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The older generation of Chinese animation people think that animation is for children, and the works are relatively naïve, and students generally do not accept new animation, because of the short development time, and the production level and dubbing also need to be improved.
Japanese anime has been developed for decades, and it is relatively mature in all aspects, and the society has a high acceptance of anime, which everyone from adults to children love, so there are anime for all ages.
Generally speaking, there is still a big gap between Chinese animation and Japanese animation, and the key is that China has not yet formed a good environment like Japanese animation.
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If I were a 6-year-old, I would love China.
I'm 15 years old, so I prefer Japanese.
After all, China's actions are incoherent
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The reason for the gap lies in the differences in systems between countries and the measures to promote their development, and there is no shortage of talents in this area in China, but there are a few who really come out, and even if they are mixed, a few of them are concerned, so I think that those who have the ability to do it with goals and patriotism can do it upside down.
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In general, Japan's is stronger than China's.
In terms of plot, Japan is more attractive, and it can be said that there are more for all ages, and the painting skills are also stronger than those in China.
And Chinese animation,It feels more rigid,And it's all naïve,There's no innovation.,On the screen,Except for a few ink painting animations made in the early years,The latest ones are very unsatisfactory.。
It may also be influenced by traditional Chinese culture, and some things can't be let go.
But we still have hope, let's see in a few years.
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The plot of Chinese anime is somewhat old-fashioned.
You can guess what the content is.
The characters are not cute. There are some voice actors.
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The characters, plots, and settings of Chinese animation have too many restrictions, and there is a feeling that only a child can watch.
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In general, the Japanese anime industry is more focused on overall development. Like animation, there are comics, and there is a wide range of ages. China's animation industry is relatively simple.
But China's just out of the Morbius ring is also very good, using 3D production, the picture, the sound effect,。 Ah, that's a big step forward.
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Overall, Japanese is more attractive.
The main policy for the development of Chinese animation is to be aimed at young people and have educational significance. It's fine for kids, but it's not appealing to me at all.
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Chinese animation is earth, and it will never be able to do without themes such as Journey to the West, while Japan's is more open and imaginative, but children should not watch too much.
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Chinese animation is not necessarily bad, I didn't watch Chinese animation when I was a child. Merely. Growing up, I just like to watch some more dynamic animations.
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To be honest, Japan is good, but I firmly believe that China will be able to create good animation in the future.
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Yaoling, Yaoling" is a cooperation between China and South Korea!
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Chinese animation is for children, while Japanese animation is for all ages.
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If Chinese animation is poop, Japanese animation is exquisite food.
Overall, though perhaps exaggerated.
But that's what it is (politics is not involved).
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Chinese animation needs to be improved.
Chinese animation is only suitable for preschoolers.
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Which Chinese cartoon can be watched except for "I'm Crazy for Song"?
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To be precise, I think it's ...... as a fan of Japanese animeChinese anime has only improved a little, and compared to Japan, it is still a little better......
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It's a pity that it's not like the same kind that can't be compared, Chinese animation is actually a prenatal education film.
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Japan's is better, but "The Legend of the Magic Bean" and "Yaoling, Yaoling" are also very good.
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Look at which one it compares to, and overall it's still slightly inferior.
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Japan is much better, but it depends on which one.
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The difference between Chinese anime and Japanese anime can be compared in many ways. First of all, we can learn about the differences between these two types of anime in terms of art style, story theme, cultural background, and market influence.
1. Artistic style.
The art styles of Chinese animation are diverse, influenced by traditional painting and folk art. They usually focus on the smoothness of lines and the vivid colors, such as "Havoc in Heaven" and "Journey to the West". Japanese anime, on the other hand, pays more attention to details and the expression of expressions, and the character images are more exaggerated, such as "Naruto" and "One Piece".
<>2. Theme of the story.
