How do you feel after reading the world famous novel Sprout , and what artistic value does it have?

The first is the word "Ranglan". Child laborers have a shrewd and cunning personality that is completely different from the family personality. His grandfather lived a long time and was always a hardworking old man.

The misfortune of his loved ones showed that although he ate a piece of black phlegm, at least he was lucky to live forever. His father was the quintessential "best family pillar" man. He is a middle-aged man who is praised in all his literary works.

He did a good job and was honest. The mother is also the "best housewife", who can give birth, raise and manage, and is extremely tenacious. The eldest brother is a frivolous, playful, immature but generally decent young man.

The eldest sister is a kind and hardworking girl but not a smart girl, and the hunchbacked sister is an honest, kind and hardworking good child. The next group of siblings can't see their personalities yet - so his presence is really different.

And then there's the "longevity". Generations of coal miners and silicosis patients, with strong hands but broken legs. They've been through a lot.

Of course, they are docile and not very daring. This character is the spokesperson of "reality" from the beginning, and the image is not as idealistic as that of a son and daughter-in-law.

Whether it is in the early stage or in the middle and late stages, he is so frivolous - he wants to drink with rich partners, he wants to take care of lovers who have no money, and he wants to play ball during the strike. But in the end, his sister was in danger, and he suddenly showed anxiety that no one else could match. It also gives me a sense of realism, because this kind of person is so simple-minded.

A simple heart makes him ruthless, a simple heart makes him despair, and a simple heart kills him in the end.

The novel ideas, the extension of divergent thinking, and the diversification of expression forms have given birth to many personalized languages and won a large number of loyal supporters of college and middle school students. When I was in junior high school and high school, this magazine added a lot of surprises to boring textbooks. I think reading "Sprout" can help you break the stereotype, innovate and improve your Chinese reading ability.

After reading this book, I learned a truth, that is, we think that the trivial things may be able to change the lives of others, maybe just a sentence or a small action, so we must learn to be ourselves, when we usually get along with others, do not deny others like the boy's father, and use very white lies to make up for the ridiculous ideas in the eyes of others.

I think that in the future, we should have a more responsible attitude towards our own lives, we should think about what we want to do, and we should not waste time and waste time, which I think is very important for the ideological inspiration of the future development of mankind.

I think life is very powerful, sometimes a bud can grow into a towering tree, and the writing in it is still relatively beautiful.

A famous writer who recently passed away, the Chinese Writers Association.

Vice Chairman Lu Wenfu.

Cao Yang. Zhao Changtian.

Zhang. Liu Wencheng, Zhou Jieru, Shang Yang, Zhang Xiong, Lu Wei, Wang Shujin.

Han Han, Guo Jingming, Zhang Yueran.

Cai Jun, Na Duo, Li Haiyang, Ma Zhongcai, Wang Haoshu, Zhu Jing.

Now there are a lot of new people pouring out.

Such as: Ding Kaibin, Zhao Tianning, Wei Tianyi.

These are a group of people born in the 90s.

Sprout is an excellent work of critical realism with high cognitive value. Zola's greatest merit lies in the fact that he was not only the first bourgeois writer to create a proletarian figure in his own work and to make the proletariat the protagonist of his work, but also the first bourgeois writer to discover the irresistible power of the bare hands of the workers and to express deep sympathy for them. However, it is not without regret that none of the four leaders of the workers' movement portrayed by Zola in The Sprout are typical of true proletarian revolutionaries.

This is an inevitable reflection of the writer's worldview, especially his ideas of social reformism. On this point, the Chinese proletarian writer Qu Qiubai once clearly pointed out that the fundamental ideas expressed by Zola in "The Sprout" "have never escaped the utopia of social reformism."

"Sprout" is a symbol of the development of literary history in the process of comprehensive transformation of contemporary Chinese society, the market economy and the beginning of the Internet era. The main basis for my evaluation is the "New Concept Essay Contest", which started 10 years ago and has not been declining ever since. The literary historical significance of the "New Concept Essay Contest" is extremely prominent in at least a few aspects.

First, at a time when the writing and publication of literature has been violated by rigid systems, conventions or habits, the New Concept Essay Contest has activated the original literary spirit and literary life at the social level with its brand-new concept of literary writing, especially to make literary writing have a direct relationship with the youth growth process of one generation or even several generations, and literary writing has fundamentally broken through the previous regulations and truly become "the literature of life". In China's experience, this kind of dramatic change can only be accomplished and achieved by the power of the state. But now, it is "Sprout" that has taken advantage of the tide of social transformation and helped it with the efforts of a publication.

Second, it no longer relies mainly on political or ideological power, and directly connects literary writing and literary education, which not only makes literary writing extraordinarily pure, but also makes it possible for literary education to embark on the road of self-reflection and liveliness and openness. This is not only a question of literary writing or literary education itself, but most importantly, living literature has since truly (re)become a form and content of life education, which has promoted the change of institutionalized school education in a broad social sense. Third, it directly contributed to the birth of a group of the youngest contemporary literary writers.

But it's not just the birth of a generation of writers. This group of writers (generally known as "post-80s" writers) are all very different from all previous generations of writers because of the social conditions, cultural conditions, living conditions and even political conditions under which they were born and raised, so their emergence is the real mark of the substantive "generation" of contemporary Chinese writers. Doesn't the change of Chinese writers mean that Chinese literature has also begun to change?

We no longer need to be surprised at why there are so many "incomprehensible" things popping up in today's literature all at once. The New Concept Essay Contest in "Sprout" directly writes this chapter in the history of the transition of contemporary Chinese literature. What other power can do this?!

The times make heroes. The original reform of "Sprout" in response to the situation and then led to the revolution of literary history in the New Concept Essay Contest, which not only directly wrote a chapter in the history of literature, but also made itself an important object that must be paid attention to and written in the history of literature. "Sprout" and its new concept essay contest are still in the present tense, but they have clearly entered history.