Explain what 4.6 Billion Years of Love is about

I didn't understand it either, it seems that Chun saw things that others couldn't see, including tattoos and butterflies, but I couldn't understand what it meant, of course, I don't want to copy and paste it for you, I hope someone can explain it, hey.

I think the theme of 46 is salvation. The beginning of 46 says that this is a group of young people who have lost something, and the story of the youth of the era is wide, and it is the story of Ariyoshi Chun and Kazuki. What exactly did Kazuki and Jun discard?

Xiangyue has violent tendencies and often provokes others for no reason. In his words, "If you don't do it, you'll get annoyed."

When there are too many people, it is very annoying. Shen Senyou" and Chun have obsessive-compulsive disorder, and go to destroy corpses over and over again. They are all outcasts, incomplete people.

But since ancient times, Chun's heart has always had the hope of "wanting to be a real man" Chunru, but Xiangyue's heart has long been as deep as night, lost in fear and remorse.

I don't know if it's a different version, but the beginning I watched didn't mention whales, but it was mentioned at the end. But the muffled red color at the beginning of the film, combined with the gurgling sound, creates a feeling of being under the sea. The whale can be regarded as a kind of totem and ant belief in Japan, after all, it is a maritime people, and the Japanese whaling is not only for food, but also to show the power of a large species of conquest, because the whale is the master of the sea, and conquering it is a symbol of strength.

This corresponds to the old man's constant hint that Youji wants to become a strong, upright, and masculine man.

Personally, I think that the triple rainbow is a happiness that can be hoped for for by Xiangyue. A child who grows up in extreme circumstances meets someone who can give his soul some warmth and comfort. However, this light is too dazzling to have, and I don't think I deserve it.

I didn't see the rainbow, I didn't have to be embraced by Yuji, I didn't experience any happiness before, but I lived as a walking corpse, because life is nothing but pain and loneliness. But when he realized this happiness, that huge uncontrollable sense of loss really made him really have the idea of not wanting to continue living, because there is no hope in living, but death will bring infinite possibilities, and even go to the universe.

I think the whole telegram of Royal Oak is a process of the protagonist's self-redemption, a very heart-wrenching plot, but people can't help but go to the townspeople to see how things develop, a very successful big brother movie, shocking the heart!

Seriously, I didn't understand it when I watched this movie for the first time.,Later, the teacher explained it to us before I had a vague concept.,It's a very good electric slow movie.,It's recommended to go and see it.。

"4.6 Billion Years of Love" is an 84-minute drama film produced by Shochiku Pictures in Japan and distributed by Eisei Gekijo. The film was directed by Takashi Miike, written by Masaya Nakamura, and starring Ryuhei Matsuda, Masanobu Ando, Reishi Ishibashi, Shunsuke Kubozuka, Kenichi Endo, etc., and was released in Japan on August 26, 20061. The film is adapted from the eponymous ** written by Masaki Yadu, and is set against the backdrop of a murder in a prison cell, telling the story of grievances and hatred between two teenagers2.

"4.6 Billion Years of Love" has no general narrative, more hurtless love plot, such as a muttering film in the eyes of some people do not know, but in the eyes of other audiences, it is a very independent film that breaks the convention, the pursuit of the integrity of the story joins the silver valley and the faint emotional drama, but as far as the film itself is concerned, it presents a very beautiful visual effect at a very low cost, and it is still a picturesque, elegant, rich imagination and a film with a peculiar style. (Sohu Review).

The film proves that Takashi Miike is the most artistic director of the twentieth century. This work sings a poem of hope to those who believe that cinema has reached the end of its rope. (Reviewed by Chilean surrealist director Alessandro Jodorowski).

From the main line of the film, this seems to be a suspenseful story that traces the truth of the murder case. But this process of searching for the "true" is in a world that is both real and illusory. The prison in this film is located in a large desert, and the rocket launch pad and pyramid can be seen from the skylight.

The furnishings in the cells were also very different from the reality, with the prisoners' quarters polygonal with radial patterns on the floor and shallow pools embedded in the washrooms. The yellow uniforms of the prisoners are also like elaborate fashions, dancing beautifully with the movements of the characters. This prison is like a drama stage, no, it should be said that it is another world out of reality.

However, this world does not seem to be out of reach.