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Gold and bronze Buddha statues have bronze, brass, red copper and other copper alloys, etc., but the use of copper in different periods is not the same, the copper Buddha before the Yuan Dynasty generally used bronze, there are also some red copper products, after the Yuan Dynasty, there were more copper-zinc alloy brass and pure copper made of the so-called red copper Buddha statue, and the gilded Buddha statue on the bronze is generally called the gold and bronze Buddha statue, and the brass Buddha statue is mostly not gilded; When we appraise, we should pay attention to the fact that copper is different in different periods. For example, the same Qing Dynasty, the early and middle periods are different, especially in the Qianlong period, because of the strong national strength and the royal family's worship of the Buddha statue, the Buddha statue made at this time is particularly good with materials, so the Qianlong period Buddha statue has a particularly heavy feeling, and to the late Qing Dynasty Buddha statue, the feel is much lighter. Then there are the Buddha statues produced in different regions or under the influence of different regions, and the copper and materials used are also different.
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1. Look at the material. Gold and bronze Buddha statues have bronze, brass, red copper and other copper alloys, etc., but the copper used in different periods is not the same, the copper Buddha before the Yuan Dynasty used bronze, there are also some red copper products, after the Yuan Dynasty, there were more copper-zinc alloy brass and pure copper made of the so-called red copper Buddha statue, and the gilded Buddha statue on the bronze is called the gold and copper Buddha statue, and the brass Buddha statue is mostly not gilded.
2. Look at the logo, mount, handprint, and sitting posture. The Buddha statue is very rigorous in its manufacture, and the statue's logos, mounts, handprints, and sitting postures are all very standardized.
3. Look at the face, body shape and clothing. The facial features, body proportions, muscles and clothing characteristics of the Buddha statue, etc., different dynasties, even different periods of the same dynasty have many changes, such as the Sui and Tang dynasties, although the overall style of the Buddha statue is similar, but the face is still slightly different, the Buddha and Bodhisattva of the Sui Dynasty have a semi-circular face shape, and they have become slightly thinner since the beginning of the Tang Dynasty.
4. Look at the style. Style refers to the inherent written materials of the Buddha statue itself, such as inscriptions and inscriptions, etc., which have a certain reference role for collectors when identifying the authenticity of the Buddha statue.
5. Smell the smell. Ancient gold and bronze Buddha statues or other wood, ceramic and other materials of Buddha statues were burned by smoke and fire when they were worshiped by people for a long time, or buried underground for a long time.
As long as it is carefully sniffed, it can smell the smell of fireworks, mold or decay, while modern imitations do not have this smell at all, even if some counterfeit products are smoked or buried in the ground and other old methods, it will inevitably reveal flaws, or the smell of fireworks is too strong, or the smell of earth is too strong.
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Whether the thing is good or not, send it to the machine first.
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The identification of gold and bronze Buddha statues should be based on the type, weight, color, etc., to excavate the historical traces solidified on the Buddha statues.
Type Ancient Chinese gold and bronze Buddha art is divided into two parts: Han Buddha art and Tibetan Buddha art, and the style differences should be distinguished; Find out the texture of bronze composition or gilt; Combined with the characteristics of the times, the standard is used as the basis for authenticity to judge whether the bronze Buddha statue belongs to the new imitation and whether it has been old.
Color Ancient Buddha statues are placed on the Buddha shrine to worship, after a long time of fireworks in the world, the sun and the moon erosion, especially the gilded bronze statue surface color is dull, in the sunlight refracted back the light soft. The newly imitated and old-fashioned bronze Buddha statues refracted the light more dazzlingly.
Quality The copper used in ancient Buddha statues is pure and heavy, especially the thickness of the casting utensils. Imitation gold and bronze Buddha statues are generally impure copper, light in weight, and use noisy gold materials.
Craftsmanship Restricted by the ancient production process, the Buddha statue after casting must be treated with meticulous sculpture techniques, and the expression, clothing, and base processing traces are clearly visible. Modern bronze Buddha statues are polished using a mechanism to produce very regular processing marks.
