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It can be said that there is no, because we were born in New China, as long as we are not lazy, have goals in our hearts, and strive for our own standards, we will one day achieve it. And the tragedy of the characters in the book is caused by the darkness of that era. In that semi-colony.
In the semi-feudal era, it was impossible for poor people like Xiangzi to change their social situation through their own hard work and personal struggle. That's the essential difference.
**Introduction to "Camel Shoko".
It is the famous artist Lao She.
Mr.'s magnum opus. It is about the old society of Beiping City.
The life experience of Shoko, a rickshaw driver, has three ups and downs. Reflecting the old China at that time, the tragic fate of the toiling masses at the bottom was similar.
The first time he bought a car, he used three years of hard work and saving food and inspection, and finally ushered in the first car in his life. The good times didn't last long, and half a year later, the war struck, and his car was deserted in the chaos.
They were taken captive, and only three camels were brought back. This is Shoko's first big life up-and-down.
The second time I bought a car, the car was gone, and the people were still there. This time, he got up. It's just starting from scratch, so he works harder to pull the car and save money. However, reality dealt him a heavy blow again, and the savings he had saved for a long time were again blackened.
The looting was gone, and the purchase of a car was once again in vain.
The third time I bought a car, Xiangzi's third time I bought a car, was with Huniu.
At the cost of getting married, Hu Niu was ugly, she was the daughter of a capitalist, rich and powerful, so Xiangzi, he sold his marriage just to get a car. It's just that the society didn't give him a little warmth, and the tiger girl had a difficult birth when she gave birth.
When he died, he had to choose to sell his beloved rickshaw for the burial of his wife and children. In the end, Xiangzi lost his confidence in life, and stopped pulling the car, began to eat, drink, prostitute and gamble, and became a garbage character in people's mouths.
Thinking about human nature In this tragedy, everyone can not escape the tragic fate in the end, there is the second son who exchanged his daughter for a rickshaw, there is the little Fuzi who had to sell his body in order to support his younger brother, and there is the old horse who watched his grandson die in his arms.
Shoko just began to pursue the ideal, like us now. We are fortunate to live in China now, so we have to be more self-reliant, learning gives us cultural knowledge, and the strength of the country gives us stability in life and work. If we continue to self-inflict and do not produce, then we will also become the second Xiangzi.
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Absolutely. Art is in life, and many tragic stories and plots are often portrayals of reality, and even more cruel in reality.
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Maybe there may have been at that time, but now it can be said that there is no, because we were born in New China, as long as we are not lazy, have goals in our hearts, and strive for our own standards, we will one day achieve it.
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No. Shoko is a tragic phenomenon that occurred in the hard years, but now the reality has changed dramatically, cutting off the tragic world.
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"Camel Xiangzi" reveals the dark reality of society through the fate of Xiangzi, that is, not to let good people have a way out.
**Through Shoko's hopes and ideals, he was always drowned in the oppression of reality, and after experiencing various blows, his life gradually entered the track of degeneration.
The work profoundly exposes the dark old society in China, and also exposes the essence of the old system: the essence of cannibalism, the working masses at the bottom live a miserable life of exploitation and oppression under the dark politics and system, and the work also criticizes the weakness of Xiangzi to take the road of personal struggle, and expresses the author's deep sympathy and rational criticism for the poor working people at the bottom.
An example of the inspiration of "Camel Shoko".
Putting down "Camel Xiangzi", Xiangzi went from being honest, strong, stoic, self-esteem, hard-working, and hard-working to a numb, down, and self-defeating scene, which was constantly replayed in my mind like a movie. After three ups and downs, lost to owned, owned and lost, he is no longer the Xiangzi who has dreams and wants to be strong.
His three falls seem to have been arranged by fate. The darkness of society is the main reason why the crate becomes depraved. But these difficulties are all inevitable tribulations in life.
The society will not be dark forever, as long as it can withstand all kinds of tests, as long as it works hard, there will always be a bright day, just like our previous history in China, "together for a long time must be divided, and for a long time must be united", the same is true of the current society.
Spiders weave webs that have to go through many failures before they succeed, and when the web is half or almost finished, it either rains and breaks the web, or it is destroyed by other animals. It worked as hard as Shoko, and it was just as sad, and it continued to weave the web, weaving once, twice, and three times. After countless times, it finally succeeded.