The story themes of Chinese animation are diverse, covering history, mythology, martial arts and other aspects. They usually focus on the inheritance of traditional culture and the promotion of values, such as "A Thousand Miles to Ride Alone" and "Big Head Son Little Head Dad". The story themes of Japanese scumbag manuscripts are more diversified, involving science fiction, fantasy, love and other fields such as Yama Taka, such as "Ghost in the Shell" and "Your Name".
<>3. Cultural background.
The creation of Chinese animation often incorporates traditional Chinese culture and values, emphasizing themes such as family, friendship, and loyalty. They usually reflect the realities of Chinese society and people's attitudes towards life, such as "Nezha's Demon Boy Descends" and "Cat and Mouse". Japanese anime, on the other hand, focuses more on personal growth and self-exploration, emphasizing the individual's emotions and inner world, such as "Spirited Away" and "Attack on Titan".
Fourth, market impact.
China's animation industry has made great progress in recent years, and the scale of the domestic market has been expanding, and a number of outstanding works and creators have emerged. However, compared with Japanese anime, the influence of Chinese animation in the international market needs to be improved. After years of development, the Japanese animation industry has formed a unique industrial chain and brand effect, enjoying a global reputation and influence.
To sum up, there are certain differences between Chinese animation and Japanese animation in terms of artistic style, story theme, cultural background and market influence. Each kind of animation has its own unique charm and value, whether it is Chinese animation or Japanese animation, it has brought a variety of visual and spiritual enjoyment to the audience.
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Guoman has high-quality products,Chain type, but the overall matching is a little pully。
And the core of the boutique Japanese comic is generally cultivated, which is a combination of Chinese culture and Japan's own sad culture.
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In terms of development, Chinese animation is still only in the exploration stage. And Japan has reached the stage of refinement.
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China's animation industry is too backward, and the ACG industry has become more popular in recent years, but animation still relies on cheap manpower.
China's animation advocates that it should be beneficial to the physical and mental development of children and teenagers, so it is all childish animation that children tend to, such as teaching the truth of life.
Historical, intellectual, and satirical animations that educate children.
Unfortunately, the people who animate – including those who write animated stories, character designers, voice actors, and those who draw animations – are all adults. They are inevitably influenced by their own childhood, and there will inevitably be a generation gap of more than ten years to decades with today's children. So the animation is just the animation they have in mind.
What makes the gap so big? Ponder. From the fifties and sixties of the last century, the level of animation production in the two countries was about the same, and now there is such a gap, some people believe that it is related to their strong economic strength.
So is there little investment in animation in my country? But can the input be proportional to the return? Why does my country's animation need policy protection to survive, while Japanese animation can feed itself and become a huge industry?
What is the weakness of animation in our country? First of all, our people are smart. Someone wrote a mythical story like "Journey to the West" very early, and how rich the imagination is!
Therefore, we should be able to see that the reason why our imagination cannot be used is not because our people are not smart enough, but because our policy guidelines are too serious. It requires animation to be highly ideological and educational. Under the premise of high ideology, people's thinking will inevitably be constrained and their development will inevitably be hindered.
It's not because my country's animation wants to be made for children, but the policy requires it to be shown to children, and adults will of course be very painful to watch domestic cartoons.
I privately think that our country 1 does not pay attention to this aspect, and 2 cannot let go of the burden of learning.
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I think Japanese animation has been developing for decades.,To say that it's early, it's actually earlier in our country.,It's a pity that we never pay attention to the fault.,The gap caused by this layer is getting bigger and bigger.。 The story and style of Japanese comics have undergone great changes.,It's also slowly approaching maturity from jerky.,There are also characteristics of different eras in different eras.,For example, in the 80s of the last century, many Japanese comics were anti-war themes.,Because this is indeed a time when the world pattern is very tense.。 The new century is a reflection on various domestic phenomena, and there are many themes to talk about, and the Japanese like to use the theme of animation to express and convey their cognition and culture.
