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Three drops of blood, white forced palace, Xiahedong, nunnery to recognize the mother, beheading a single child, Yuanmen beheading, three halls of trial.
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Summary. The main content of each paragraph of the Qin cavity.
Hello dear! The first part (first paragraph): By comparing the high-pitched and grand characteristics of the Qin dialect everywhere, it is pointed out that the generation of customs and operas is inseparable from the customs and natural mountains and rivers.
Part 2 (paragraphs 3-11): The expression vividly expresses the Qin people's love and obsession with the Qin dialect, and the Qin dialect is the resonance of Qin Chuan's nature, earth, and people. Part III (paragraph 12):
Summarize the full text, emphasizing that the Qin dialect is the great happiness of the people in Guanzhong, and only the Qin dialect can carry the joys, sorrows, and sorrows of the Qin people.
Hope it helps!
The main content of each paragraph of the Qin cavity.
The main content of each paragraph of Qin cavity is pro, hello! The first part (first paragraph): By comparing the characteristics of the high-pitched macro oak oak of the Qin dialect everywhere, it is pointed out that the generation of customs and opera is inseparable from the customs and natural mountains and rivers.
Part 2 (paragraphs 3-11): The expression vividly expresses the Qin people's love for the Qin dialect and the obsession with the Qin dialect, and the Qin dialect is the resonance of Qin Chuan's nature, earth, and repentance. Part III (paragraph 12):
Summarize the full text, emphasizing that the Qin dialect is the great happiness of the people in Guanzhong, and only the Qin dialect can carry the joys, sorrows, and sorrows of the Qin people. Hope it helps!
The main generalization of each of the natural Qin cavities.
There are 12 paragraphs in total, and the meaning of each paragraph.
Empty and flat, thick and solid Qin people: "Erleng" is rough, simple and bold Qin dialect: high-pitched and passionate, vicissitudes and sadness.
2) Why does the author say: "The geographical structure here is vividly unified with the melody of the Qin dialect!" The Qin dialect is high-pitched and loud, shocking, and the land of Qinchuan is vast, thick and long, and the two are "vivid and vivid" in the rough and bold place.
3) How to understand the author said: "The Qin dialect is the resonance of Qinchuan's nature, earth, and people. "The sounds of nature, the sounds of the earth--the natural environment, the sounds of people--the way the Qin people speak and shout (4) What kind of emotions do the Qin people in the author's pen have for the Qin dialect?
Why? The peasants are the hardest working people in the world, and Qin Cong's upright mouth is the great joy in their great suffering. Qin Yan and them should become the five major elements of life like "Xifeng" liquor, long-term spicy seeds, large-leaf cigarettes, and beef steamed buns.
5) At the end of the fifth paragraph, why does the author "find that there is a strong spirit in his heart that arises along with the muscle bumps in his arms". The author roamed the land of Qinchuan, thought of its long and majestic history, heard and witnessed the Qin people, and was deeply proud and proud of it.
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The top ten out-of-print Qin dialect masters sing "Spring and Autumn Pen", "Eight Meanings", "Zixia Palace", "He's Bi", "Huifeng Fan", "Jade Tiger Fall", "Lin Bone Bed", "Mandarin Duck Quilt", "Shoot Jiuyang", "Crying Great Wall", "Van Dong Zhuo", "The Legend of the White Snake", "Fanwang Palace", "Famen Temple", "Iron Rooster".
Qin dialect, also known as "Bangzi dialect", is a traditional drama in Northwest China and one of the national intangible cultural heritages.
In ancient times, Shaanxi and Gansu belonged to the Qin State, so it was called "Qin Cavity". Because in the early Qin dialect performance, it was often accompanied by jujube wood bangzi percussion, so it was also called "bangzi cavity". After the Qin cavity was formed, it spread throughout the country, and because of its complete set of mature and complete performance system, it had a different degree of influence on the opera genres in various places, and directly influenced the Bangzi cavity to become the ancestor of the Bangzi cavity opera.
Qin's performance skills are simple, rough, bold, full of exaggeration, the breath of life is wide, the limbs are thick, and the skills are rich.
