What are some creative paintings that combine classical and modern?

In the Mountains and Seas. There are a lot of illustrations in it, all of which make use of a combination of classical and modern. Some of the fish, birds and turtles in it all use a line function that we have learned now, and also use some classical techniques, so this is a more typical combination, and then the creative painting formed, in the Classic of Mountains and Seas, there are still a lot of such painting methods.

Because we know that classical painting in general emphasizes the painting of gods, and in most cases it is expressed in an abstract way. But in modern times, I want to make this thing very realistic, for example, the Mona Lisa is a very good combination of classical and modern. It uses some more classical techniques, but it can reflect modern factors, and the portrait is so realistic and so regular, so it is said to be a good combination.

If it were me, I would probably think that the Mona Lisa is a complete combination of classical and modern creativity. For this story, he is a painting that was presented in the early era, but in terms of some of our current techniques, it is still far from being reached, and some of them reflect some contemporary painting styles. But judging from its overall shape or the effect it presents, there will still be some classical style.

I have seen a creative painting that perfectly combines ancient and modern before, that is, a particularly atmospheric and high-end car is parked in front of the Forbidden City, this painting paints the classical feeling of the Forbidden City very vividly, and combines modern cars in it. It was a particularly good idea, and I was very impressed.

For example, modern arts and crafts. When painting, we often find some people, he embodies the connotation of national culture in the painting, and by the traditional graphic painting and craft performance, the current world economic development belongs to a global trend, China's industrial design is to return to the traditional, but also to combine with the development of the times, so it has created a combination of ancient and modern painting.

The characteristics of neoclassical art are: the choice of severe major themes (major events in ancient history and reality), and in the form of art, emphasizing rational rather than emotional expression; Emphasize integrity in composition; In terms of modeling, attention is paid to sketches and contours, and attention is paid to sculptural figures, but not enough attention is paid to color. French neoclassical art from Vian, Davide to Ingres, has achieved the best achievements and reached its peak.

The Romantic School abandoned the well-proportioned and solemn form of the classical school and the perfectly balanced composition, and advocated the depiction of heroic and meaningful events in real life through full colors, strong dark contrasts, and rapid rhythms, thus creating touching scenes.

Western painting emphasizes the use of color, typical of Raphael's "School of Athens". This is also the most essential difference between Western painting and Chinese painting.

In the eyes of modernist painters who are committed to the pursuit of pure art, traditional painting is mixed with too many "non-artistic impurities". In fact, it is not that traditional Western painting does not emphasize art, but it takes into account many non-artistic aspects while paying attention to artistry. This is probably an important sign that distinguishes traditional painting from modernist painting.

This impurity of traditional painting in art is mainly manifested in utilitarian and descriptive aspects. Poplar.

1. Line is the soul of artistic expression in Chinese painting.

Chinese painting mainly uses lines to depict objects, especially in traditional Chinese paintings, and the most aesthetic value is the art of lines. However, the line-based modeling painting technique is not unique to Chinese painting, and Western classical painting also attaches great importance to the use of line. So, what is the difference between the lines used in traditional Chinese painting and those used in Western classical paintings, and is there any essential difference?

1. The line in Western classical painting belongs to the surface of light in the natural form. Let's take a look at how Western painters in the classical era talked about the use of line. Reach.

From the 17th century to the 19th century, it was a cultural trend and artistic trend that was popular in various European countries. It originated in France in the 17th century and has three different artistic tendencies. The first is the works of the Classicist school:

Marat's death is mainly a nostalgic and imitation of the artistic style of ancient Greek and Roman classical works, and the classicism represented by Poussin that advocates eternity and natural reason. In a narrow sense, there is a second tendency to take the nostalgic style that arose during the French Revolution from the end of the 18th to the early 19th century, and the classicism represented by Dawit that propagates the spirit of revolution and struggle may become neoclassicism. The third is the academic classicism represented by Ingres, which pursues the perfect form and exemplary style.

As an artistic trend of thought, the aesthetic principle of classicism is to use ancient artistic ideals and norms to express realistic moral concepts, and to express contemporary ideological themes with typical historical events, that is, to use the past to metaphorize the present. Classical painting takes this spirit as its connotation, advocating elegant and sublime themes, solemn and simple forms, emphasizing rationality and despising emotion, emphasizing sketching and rigorous appearance, devaluing the expression of color and brushstrokes, pursuing the balance and integrity of composition, and striving to make the works produce a quiet and severe beauty of ancient times. In terms of technique, classical painting emphasizes precise sketching techniques and soft light and dark tones, and pays attention to making the image shape present a sculptural conciseness and generalization, pursuing a grand composition and solemn style and spirit.

The concept of modern painting is modern painting, and the concept in the book will make you turn your head, so let's study art history seriously, be modest and calm, and be anxious to eat hot tofu.

Modern art of the 20th century.

Three Masters of Modern Art:

Matisse (Fauvism), Picasso (Cubism), Dalí (Surrealism).

Since the beginning of the 20th century, modern art has presented a situation of multiple genres and various forms. Fauvist painting, represented by Matisse, was born in 1905, emphasizing the purification and flatness of form, and pursuing the decorative nature of the picture. The Cubist paintings, represented by Braque and Picasso, which emerged in 1908, inherited Cézanne's law of form, decomposing natural objects into geometric blocks, thus fundamentally breaking away from the visual laws and spatial concepts of traditional painting.

With the establishment of the Bridge Society in 1905 and the Blue Knight Society in 1909, expressionism appeared on the painting scene as an important genre, which focused on expressing the subjective spirit and inner emotions of the painter. In 1909, the Futurist art movement emerged in Italy, and painters of this school were keen to use the Cubist method of breaking down objects to express moving objects and the sense of movement. Abstract art works were produced around 1910, represented by the Russian painter Kandinsky and the Dutch painter Mondrian, who in turn represented lyrical abstraction and geometric abstraction respectively.

Dadaism, a trend of thought that arose during the First World War, was a school of artists who not only opposed war, authority, and tradition, but also denied art itself, and everything else. Dushand will reach.

In addition to the above, the modernists have more vivid colors, and also have some new thinking added, such as: various relationships between men and women, which are reflected in multi-element colors!