Thank you very much for the writing background that Li Pinggong Hou cited

"Li Pinggong Hou Yin" depicts that on a late autumn night, the poet heard the beautiful music of Konghou, the music was crisp, as if the beautiful jade of Kunlun Mountain was shattered, the phoenix was chirping, and even the fish and dragons on the ground and the gods in the sky would be attracted by the music.

Author of "Li Pinggong Hou Citation".

The author of Li Pinggong Hou Citation is the Tang Dynasty poet Li He. Li He, whose name is Changji, is known as the "Three Lis of the Tang Dynasty" with the poets Li Bai and Li Shangyin. Li He's poems have a romantic style and rich imagination, not only quoting myths and legends, but also often referring to the past and the present in the poems, so later generations will praise Li He as a "poetic ghost".

The original text of the "Li Pinggong Hou Citation".

Li Pinggong Hou citation".

Wu Si Shu Tong Zhang Gaoqiu, empty mountains and clouds are not flowing.

Jiang E cried that the bamboo was sorrowful, and Li relied on China to play the gonghou.

Kunshan jade broken phoenix called, hibiscus wept and smiled.

The cold light melts in front of the twelve doors, and the twenty-three silks move the Purple Emperor.

Nuwa refines the stone to make up for the sky, and the stone breaks the sky and teases the autumn rain.

Dreaming of the gods and goddesses in the sacred mountain, the old fish danced the wave and thin Jiao dance.

Wu Zhi sleepless leans on the laurel tree, and flies the wet cold rabbit with bare feet.

In Li He's "Li Pinggong Hou Citation", he uses metaphors, quotations, and anthropomorphic techniques to express the charm of **.

1. Parables. This poem uses a series of unexpected metaphors to vividly reproduce the poetic aftermath of the musical worker Li Ping's creation of the ** realm, vividly record Li Ping's superb skills in playing Konghou, and also show that the author has a deep understanding of the music and has a rich artistic imagination. The language of the whole poem is beautiful, the conception is novel, and the way is unique, the music itself is described in only two sentences, and a large amount of brush and ink is used to render the moving effect of the music that is earth-shattering and crying ghosts and gods, and a large number of associations, imaginations and myths and legends make the work full of romanticism.

2. Citation. Xiang'e and Sunu, who are good at drumming, were also touched by this music and burst into tears. The sentence "Empty Mountain" empathizes with things, and the cloud is written as having human auditory functions and thoughts and feelings, which seems to be a step further than "If the sky is loved, the sky will be old" ("Golden and Bronze Immortals and Han Songs").

It cooperates with the following "Jiang'e" sentence, complements each other, and strives to highlight the magic and beauty of the sound of Konghou, with the charm of "shocking the world, crying ghosts and gods".

3. Anthropomorphism. Fleur weeps and smiles", the idea is peculiar. Hibiscus (i.e., lotus flowers) with dew are not uncommon, and orchids in full bloom do give the impression of smiling.

They are all the embodiment of beauty. The poet uses "Hibiscus Crying Dew" to copy the sadness of the sound of the piano, and uses "Xianglan Smile" to show the joy of the sound of the piano, which can not only be heard, but also witnessed. This method of expression is really wonderful in both form and spirit.