What does it mean that the peach blossoms do not grow in the grass?

Literally, it should be said that the peach blossoms are delicate and the surrounding flowers and plants are no longer growing. It's a bit of a moon and a shy flower. But only in a personal literal sense.

There is also a sentence that peach blossoms do not grow everywhere, and money is not guaranteed when it lands. This should be understood according to the whole text, so I don't dare to explain it randomly. It shouldn't be a good word.

When handing over the rosé luck, a handful of paws, after this period of time.

Explanation: Last year, in this mountain today, the peach blossoms on the human face were red. The face of the person does not know where to go, and the peach blossoms are still smiling in the spring breeze.

The peach is dying, scorching its glory. The son of the family is home, and it is appropriate for him to live in the house.

The peach is dying, and there is a frenzy. The son is home, and his family room is appropriate.

The peach is dying, and its leaves are blooming. The son is home, and it is suitable for his family.

The article uses the technique of comparison to describe the cheerful, warm, festive and peaceful scene of a woman getting married and starting a family. Similar scenes are rare in the national style, but there are many works of melancholy and meditation. According to Zhu Xi's way of interpreting "Guan Guan Ju Dove", I am afraid that "Peach is dying" can be explained like this:

It is not so much a simple depiction of a festive scene as it is a kind of desired social ideal hidden in it; This social ideal is the idea of the home that has haunted people for thousands of years——— home as a place of peace and security, an eternal idea, a starting point and a destination. Combined with the traditional Confucian idea of self-cultivation and Qi family ruling the country and leveling the world, this understanding is probably not out of line.

In the words of modern general and abstract terms, such works are the crystallization of the creation of the working people, and from the perspective of the Confucian tradition that occupies the mainstream of history and culture, works such as "the peach is dying" can also be classified as the collective memory of this society. The peach blossoms, in our cultural inheritance, also play a profound cultural symbol of "going home" to a certain extent.

However, this cheerful and festive scene is suspected of being naïve because it is too premature and too bright. By involving so-called social ideals, there is a bad intention of historical grand narrative and even moral intervention (traditional Confucianism has worked very hard in this regard). However, in the world, as the Buddhists say, after all, there are many sorrows and sorrows, and joy and joy are often absent, and there are many sighs and sighs in the midst of sorrow and contemplation.

Among the many poems that borrow peach blossoms to express their nostalgia, Cui Hu's "Poems on the South of the City" in the Tang Dynasty has been circulated far and wide.