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Anonymous users2024-02-11This may be inevitable, and the copyright of a TV series or movie itself is in the hands of the screenwriter. But it depends on the trade-offs. Existence is definite, but it can be mutually constrained with the producer. Otherwise, it's not a good situation for a single family.
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Anonymous users2024-02-10It's not a hegemony, the screenwriter can decide something, but not everything is decided by the screenwriter, and the director and investor will also intervene.
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Anonymous users2024-02-09I think there is, in the process of writing the script, the screenwriter will definitely have personal preferences and biases, etc., and it is normal to pay special attention to which one.
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Anonymous users2024-02-08You can always see the producer pull the screenwriter over and say what they think, then let the screenwriter write the outline, and finally say, we don't need you anymore.
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Anonymous users2024-02-07It doesn't exist, the screenwriter will sell the copyright to the film crew if he writes the script.
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Anonymous users2024-02-06I don't think there's a problem of hegemony in screenwriters. It's all very democratic now.
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Anonymous users2024-02-05A good script is constantly fine-tuned during filming, only in this way will there be a better TV series or movie presented to the audience, I don't think the screenwriter will have a hegemonic problem over the script, he will also listen to the opinions of the actors, he just plays a decisive role.
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Anonymous users2024-02-04I think this phenomenon is too much, because the screenwriter is original, of course, the rights are relatively large, and then he does whatever he wants.
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Anonymous users2024-02-03When a screenwriter and producer or other screenwriters deal with each other, they can't be too self-conscious, this is more important than the level of creation. I've seen this in the circle, two people with equal strength, people who compare themselves often don't have more opportunities for screenwriters who don't have self, and this self is specifically manifested in the fact that when eating with others, they never pay for it, they don't have a sense of group, they are stubborn, and so on.
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Anonymous users2024-02-02Of course it exists, and it can be said that the entire script is what he says, after all, people are the authorities.
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Anonymous users2024-02-01There must be some screenwriters who are hegemonic because of their interests, and they must have a conscience.
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Anonymous users2024-01-3111 I don't think it's that there is a problem of hegemony in screenwriters, it's that screenwriters don't need screenwriters anymore after writing an outline, for example, an actor said "girl" as "girl", but in the context of that era, Beijingers just called "girl" instead of "girl".
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In fact, this problem is relative, there is a contrast to produce happiness, other people's happiness may not be suitable for you, happiness is like food, some people like salty, some people like sweet, some people like spicy, some people like sour, but unfortunately your life is very bitter, at this time you taste a little sweet, this sweetness may be a lot of sweetness in other people's lives, the energy it produces is very high, just like Cao Xueqin wrote the Dream of Red Mansions, Shi Nai'an wrote the Water Margin, but if your life is full of sweetness, And you may never know if you actually ate sweet. At this time, when you have suffered hardship, you will realize that the previous is sweet! >>>More