More leaky Huang Tingjian to help appreciate it

Meaning: A light and graceful beauty combs her soft and lovely hairstyle, and her delicate nails and gold and silver zither complement each other. The sound of the piano ended in a rapid and high-spirited melody, and those princes were still smirking at the beauty and the guzheng in front of her.

Forget it, forget it, don't do it again, I'm bored plucking the strings in my worries. It's better to escape from this earthly world, but this matter is a bit mysterious, don't you see those monks who are hiding in the mountains to cultivate also spend their years in vain?

Appreciation: Although the word is in a minor key, but the jump is very large, the author does not hesitate to write in the upper run, but it is fictional: Wang Sun feast, there are beauties playing music to help the fun, this is a romantic and warm scene, but the author only describes the beauty's figure, hairstyle and jade hand manicure, but does not mention the most important part of the beauty, giving people a feeling of seeing flowers in the fog, which shows that the author is deliberately creating this atmosphere, but not because the person who plays the piano is a saltless mother-in-law, otherwise the author will not use a "photo" word, and those kings and grandsons will not" Look at it with a smile."

Sure enough, the author used two three-fold words at the beginning of Xia Rong, indicating the author's hardship and sorrow about the impermanence of the world, whether the scene depicted in Shang Rong is imaginary or reminiscing, it has become illusory, prosperity is no more, beauty has passed away, and the boring "I" tried to use the sound of the piano to drive away the worries in my heart, but it had no effect, so "I" thought of living in seclusion in the mountains and forests to escape the world, but this thing is very mysterious, even those monks who live in seclusion in the mountains and forests all day long have not unlocked a bowl of Zen, what is the use of seclusion? The next two triassic words fully illustrate the author's ambivalence in a dilemma.

The jade furnace incense, the red wax tears, the autumn thoughts of the painting hall. The eyebrows are thin, the temples are cloudy, and the night is long and cold.

Sycamore trees, three more rains, not to leave the love is bitter. A leaf, a sound, the empty steps drip to the light.

This is a very gentle lyrical poem, and it is one of Wen Tingyun's many poems. There is a scene in the whole poem, there is love in the scene, and you can even hear the sigh and the sound of rain at that time. Throughout the whole word, it seems to be a connection of objects and images, but it is actually the beginning and end of the author's inner thoughts.

The sad thoughts in the heart are expressed through the touch, sight and even hearing of words. The whole word seems to be a scene, but it is actually a love.

The peculiarity of the whole poem lies in the choice of imagery, each of which actually contains the feelings of an author or a person related to the author. "Jade furnace incense, red wax tears, partial to the painting hall Qiusi" with red candles and precious jade furnace smoked room, naturally can imagine that this is not an ordinary room, but a woman's boudoir, the "tears" in the text are not only wax tears, but also sad women's tears, candlelight shines on the gorgeous wall, the color of the painting, but what you see is not your husband, only hope that the candle tears empty lovesickness. "The eyebrows are thin, the temples are remnant, and the night is long and the pillow is cold" means that the color of the painted eyebrows is light, the hair on the temples is also messy, the waiting time is too long, the clothes and pillows are cold, but the return of the husband has not yet been seen.

The previous sentence is written about the situation in the room, taking the newlywed boudoir as an example, through this typical scene to show the woman's thoughts about her lover, the reading emotion is deeper and deeper, giving people a sense of reality as if they are next to that room. The latter sentence focuses on the woman's body, writing both about things and people, and both of them choose representative images from the environment at the time to express the anxiety and urgency of the woman's heart. Write about the changes in the woman's heart with static things, I don't know how long it will take for the husband to come back?

The lower rhyme is built on the basis of the upper rhyme, because the woman has no way of knowing when her husband will return, and the feeling of longing will naturally become more profound under the urging of time. "Sycamore tree, three more rain, not to leave the love is bitter" appeared in the ancient literati commonly used to represent the image of longing, and the sycamore rain, the rain is on the third watch, indicating that the woman has indeed waited until late, the sad artistic conception of this word is so revealed, the "ticking" sound of the rain splashed outside the window without any scruples, the sky is crying, people are also crying, and no one cares, no one takes care of it, and it makes the woman heartbroken. "A leaf leaf, a sound, the empty step drops to the light" in the author uses the technique of overlapping words, out of the charm of being able to coordinate the whole word, it should also have some kind of implicit meaning, "leaf" may represent "night", a sound for the rain, a cry, the sycamore leaf in this rain crying people crying in the sad scene was swayed all night, the woman was waiting all night, and also shed tears all night.