But I don't know when it will be washed away by the rain again.
When you encounter difficulties, isn't it good to complain about your life? Although "Shoko the Camel" is just Shoko's nickname, I still want to see Shoko who has dreams like a camel and is tenacious in the face of difficulties. I hope Shoko can get out of that sad desert.
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The characters in Shoko the Camel are as follows:
1, Xiangzi: Eighteen-year-old, tall, young and strong foreign coachman, the soul of the book, a first-class coachman who was once so strong, but in the end he still did not struggle out of the tragic fate.
2, Tiger Girl: The daughter of Liu Siye, the owner of the car factory, is thirty-seven or eighteen years old, ugly, pungent and scheming, born with a male personality, very good at taking care of things, and managing people and parking lots in an orderly manner.
3, Liu Siye: Sixty-nine years old, the owner of the car dealership, harsh, Xiangzi's employer, the robe brother of the old society, improved the car park, is upright, has a strong personality, and never refuses to lose face in the field.
4. Mr. Cao: Xiangzi's employer, who loves traditional art, is tolerant of people because he believes in socialism, and is considered a "saint" by Xiangzi.
"Camel Xiangzi" is a long story written by Lao She (Shu Qingchun), a human or Luling artist, describing the tragic fate of the rickshaw driver during the warlord melee in the 20s of the 20th century. Shoko is a representative of the toiling masses of the old society.
The main idea of "Camel Xiangzi" is that the tragic fate of the toiling masses at the bottom of semi-colonial and semi-feudal Chinese society is common.
The warlord forces in old China caused wars in order to seize profits, and the people's lives were difficult, and the lives of working people such as Xiangzi, who were at the bottom of society, were even more difficult. The dark and corrupt social reality is the root cause of Shoko's tragic fate.
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1, "Camel Xiangzi" tells the story of the tragic pure grandson of Xiangzi, a rickshaw driver in the city of Beiping, old China. Shoko comes from the countryside, he is honest, kind, strong, stoic, like a camel. After coming to Beiping, he chose to pull a cart to make a living.
His biggest dream is to have a car of his own. But his hopes were dashed again and again, and his battle against fate ended in failure. After experiencing three ups and downs at the same time, Shoko lost her confidence in life.
By the end of **, Xiangzi became self-defeating and a walking corpse. 2. "Camel Xiangzi" truly depicts the tragic fate of a rickshaw driver in Beijing. Shoko is from the countryside, and after he pulled a rented foreign car, he decided to buy a car and pull it himself, so as to be an independent teasing laborer.
He is light and strong, just the age of life; He is also diligent and hardworking, and does not hesitate to use all his strength to achieve this goal. It turned out that the upright and kind Xiangzi was crushed by the grinding plate of life. This tragedy is a powerful exposé of the old society's crime of turning people into ghosts.
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"Fierce Camel Xiangzi" reflects the social reality of the exploitation and oppression of laborers by the ruling class. The background world in "Camel Xiangzi" is a dark, deformed old society, where the people live a poor life, and Xiangzi is only a representative of the vast number of toiling people. Although they have a certain freedom, they have to run for a living, and poverty deprives them of the pitiful freedom they have.
In the book, Shoko is kind and simple, loves labor, and has a camel-like enthusiasm and tenacious spirit for life, but he is also unreasonable, full of lies, so as to take advantage of it, and also sell people's lives. Usually seems to be able to endure all grievances, but there is also a demand for resistance in his character. He has always been strong and striving, and is not satisfied with his humble social status.
But Shoko is destroyed and oppressed by the old society, and his wishes are broken again and again by this dark society.
Appreciation of the content of "Camel Xiangzi".
Camel Shoko uses a lot of psychological descriptions. Shoko's personality is silent, tenacious and even wooden, but he has a rod and scale in his heart, and the psychological description just highlights his character. Lao She did not limit himself to direct analysis and wrote a large number of inner monologues, but combined with the development of the plot and adopted a large number of them.
Side depictions to portray his psychological changes.
It is expressed through short conversations, or revealed through specific and subtle movements, or reflected with the help of other people's eyes and words, or set off with the help of changes in scenery. Such a psychological description is not only close to the character of the character, but also linked to the development of the plot, thus showing the reader the inner world of a three-dimensional and rich Xiangzi.
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