The total number of employees is not comparable, don't look at the total population of Japan is not as large as ours, but the number of practitioners in the animation field is much stronger than our domestic ones. The number of animation practitioners in our country is small, and the country is larger, and it seems that the branches are very scattered, and it is difficult to gather talents to do animation. The scripts and screenwriters who make animation in Japan are all professional script writers, and some companies here are reluctant to find a professional writer, and would rather let these artists rack their brains to make it.
Speaking of animation storyboards, this involves the skills of professional directors, How many of us who want to do animation in the domestic directing major? The only thing that is not lacking is probably the painter, and there are tens of thousands of graduates of art academies across the country every year, so naturally there will be enthusiasts who choose the animation industry. Japan's animation market is very mature, although it has long passed the first period, but the emaciated camel is bigger than a horse, and it is still not something we can easily shake.
I have summed up four options for our domestic animation, the first is a manga, adapted from well-known comics, but can you grab the adaptation rights of popular comics? There are very few animation companies with background and financial resources to do it.
The second is with the help of well-known traditional story IPs, such as "The Return of the Great Sage" and "The Origin of the White Snake"., which story they are derived from, you will know at a glance. I don't agree with the third one, saying that the plagiarism is too much, but it's not bad, completely imitating the day to change the skin, they can guarantee their own income, and it's a cancer for the industry. The fourth is to engage in originality, because of the number and professionalism of our domestic animation practitioners, the cost of high costs may not be ideal, but if you want to develop, you must have such an animation company, and I feel the production"Kuiba".Qingqingshu Animation Company has burned no money, and it can't afford to make a sequel, so it can only barely hold on.
Our domestic comic fans are willing to support Guoman,It can't be denied,Even today's Japanese comic level is still far beyond us。 Many comic fans can't understand Japanese but stare at the subtitles to watch Japanese comics with relish, and give up the down-to-earth and understandable domestic animation, don't blame others, it's just that Japanese comics are good-looking.
The above is purely a personal opinion.
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Personally, I think that the biggest difference between Chinese and Japanese animation lies in the creator's creative environment and the change of the theme. To give you a very simple example, you will see characters from Japanese history or mythology in many anime. For example, Tamamo Mae, Ba Gozen, Wine Swallowing Boy, Oda Nobunaga, etc., some people say that there are many Chinese mythological and historical figures introduced into Chinese animation, and the difference is precisely here.
The adaptation of Japanese anime dares to give the characters a new image, personality and even gender, and dares to directly change the historical background. This kind of bold innovation through the original setting will of course attract many people to watch, so that from the character design to the story, it will gradually become fascinating.
On the other hand, Chinese animation, who have you ever seen who dares to put the mother-in-law historical figure on the bright side? It's not like I've never seen it, but the respect for China's many histories has made it difficult to create excellent anime works despite having such a long history. It's not that we don't have themes and talents, but the authors know that if they make something that goes a little beyond the bounds, a large number of people will immediately jump out to criticize and write, and keep picking and satirizing.
At the same time, the state does not support this kind of creation that "distorts" historical facts.
Think about it, if Kui Ye wants to take revenge on the Chinese gods, and he must not be harmonized into a person who was not slaughtered and was suppressed by the Buddha, he may end up becoming a Buddha because of his bald head, and the backhand is a irony of "killing can't solve everything".
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Japan's most prominent puppet is comics, unlike China, which doesn't pay attention to
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There may be several reasons for this!
1.The style of painting is not novel enough: as long as you watch a few episodes, you will find that the Chinese style of painting is far inferior to that of Japan2
The subject matter is not innovative enough: I feel that most of the themes of Chinese animation are selected from ancient mythology, which I thought was interesting at first, but after a long time, there was no freshness; On the other hand, many of the themes of Japanese animation are illusory, giving people a sense of anticipation.
3.Age Problem: It seems that Chinese animation has a relatively small age group, while Japanese animation is all-aged. (For example, Doraemon is all-age-oriented, and many people know it even if they haven't seen Japanese anime.) )
Personally, I think so.
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