What is the painting of three inches of vertical painting as high as a thousand feet .

1. "Three inches of vertical painting is as high as a thousand feet" is from "Painting Theory of the Northern and Southern Dynasties: Painting Landscape Preface".

2 "Three inches of vertical painting is as high as a thousand feet" refers to landscape painting.

3 The whole paragraph reads:

And the husband Kunlun Mountain is big, the pupil is small, forcing the eyes to inch, then its shape is invisible, and it can be surrounded by inches of eyes. If the sincerity is slightly wider, it will be small. Today, Zhang Juan is known for being far away, and the shape of Kun and Lang can be enclosed within a square inch.

Vertical three inches, when thousands of feet high; The horizontal ink is several feet, and the body is hundreds of miles. It is a natural trend that those who look at the picture will suffer from the unfortunate and not be tired of being small. If so, then Song, Hua Zhixiu, and the spirit of Xuan Qi can all be obtained in one picture.

Translation: Although the teachings of the ancient sages have been hidden in the Middle Ages, thousands of years ago, we can still explore them through our minds; Although the ideological meaning of the ancient sages is very mysterious and difficult to see outside the images, we can still understand it by studying the books with our hearts. Moreover, he is personally entrenched in the landscape, and he has repeatedly watched it, taking the original shape of the landscape and the shape of the landscape on the painting; With the original color of the landscape, how about painting it into the original color on the screen?

In today's terms, it is a kind of perspective, the perspective method of "seeing the big from the small".

The "three distances" method refers to the fact that in a painting, there can be several different perspectives to express the "lofty", "far-reaching" and "flat" of the scene.

1. Pingyuan, that is, looking at the distant mountains from near the mountains, reflects a kind of level-up realm, and shapes the artistic effect of "the mountains follow the level-up distance". Zhao Mengfu's "Water Village Picture Scroll" in the Yuan Dynasty used the Pingyuan method.

Zhao Mengfu's "Water Village Picture Scroll" in the Yuan Dynasty used the Pingyuan method. The work is only centimeters high and centimeters wide, and the scene unfolds, depicting the clear and peaceful scenery of the south of the Yangtze River with Shazhu villages, fishing boats, hilly causeways, and willow ponds and reeds on the banks.

2. High and far, that is, "from the bottom of the mountain to the top of the mountain", reflects a kind of majestic and magnificent mountain that you can see when you look up. Fan Kuan's "Traveling in Streams and Mountains" is a successful work created by the composition method of lofty and far-reaching. His artistic characteristics, in addition to the use of strong and solid brushwork, are also good at looking up at the way to express the loftiness of the mountain, as Zhao Mengfu commented:

The mountains are pressing. ”

3. Far-reaching, that is, "from the front of the mountain to the back of the mountain". Wang Meng's "Qingbian Seclusion Map" is a masterpiece with far-reaching insights. The work is 141 centimeters in length and 141 centimeters in width. Qingbian Mountain was originally an inconspicuous hill in the south of the Yangtze River.

Wang Meng exaggerated with the method of three distances, in order to highlight a "hidden" character, the author used the "S" shape of continuous momentum, with the alternating combination of heavy mountains and mountains, dense trees and deep streams and other scenes to increase the depth of the mountain, along the search of the stream, after several twists and turns to see a thatched cottage in the depths of the mountain col.

Among them, there is a person who is faintly recognizable, and the person sitting on the bed with his knees crossed is the subject of the painting; Hermits. The success of "Qingbian Seclusion" lies in the creation of a profound and unfathomable space.

You must know that Kunlun Mountain is so huge, and our eyes are so small, if it is very close, to such a distance of an inch, then there is no way to know what Kunlun Mountain looks like. However, if you look at it a few miles away from Kunlun Mountain, you can probably see the mountain situation. That is to say:

The farther away you are from the target, the smaller you see.

Nowadays, the silk is paved so that it can be sketched and painted, and it can be described from afar, so that even the shape of Kunlun Langdi can be expressed within a square inch. Drawing three inches vertically can be regarded as a mountain peak thousands of feet high, and drawing a few feet horizontally, you can experience the scenery for hundreds of miles. Therefore, people who appreciate the pictures, don't think that there is no actual landscape so big, so like, don't be affected by the small expression of the essence of the landscape, this is the natural momentum in it, if you can show this momentum, then the beauty of Songshan and Huashan, the aura embodied in the long valley, can be shown in a picture.

Take a look at Shi Tao's painting quotations, Huang Binhong's painting theory, Li Keran's painting theory, Song Wenzhi's painting theory, Lin Yutang's prose, Wu Guanzhong's prose, etc., you will definitely find what you are looking for.

I get it when the female body listens to the degree of the song.

In a word, the "heart" is the most important, and the understanding of the heart is more important than anything else.