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【Long Pavilion】In ancient times, there were pavilions on the side of the road, for the travel to rest and rest or farewell, at that time there was a long pavilion in ten miles, and a short pavilion in five miles. "Long Pavilion" is an image that contains the feeling of parting with each other. Li Bai's "Bodhisattva Barbarian" "Where is the return journey, the long pavilion is shorter.
Write about the sad scene of leaving people and looking at the short pavilion and the long pavilion without seeing anyone return. Wang Shifu's "The Story of the West Chamber": "Looking at the ten-mile long pavilion from afar, I lost my jade muscles, who knows this hatred?"
It also expresses the sadness of parting.
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There are symbolic words in ancient Chinese poems: du, willow, cicada, moon, grass and trees, long pavilion, herb, herb, plantain, willow zhi, sycamore, plum blossom, etc.
1. Moon: Cause sorrow and homesickness.
2. Willow tree: Farewell to the folded willow. Since the Han Dynasty, it is often used to fold willows to give gifts to convey the feelings of parting, which leads to the longing for distant relatives and the homesickness of travelers.
3. Cicada: The cicada is noble in character. The ancients thought that the cicada was a symbol of nobility, so the ancients often used the nobility of the cicada to express the nobility of their conduct.
4. Plants and trees: The prosperity of plants and trees contrasts with desolation, and expresses the feelings of prosperity and decline.
5. Wutong: In classical Chinese poetry, it is similar to the plantain, and most of them indicate a sad sound.
Extended Materials. An ancient poem with symbolic meanings.
1. Water tune song head.
Author] Su Shi [Dynasty] Song.
Bingchen Mid-Autumn Festival, drinking Dadan, drunk, making this article, and conceiving a child.
When is the bright moon? Ask the sky for wine. I don't know what year it is in the heavenly palace. I want to go back by the wind, but I am afraid of Qionglou Yuyu, and the high place is unbearable. Dance to figure out how the shadow seems to be in the world.
Turn Zhu Pavilion, low Qihu, shine sleeplessly. There should be no hatred, what is the long time to say goodbye? People have joys and sorrows, and the moon is cloudy and sunny, and this matter is difficult to complete. I hope that people will last a long time, and they will be together for thousands of miles.
Translation During the Mid-Autumn Festival in the year of Bingchen, he drank happily until the next morning, got drunk, and wrote this poem, while missing his younger brother Su Zhe. Since when did the bright moon first appear? I raised my glass and asked the sky.
I don't know what year or month it is in the heavenly palace. I want to ride the breeze back to the sky, but I'm afraid that I can't stand the cold of the towering nine days in the beautiful jade building.
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1, I have a soft spot for you.
During the Qin and Han dynasties, a pavilion was set up in the countryside about every ten miles, and the pavilion had a pavilion chief. As recorded in the "Historical Records" of Han Gaozu Benji: (Liu Bang) and Zhuang, try to be an official, and be the chief of the Surabaya Pavilion.
The Qin system is thirty miles and a pavilion in ten miles, so a pavilion is set up about every ten miles on the post road, which is responsible for providing services such as pavilions and supplies for the messengers. Later, it also became a place for people to stop and send each other off on outings. In particular, after the poetry chanting of the literati, the ten-mile long pavilion gradually evolved into a synonym for the farewell place.
The term ten-mile long pavilion comes from the ninth volume of "Baikong Six Posts" originally written by Tang Bai Juyi and continued by Song Kongchuan: a long pavilion in ten miles, and a short pavilion in five miles. For the needs of the length and rhythm of the poem, it is often referred to as the long pavilion.
Words such as Changting, willow, fine wine, and Nanpu often appear in the farewell poems of the ancients, and have been given specific meanings, which are the most representative and symbolic text symbols in the farewell poems. "Send the king ten miles to the long pavilion, break the weeping willows on the bridge" is a classic scene of farewell for the ancients. Jiang Yan said in "Farewell Fu":
The spring grass is green, the spring water is green, send Jun Nanpu, what is the injury? Nanpu was the place of farewell. Li Bai's poem "Farewell to Jinling Wine Shop" also has the sentence "Jinling children come to see each other, and if you want to do it, you can do it or not", and drinking is also a common scene when sending off.
The farewell scene described by Liu Yong in "Yulin Bell" has a long pavilion, willows, and fine wine, which is really a masterpiece of farewell poems.
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1. A symbol of nobility.
Jade cicadas are often used to make ornaments and crown ornaments, this is because the ancients believed: cicadas, out of the mud without staining, do not eat sundries, only drink dew for a living.
The ancients believed that the cicada lived by eating and drinking, so they regarded the cicada as a symbol of nobility and sang the praises of it, or to place their ideals and ambitions, or to metaphorize their bumpy and unfortunate life experience.
2. Eternal life.
The "cicada" also symbolized resurrection and eternal life in ancient China.
This symbolism mainly comes from its life cycle, which is initially a larvae, then a cicada chrysalis on the ground, and finally a flying insect.
Therefore, the ancients believed that the life of the cicada is repeated and immortal.
In tombs from the late Zhou Dynasty to the Han Dynasty, people always put a jade cicada into the mouth of the deceased for shelter and eternal life.
3. The spirit is immortal.
Cicadas can live in the soil, and they can emerge and feather.
Since the Han Dynasty, the feathering of cicadas has been used as a metaphor for people to be reborn.
If the jade cicada is placed in the mouth of the deceased, it is called "cicada bodhisattva" in the idiom.
The flat forest desert is full of smoke. The cold mountain area is sad and blue. Glad into the tall building. Someone upstairs worried.
The jade steps stand in the air. The resident bird returns to fly in a hurry. Where is the return journey? Long pavilions are shorter pavilions.
This first words of looking far away and cherishing people are allegorical in the realm. Write together about the realm of Pinglin and Hanshan, and the vast and tragic Liang Yuan.
Di Fuyun: "When I climbed the stairs and looked, I only saw smoke in the distant trees." The plains are like this, and I don't know how many thousand roads are there. "This word realm.
Like. However, when he writes about the sunset scenery, he feels even more bleak. These two sentences are white inside and out. The two sentences of "blind color" are from the outside.
And within. The smoke is like weaving, the sadness is blue, and they are all blind. The two sentences folded to the building and the people, forced out the word "sorrow", and woke up the whole.
Chapter. Therefore, those who feel the cold mountain are sad, because of sorrow; Therefore, those who are worried will not return to others. The next film, point out.
Return". The word "empty" also comes from the word "sorrow". Wugui is in a hurry, writing about the dynamics of space, and writing about birds.
Mood. The bird does not return to the people, so the cloud is the first to look far away and cherish the words of the people, which is allegorical in the realm. Let's write about Hirabayashi Han.
The mountain realm is vast and tragic. Emperor Liang Yuan endowed the clouds with "empty standing". The two sentences of "where" echo each other and are still used.
The realm ends. But when I see the return journey, I don't see the returnee, and the meaning is inexhaustible.
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