Historical Background:
As a kind of local cultural ingenuity, one of its major characteristics is that the singing and reading are all based on the Guanzhong dialect of Shaanxi Province, and at the same time, it also melts the language of some poems, words and songs in the Han and Tang dynasties of our country.
Qin dialect is a treasure of Chinese national culture, is the foundation of the development of opera culture, it profoundly interprets the development of Han culture, has become an integral part of the spiritual wealth of the Chinese nation.
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The Qin dialect, one of the oldest dramas in Northwest China, originated in the Western Zhou Dynasty and originated in Xifu (the core area is Qishan (Xiqi) and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province). Matured in Qin.
The Qin dialect, also known as the random bomb, is popular in Shaanxi, Gansu, Qinghai, Ningxia, Xinjiang and other places in northwest China, among which the Xifu Qin dialect accent of Baoji is the oldest, and retains more ancient pronunciation. And because it uses jujube wood bangzi as a percussion instrument, it is also called "bangzi cavity", commonly known as "bangzi" (because the bangzi makes a "trance" sound when hitting the knot).
On May 20, 2006, it was approved to be included in the first batch of national intangible cultural heritage list.
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The sentences on the relationship between Qin cavity and Qin land and Qin people in "Qin Cavity" are:
Immediately, the guests will understand that the geographical structure here is actually the same as the melody of the Qin dialect.
The Qin dialect is high-pitched and loud, shocking, and the land of Qinchuan is vast, thick and long, and the two have reached the "unification of Miao Weixiao" in terms of ruggedness and boldness. Qin dialect is the voice of the fate of the loess and the common people. As the Western literary theorist Danner pointed out in "Philosophy of Art", "the products of spiritual civilization, like the products of animals and plants, can only be explained by their respective environments", and the natural scenery, human geography, and folk customs of a place lead to culture and art with local characteristics.
Five miles and a village, ten miles and a town, the Qin cavity transmitted in the tweeter is intertwined and collided, this Qin cavity turned out to be the resonance of Qinchuan's nature, earth, and people! "Lai" originally referred to a three-hole musical instrument in ancient times, and later extended to the sound from the hole, and also referred to the general sound. Here, "natural sound" and "earth sound" refer to the natural environment, and "human sound" refers to the way the Qin people speak and even shout people, etc., and it is these conditions that give birth to the Qin dialect.
The peasant is the hardest working person in the world, especially on this plain, when he was born, he fell on the loess kang and died and was buried under the loess mound; Qin dialect is the great happiness ...... the great suffering of the peasants
The Qin dialect carries the joys, sorrows, and sorrows of the Qin people, and is the "highest artistic enjoyment" of the Qin people.
With Qin Yan, life will be fun, happy, singing "Allegro", happy as if being hit by high explosives, to smash the whole body and mind in the sky! is painful, singing "Adagio", but the heart-wrenching singing voice shows how affectionate and beautiful the beauty is, the beauty gives others enjoyment, and the beauty also irons out the wrinkles of sorrow in his heart.
The use of exaggeration to express the joy and ecstasy of singing the Qin dialect "Allegro" is vividly expressed, and the rhetorical techniques of metaphor and transfer are used to vividly express the soothing effect of the Qin dialect "Adagio" on the soul of the Qin people, adding to the interest of language.
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Qin Yan sang the lyrics and fled at night: (Zhou Ren returned home.)
Sister-in-law, hurry up....(26) Seeing my sister-in-law, she cried sadly and painfully, and I cried my wife a few times in the cold and desolate suburbs, angrily scolding the prolonged thief for being too tyrannical, and flattering the East Traitor for glory.
Grunting in the Yan Mansion thief plan, seeing me into the thief's cage, I went home to explain the scene, angry and virtuous wife, she was clever, and hurriedly changed her way to coax the thief.
The drum music sounded and the thief greeted him, hated and secretly hid a short knife, cowardly and cowardly, and it was difficult to succeed, and he kissed his neck in pain, and fell to the ground in blood. Crying good wife.
I cry so much that I feel sad and sad, oh...I hope that my brother will return his clothes and brocade after his success.
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