The rain dripped down until dawn.

Is it a point-by-point appreciation like a language appreciation question, or is it such a long article-style appreciation like the brother above?

[Age]:Tang Dynasty.

[Author].: Mao Wenxi - "More Leaky".

[Contents]:Spring leaves, spring hate, flowers outside the moon.

People don't see, dreams are hard to follow, red yarn is a little light.

Partiality and farewell, it is a fragrant festival, and there are thousands of lilacs in the court.

The night fog disperses, the dawn glows, and the beams fly between the two swallows.

[Author's biography]:(living around 913 A.D.), a native of Nanyang (now Nanyang, Henan), Tang Jinshi, later served as a scholar of Hanlin in Later Shu, promoted to the Inner Privy Envoy, added to the scholar of Wensi Temple, and worshiped as Situ. Later, he was demoted to Maozhou Sima.

Later Shu surrendered to the Later Tang Dynasty, and Mao Wenxi followed the Shu Emperor Wang Yan into the Later Tang Dynasty together, and served in the inner court with Ouyang Jiong and others.

[Notes]:Diaphragm: Remnant, exhausted, late.

Lilac knot: Here it is said that the knot cannot be opened, and the sorrow of the Jews is indissolvable.

[Appreciation].The sound of the sub-rules, the night moon is heavy, and it is already the time for the night to be quiet. And people are not seen, and dreams are difficult to rely on. Alone with a lonely lamp, sleepless all night.

In the blink of an eye, "the night fog is gone, the dawn is bright", and the double swallows between the beams make people feel more sad. This small poem of the Spring Festival is a small word of nostalgia, the scene is harmonious, graceful and colorful, and it is one of the famous articles of "Flowers".

Yu Qiyun's "Selected Interpretations of the Two Song Songs of the Five Tang Dynasties": This word is a nostalgic for the spring night. In other words, people are not seen, and the dreams of false claims are not founded, so they are accompanied by the present, but this little gauze lamp illuminates my blurred dream ears. Under the rhyme, the spring is conceived, the sun is bright and the fog is dispersed, and the swallow is double and the person is alone.

Xuzhuang's "Xuzhuang Manji": Such a graceful and resentful work should be its work.

More leaky jade furnace incense, red wax tears, biased to the painting hall autumn thoughts.

The eyebrows are thin, the sideburns are raised, and the night is long and cold. Sycamore trees, three more rain, not far from the Li's blue love is bitter.

A leaf, a sound, the empty steps drip to the light.

Vernacular translation. The jade furnace emits cigarettes, the red candles drip with candle tears, and the swaying light and shadow reflect the autumn thoughts of the people in the painting hall.

The color of her eyebrows had faded, her sideburns had become disheveled, and she couldn't sleep peacefully for a long night, only feeling that her pillow was cold.

The sycamore tree outside the window was drenched in the cold rain of the third watch, and she didn't care that she was sad about parting in the house.

Drops of rain are beating the sycamore leaf by leaf, dripping on the stone steps of no one until dawn.

Introduction: "More Leaks, Jade Furnace Incense" is a lyric work by the Tang Dynasty writer Wen Tingyun.

This word expresses the sorrow of the longing woman. Shang Yan writes about the interior objects, although it is a warm and peaceful scene, the nucleus is scattered, but the lonely woman tosses and turns, her face is untidy, her sideburns are scattered, and she endures the cold and pain between the pillows; Xia Yun depicts the mood of the characters by writing about the woman listening to the rain outside.

The whole word is from indoor to outdoor, from visual to auditory, from real to virtual, constituting a rich melancholy. The upper rhyme is dense and beautiful, the lower rhyme is sparse and smooth, one dense and one sparse, one thick and one light, and the emotional changes and development are natural.