Sense of smell The ancient bronze Buddha statue, after long-term worship and smoke fumigation, can smell the smell of fireworks; If it is buried underground for a long time, it can smell moldy and decaying. Modern imitations, on the other hand, smell of chemical corrosion. The gold and bronze Buddha statue with a long history is a collection of art that the public likes, and the gold and bronze Buddha statue is one of the best works of art in Buddha art, and it can be appreciated by the public.
The above is the identification method of gold and bronze Buddha statues, and some collectors can rely on the above methods to go to the identification.
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Identification of different species:
In the Northern Dynasty (after the Northern Wei Dynasty), the head of the Buddha statue is a bowl-type cover, with a long face and thin face, a high nose and big ears, closed eyes and concentrating, a clear face, a high forehead bun, a spiral type, a robe, and a right shoulder. Some sit cross-legged, while others sit cross-legged with their palms facing up. The Buddha seat is either a Sumeru seat with a short waist or a 4-legged square seat.
Some of them have neck-mounted lights, and some of them have backlights behind them, all of which are pointed, surrounded by flame patterns. Another significant feature of the statue of the Northern Wei Dynasty is that the main Buddha is often 1 to 2 Bodhisattvas on both sides, mostly in a standing posture.
In the Sui and Tang dynasties, the bronze statue was tied with a lotus crown on the head, the face was round, the cheeks were fat, the forehead was high, the monk branch was dressed, the robe was draped, and the pleated skirt was worn under the wide coat, hanging down on the feet. Under the seat there is a double-layer 4-legged high bed or a single-layer 4-legged bed, and the neck or backlight is a thicker pointed frieze.
The bronze Buddha statues of the Song Dynasty are mostly Bodhisattva statues, some with high hair buns, fat faces and pointed bottoms, and tall and long figures. Some legs are arched and fallen, the left arm is placed on the arched leg, and the right hand is hung down and pressed flat on the seat. The skirt is slightly pleated and falls behind the legs, with the left hand crossed over the leg and the right hand stretched forward on the abdomen.
Wearing a tassel, sitting on a thin waist round seat with two layers of lotus flowers. In the Song Dynasty, there were bronze statues of Fuxian, Manjushri and Guanyin, sitting on a rectangular four-legged seat or on the back of a statue, a lion's back, and a raccoon back. There is a bronze Bodhisattva statue of great compassion in Longxing Temple in Zhengding, Hebei.
It is more than 22 meters high, with a total of 42 arms, the shape is slender and long, the proportion is symmetrical, the clothing is smooth, and it is rich in the artistic style of the Song Dynasty.
The bronze Buddha statue of Clam Qing is mostly thorny, some of the thorns have sarcoma on the top of the head, big ears, a meat fold on the chin, and one to four meat folds on the neck, the more meat folds, the closer the age. Some of the chests are cast with the word "", draped robes, chest-topped, cross-sitting, palms generally facing upward. The lotus-shaped or mountain-shaped seat is relatively high compared to the previous generation, and the base has no file marks.
The inscription may be in front of the seated leg. The sitting posture is varied, and the legs are either crossed and fallen, or arched and fallen. Songkhapa wears a "" hat.
The color is red, and the gold water is yellow and thick.
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Summary. Hello, dear, I'm glad to answer for you: I have a small Buddha statue with pure gold written underneath, and I don't know if it's really gold or copper?
Does anyone understand? What age is it? Thank you!
Kiss, hello, here for you to find is: the small Buddha statue is written under the pure gold, which means that the Buddha statue is made of alloy Oh kiss, you can take the Buddha to your ** high reputation shopping mall to resell Oh kiss.
I have a small Buddha statue with pure gold written underneath, and I don't know if it's real gold or bronze? Does anyone understand? What age is it? Thank you!
Hello, dear, I'm glad to answer for you: I have a small Buddha statue with pure gold written underneath, and I don't know if it's really gold or copper? Does anyone understand?
What age is it? Thank you! Hello, dear, here for you to find is:
The small Buddha statue is written under the pure gold, which means that the Buddha statue is made of alloy, and you can take the small Buddha to your ** highly reputable shopping mall to resell it.
The so-called pure gold is used to describe gold that is full of color. Generally speaking, gold with a gold content of at least 99% is called pure gold. Understand the meaning of pure gold, and it is clear that the difference between pure gold and ** - ** refers to all the color of gold, and pure gold is also a kind of **, but only the gold content of ** can be called pure gold.
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