. One day exposure (pù sun) calligraphy and painting, especially loved. As the old saying goes, good calligraphy and painting, 拊 (fǔ clap hands) palm laughed and said, the treasure is hundreds, and there is a shepherd boy who sees it!

The priest laughed, and the weaver asked the maid, and the tail twitch (chù contraction) was between the two strands, which was false. "You can't change it.

1. Enlightenment to us: practice brings true knowledge.

2. The original text of "Shepherd Boy Commentary": There are good calligraphy and paintings in Du Shu, and the treasure is hundreds. One day, a shepherd boy saw the calligraphy and painting, and laughed and said:

This painting of bullfighting also, the bullfighting force in the horn tail twitched between the two strands. Now it is a fallacy to turn the tail and fight. The priest laughed.

As the old saying goes: when you plough a slave, when you weave a slave, you can't change it.

3. Translation of "Shepherd Boy's Commentary": Du Chushi, a wealthy man in the south of the Yangtze River, loves calligraphy and painting, and spent hundreds of dollars to get a treasure, and collected a famous painting "Bullfighting Picture", especially the high cocked tail when the two bulls fight, often with him. One day, when the calligraphy and painting were displayed, there was a shepherd boy who clapped his hands and said:

This painting is about bullfighting! The tail of the bull is always clamped when the bull is opposed. And the tail on the painting is cocked, which is wrong".

The priest smiled and said: The ancients said: The peasants should be consulted about the cultivation of the land, and the weaver girl should be consulted about the weaving and spinning, which is an unchangeable truth.

There is a Du priest in Sichuan, who loves calligraphy and painting, and there are hundreds of kinds of calligraphy and painting in his collection. One of them is a cow painted by Dai Song, which is especially cherished by Du Chushi. He made a painting scroll out of jade, packed it in a brocade bag, and often carried it with him.

One day, when he spread out his calligraphy and paintings to bask in the sun, a shepherd boy saw the cow painted by Dai Song, clapped his hands and laughed and said, "This painting is a bullfight!"

The strength of the bullfight is used in the horns, and the tail is tightly sandwiched between the legs, but now the bull in this painting is fighting with its tail cocked, wrong!

Du Shi smiled, thinking that he had a point. There is a saying among the ancients who laughed at the jujubes: "You should ask the peasants about farming, and you should ask the maids about weaving." This truth will not change the promotion of Li!

Question 1: Preferences; **Earthly; clap (hand); Hidden, sandwiched.

Question 2: There is a Du priest in Shudi, who likes calligraphy and painting, and he has a lot of treasures. There is a painting of Dai Songniu, which is particularly loved by him, and is decorated with a jade shaft with a brocade bag.

One day, when he was showing his paintings and calligraphy, a shepherd boy saw the painting, clapped his hands and laughed, and said, "Is this a picture of a bullfight?" The strength of the fighting bulls is on the horns, and the tail is hidden between the two thighs, but this painting is the tail exposed and fighting, ridiculous!

The priest smiled and agreed with what he said. As the old saying goes, "The farmer should be asked for farming, and the weaver girl should be asked for weaving."

This is a fact that cannot be changed.

Question 3: a

Li Keran. "Cattle Herding" (Chinese painting, the picture shows the life of the cowherding baby. With a few brushstrokes and faint lines, the painter sketched a vivid situation of a shepherd boy holding a cow rope, riding on the back of a cow, with his head tilted and a straw hat on his back, as if he was singing loudly.

The whole picture pays attention to the matching of points and lines, and pays attention to the points, lines and surfaces.

The sense of rhythm is full of strong rural children's life atmosphere, and full of the harmonious poetic artistic conception of "man and nature". (The painter uses rough and delicate lines to express the harmony between "man and nature".) ）

Takeaways from the perspective of Du Chushi: be humble and willing to accept correct opinions;

2.From Dai Song.

Summary: Grassland, Field, Flute, Evening Breeze, Dusk Sun, Cottage, Small Yard, Cattle, Shepherd Boy, Garden Moon, Deep Sky.

The Shepherd Boy" poem shows us a vivid picture of the shepherd boy returning to rest at night.

We see the tranquility and leisure of the shepherd boy's life. Through the poem, we also see the author's inner world's yearning for a peaceful and happy life away from the hustle and bustle: the vast wilderness, the green grass; The evening breeze blew the weeds, and the shepherd boy who had not yet returned, but first heard the melodious flute of the shepherd boy coming closer and closer with the wind, and the flute was intermittent and fluttering with the wind.

When the shepherd boy came back and had eaten his heart's content, it was already after dusk, and he did not even take off his robe, but lay down in the open field on a moonlit night. It shows the child's carefree and innocent nature. There are scenes, feelings, characters, and sounds in the poem, and this vivid scene appears in our field of vision from far and near.

A vivid picture of a shepherd boy returning late to rest.