How to draw a human face, how to draw a human face

Here's how to draw a human face:Tools Ingredients: paper, pencil.

1. Draw the character's two curved eyebrows first, then draw the character's eyes, and then draw the eyelashes on top of the eyes.

2. Draw the character's nose under the drawn eyes, and then draw the character's mouth.

3. Draw the face of the character again, and draw the hair of the character on top of the face.

4. Draw the hair style of the character on the top of the face, and draw the hair thread in the middle.

5. Draw the neck of the character under the head, and then draw the shoulders and two arms, so that the face is drawn.

Here's how to draw a human face:

1. First, draw a sphere and a cross. In this case, instead of drawing along the sphere, it is easy to balance when drawing a cross-section on a flat surface.

2. As with the front, put the center line of the eye and the start line of the cheek together, then draw a line to connect it to the chin and connect it to the neck. The lines from the jaws to the ears are omitted because they do not appear in the outline.

3. Stretch the midline and attach it to the lower jaw. Locate the eyes, nose and mouth according to the auxiliary lines. Here, the vertical length is perspective compressed (the actual length is different from the actual length).

4. The tip of the chin is like this, and the ears are an extension of this line. A line can be inserted freely, but it is easier to understand if you want to draw a shadow.

5. After writing the hair and eyebrows, the hair on the head is auxiliary clear. If the nostrils can be seen from the bottom of the composition, but let's separate the deformation and flavor.

As follows:

1. Gently draw a circle for the position and size of the head, then draw a cross in the middle to determine the orientation of the face and the approximate position of facial features.

For the front face, first draw a longitudinal oval, draw a vertical line in the center, and then draw a horizontal line that determines the angle. Drawing a perfect circle here will cause the head part to become larger, so be careful.

Secondly, according to the outline of the circle, the parts of the face are also drawn.

The front drawing is prone to deviations from the sketch, so it is recommended to reverse the left and right from time to time to confirm.

It's hard to correct if you draw lines, so draw them well at the rough stage.

When viewed from the front, the ratio of the facial area is the same ratio for the top of the head, hairline, eyebrows, nose, and chin. However, it may vary depending on age, gender, and facial expressions.

2. Mark the position of the face shape on the reticle.

3. Use a pen to draw an arc to connect the position just marked.

4. Then use the line chin to slightly tuck in and separate the chin.

5. Finally, slowly draw the shape of the upper head outline, so that the face shape of the character is drawn.

If you look at the person from the front, you will notice that the lines of the contour (blue lines) are not directly connected to the neck when viewed from the front, but are connected by the faces represented by green.

Pay attention to this when depicting characters from an incendiary perspective.

If you draw a scendiary roughness, the outline lines (blue) and faces (green) are shown in the following illustration. It should also be noted that the overall shape can be seen in the occipital, so it is closer to a circle when viewed from the front.

Because the incitement is viewed from below, the ratio of the top of the head, the hairline, the eyebrows, the nose, and the chin is narrower and wider as you go down compared to when you look at it from the front.

If you can draw roughly, check the sketch to see if there is anything wrong.

Deviations in the sketch can be confirmed by drawing glasses. When you can't wear glasses beautifully, sketching is too crazy, so let's revisit it.

The method of drawing the face of an anime character is as follows:

Anime characters usually have fairly round faces. The base of an anime face is usually drawn with two main sets of lines, one that runs from the top of the head down around the mouth and the other that extends from there to the chin. The chin itself is often painted with a full point or a slight curve.

The middle of the face of the eyes (on the point of one-half of the face) is divided into the upper and lower halves of the eyebrows. Draw a horizontal line in the middle of the face and draw the eyes below that line. Separate the eyes so that the other eye is placed between them.

Vertical drawing of eyes that are narrower than normal anime eyes but larger than real eyes.

The base of the nose is located between the chin and the horizontal midpoint of the face (a quarter of the length of the face). Start by drawing two small curves for your nostrils, and then draw two curves to suggest the sides of your nose. A small curve is used to represent the tip of the nose, and finally a fairly long curve is used to show the bridge of the nose.

Make sure to draw only the last line on one side of the nose. Draw the top of the ear aligned with the top of the eye, and the bottom of the ear aligned with the bottom of the nose (half the bottom half of the face, or a quarter of the length of the whole face).

The lower lip of the mouth is placed in the middle between the bottom of the nose and the bottom of the chin. The mouth itself is drawn in a curve with a break point in the middle, and the line curves slightly downward. You can also draw it wider than the more traditional anime mouth.

Simply draw a hair out, the bangs are just right up to the eyebrows, and the bangs in the middle can be longer. If you find that the ears are occluded, you can finish drawing the ears, but keep the position of the ears. After the most matching, you can continue to add small details of the eyes, so that a simple face is completed.

