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The exquisite gonghou made of Wu silk, bamboo and Shu tong, the music that came out floated in the sunny late autumn. Then I heard the beautiful music, condensed in the white clouds in the sky, no longer floating, that Jiang'e was sprinkled with spotted bamboos at eight o'clock, and the Su Nu in the Nine Heavens was also full of sorrow, where did this wonderful music come from? At that time, Li Ping played the gonghou in the national capital, like Kunlun Meiyu's crisp slamming voice, like the phoenix's passionate and loud singing voice, like a hibiscus crying in the dew, like an orchid with an open smile and gentle speech.
The streets and alleys of the entire Chang'an City are as quiet as immersed in a cold light, and the twenty-three strings are plucked high, and the heartstrings of the gods are also attracted by the music. The high-pitched music, straight into the sky, the female disaster is to make up the sky of the sky tremble, as if the color stone of the sky was broken, leading to the sound of autumn rain, the night is deep, the music brings people into the dream, dreaming that Li Ping's intention to teach the goddess, the old fish in the lake are also jumping in the waves, the dragon in the pool dances and dances slowly, Wu Zhen in the Moon Palace is deeply attracted by the music, wandering under the osmanthus tree all night, and the rabbit under the osmanthus tree also stands and listens, regardless of the dewdrops!
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In the palace, in the late autumn on a sunny day, Wu Sishu Tong made exquisite gonghou and played a beautiful music. There are many white clouds in the sky to hear the beautiful music, condense and admire, and no longer float; Listening to the Xiang'e tears sprinkled with bamboo, Listening to the nine days of plain women full of sorrow. Looking at the palace from a distance, I saw Li Ping playing the gonghou in the national capital.
This voice is like the sound of Kunlun Meiyu hitting clearly, like the passionate and loud singing voice of the phoenix; Like a hibiscus sighing and crying in the dew, and like an orchid laughing softly in the wind. The cold air and light in front of the twelve gates of Chang'an were all melted by the sound of gonghou. Twenty-three strings are plucked high, and the heartstrings of the gods are also attracted by the music.
The high-pitched music soared into the sky, shaking the canopy of Nuwa's refining stone to make up the sky. It was as if the sky was shattered by a shock stone, leading to the sound of autumn rain in the sky. The night is deep, and the music brings people into dreams, as if Li Ping taught his skills to the goddess; The old fish in the lake also jumped up in the waves, and the thin dragon in the pool danced and danced leisurely.
In the Moon Palace, Wu Gang was deeply attracted by the music, and lingered under the osmanthus tree all night. The rabbits under the laurel tree also stood and listened, ignoring the dewdrops flying obliquely and chilling!
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I don't have time in an Internet café, but I still recommend that you write it yourself, you can imitate An Yiru's poetry review If life is only as it first saw At that time, it was just ordinary Mo on the flowers slowly returned to think innocent Any book.
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Li Pinggong Hou Citation" appreciation:
This poem uses a series of unexpected metaphors to vividly reproduce the poetic realm created by the musician Li Ping, vividly record Li Ping's superb skills in playing Konghou, and also show that the author has a deep understanding of the music and has a rich artistic imagination. The language of the whole poem is beautiful, the conception is novel, and the way is unique, the music itself is described in only two sentences, and a large amount of brush and ink is used to render the moving effect of the music that is earth-shattering and crying ghosts and gods, and a large number of associations, imaginations and myths and legends make the work full of romanticism.
Li Pinggong Hou citation (excerpt) "Li He.
Wu Si Shu Tong Zhang Gaoqiu, empty mountains and clouds are not flowing.
Jiang E cried that the bamboo was sorrowful, and Li relied on China to play the gonghou.
Kunshan jade broken phoenix called, hibiscus wept and smiled.
The most important feature of the poem is that the imagination is peculiar, the image is distinct, and it is full of romanticism. The poet is committed to transforming his abstract feelings, feelings and thoughts about the sound of Konghou into concrete objects through association, making them visible and sensible. The poems do not directly judge Li Ping's skills, nor do they directly describe the poet's own feelings, but only imitate the sound of music and its effects.
However, throughout the whole text, the poet's feelings are everywhere, and his feelings and evaluations of the music are expressed in a tortuous and clear way. This makes the external image and the inner emotion merge and change, constituting an artistic realm that can be pleasing to the eye and the heart.
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Summary. Hello dear! Glad to answer your questions:
Wu Si Shu Tong Zhang Gaoqiu, empty mountains and clouds are not flowing. -- Environmental rendering of the law Jiang E cries bamboo plain women are worried, and Li relies on China to play the gonghou. ——Action depiction of the jade broken phoenix in Kunshan called, and the hibiscus cried and smiled at Xianglan.
With the sound imitation sound method, the listener reaction method melts the cold light in front of the twelve doors, and the twenty-three silks move the purple emperor. ——Environmental rendering method Nuwa refining stones to make up for the sky, and the stone breaks the sky to tease the autumn rain. ——The association allusion method dreams into the sacred mountain to teach the gods, and the old fish dances the wave and thin Jiao dance.
In the form of a metaphor sound method, Wu quality sleepless leaning on the laurel tree, showing his feet and flying obliquely wet and cold rabbits. - Listener response method.
Li Zhengzhi relied on the "Gong Hou Citation" according to the prompts, to summarize the method of describing the durability of each sentence. For example: Wu Si, Shutong, Zhang Gaoqiu, empty mountains and clouds, and dregs do not flow - environmental rendering method.
Hello dear! I am happy to provide you with an answer: Wu Si Shu Tong Zhang Gaoqiu, empty mountains and clouds are not flowing.
-- Environmental rendering of the law Jiang E cries bamboo plain women are worried, and Li relies on China to play the gonghou. ——Action depiction of the jade broken phoenix in Kunshan called, and the hibiscus cried and smiled at Xianglan. With the sound imitation sound method, the listener reaction method melts the cold light in front of the twelve doors, and the twenty-three silks move the purple emperor.
The environment rendering method Nuwa refines the stone to make up for the sky, and the stone breaks the sky and teases the autumn rain. ——Lenovo allusion method dreams into the sacred mountain to teach the gods, and counts the old fish in the shed to dance the wave thin Jiao dance. —Talking—Using the metaphor of sound method, Wu Zhi sleeplessly leans on the laurel tree, and flies obliquely on the wet and cold rabbit with bare feet.
- Listener response method.
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