There is no quick shortcut to painting, wild sparrows can only be painted well with real effort and perseverance, and if you want to paint a human face well, you can't do it without structure.

Basic performance of the head.

In the process of head styling, geometry and crosshairs are often used. When drawing heads, we can use them as an aid to accurately define the center line, head outline, eyeliner, and eyebrow line, so as to avoid skewed or asymmetrical slanting of the drawn head.

Before explaining the specific method of styling the head, let's first understand the relationship between the reticle and the angle and perspective.

When you look down slightly, lean your eyes a little down.

When you look down slightly, lean your eyes a little down.

The relationship between the reticle and the angle and perspective changes with the movement of the human body, and the angle of the head perspective. When we observe a person, the height of the gaze is different from the angle of observation, and the facial features of the head will produce various perspective changes according to the angle of the gaze.

Perspective is the visual science of studying objects behind it through a transparent plane. The perspective changes in different situations of head-up, down-down, and up-up.

In order to understand the perspective changes more intuitively, we can use the center line of the head (face line) and facial features auxiliary lines (eyeliner, nose auxiliary line) to represent the head from various angles.

Generally, the movement of the head can be grasped through the reticle (here referring to the face line and eyeliner), which can ensure that the perspective of the facial features is at the same point of view and the same angle.

For example, when drawing the face of the same person, the side structure of the face should be parallel, and the person who is scattered or otherwise the person drawn will look like a different person.

The law of heads-up perspective.

Heads-up is common when drawing heads, and the drawing method is relatively simple.

When the front is level, there is no perspective change in the front of the head, the facial features are in normal proportions, the face is symmetrical, and the eyes are the same size.

<>At 45-degree lateral eye level, there is a perspective change in the head, the right side of the face is narrower than the left face, and the right eye is slightly narrower.

<> 75-degree lateral head-level, the head has perspective changes, the right side of the face is much narrower than the left face, the left side of the face is wider than the 45-degree side-level view, and the right eye is narrower than the 45-degree side-level view.

The tutorial for drawing a human face is as follows:

Draw an oval with the upper end slightly wider than the lower end. Gently draw a vertical line as a guide line in **, and then draw a horizontal reference line at the waist of the ellipse. Next, divide the lower half of the ellipse into two halves with another horizontal line segment.

Then use a horizontal line segment to divide the remaining one-third of the upper lip, which is the top of the upper lip, and the rest is the chin.

On the horizontal line located in the middle of the oval, draw two almond shapes, which are the eyes. The inner corner of most eyes is sloping downward, and the outer corner of the eye can be upward or downward, depending on the situation. When we draw, the outer corner of the eye is still facing upwards, so that the line on the lower eyelid looks a bit like the letter s lying down.

Take the horizontal line in the middle as the bottom line and draw the nose. The part of the nose is narrowest in the middle of the eyes, while the sides of the nostrils are the widest. Note that the tip of the nose is pointing downwards. Everyone's nose is different, and when painting a portrait, drawing the other person's nose right will add a lot of color to your work and make it look more similar.

Then go back to the top level. Draw ears on both sides of this line. Note that the upper end of the ear is wider, and then the part closer to the earlobe becomes narrower.

Some people have earlobes that are connected to the face, while others have earlobes that are separated. Ears are more difficult to draw, so keep it simple at first, and then move on to the complexity when you have a deeper understanding of the structure of the ear.

Draw a mouth. Draw a flat, softly lined V-shaped line with the lower end slightly below the lowest horizontal reference line, which is the bottom line of the lower lip. Draw a softer M-shaped line with the same width as the V-shaped line, which is the top line of the upper lip.

Then, between these two lines, draw a very soft and smooth M-shaped line, which separates the upper and lower lips, further making the upper and lower lip more distinct. The height of the mouth and the different proportions used when drawing the upper and lower lips allow you to draw a variety of different faces as you draw.

The head of the painting refers to Li Fa. Hair is also a bit difficult to draw, but you still have to outline it with lines at first (remember, we're drawing with lines). Want to straighten your hair?

Draw the hair with parallel arc lines, full along the arc of the head. Want to draw curls? Just use curly lines.

Notice that the lines of the curls will break off from the middle and meet each other to form a curl, and then the curls will be parallel to each other.

Finally draw the neck. The neck may be thicker than you think. The sides of the neck start at the horizontal line of the lower jaw and form an arc downward.

Draw a collar or collar at the junction of the neck and body. You can draw shirts, jackets, turtlenecks, etc., but you can add nothing at all. The style of clothes added to the picture can add a sense of time and place to the work.