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The poem is good, and the second floor is also good.
Give it a try for the time being, don't dare to say anything.
Snowflakes and drizzle, who can tell how to see clearly, between the rain and the snow, constantly changing, the snow seems to linger, and the rain is not nostalgic.
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When he grows up, someone makes it, and I worship him as a teacher.
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There is no need to force the discord.
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Friend: I want to ask you for this problem too! But it is a bit difficult to despise!
Good luck!
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This is the first one.
This is the third of four poems (spring, summer, autumn, winter) in a group of poems. The poem is preceded by an order, indicating that the poem was written when the author was degraded. River, Yellow River. Rely on, rely on. Dangerous, high. Xiao Xiao, the sound of the wind.
Brief Analysis] This is a lyrical quatrain written on the wall of a pavilion by the Yellow River. Since it is mainly based on the autumn scenery, it is natural to be dyed with some "melancholy" colors.
The first sentence describes the early image of the scenery on the Yellow River from three aspects, one is "wide", "the tide is flat and the banks are wide" in Wangwan, which is condensed by the poet into "the shore is wide", the river is vast, and the Yellow River is magnificent and vast as far as the eye can see; The second is "slim", because the river is wide, you can't see the edge at a glance, and the sun is about to go down, so it is naturally "difficult to find the smoke waves", and you can't see the other side; The third is "scarce", there are not a few boats on the river, although you can't see the lively scene of "hundreds of boats competing for the stream", but it makes people feel that the river seems to be wider, and the smoke wave seems to be more slim, what kind of feeling can the smoke wave on the river give people?
The word "Si" in the second sentence addresses the question raised earlier, leaning alone on the railing by the pavilion, what is the poet thinking? Maybe I thought of "Nai Ke rode the stream to the sky", maybe I thought of "I want to cross the Yellow River and the ice of the river", maybe I thought of "the Yellow River falls into the sky and goes to the East China Sea, and thousands of miles into the bosom" ......The resolute poet may have a trace of sorrow at this time, but in the face of the Yellow River, which "rushes to the sea and never returns", how can he "hate until he returns"?
The fourth sentence is the best sentence of this poem, full of artistic conception, it reminds people of Bai Juyi's "Twilight River Yin" in "A remnant sun spreads in the water, half a river is sorrowful and half a river is red". This half of the autumn mountain is quietly bathed in the soft sun, although it is not as gorgeous as "frost leaves red in February flowers", but it gives people leisure, cordiality, and intoxication. As for the half of the autumn mountains that can't see the sun, the poet is reluctant to mention it, and the melancholy in his heart, what is the melancholy in front of this magnificent sunset on the Yellow River?
At this point, there is still a lot of aftertaste, let the reader taste it for himself.
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The first two sentences of the book are only written about a lonely boat walking alone on the river, touching the wide riverbank, the vast waves, and the situation of a person leaning on the railing and contemplating. The background is vast and the colors are dim, which sets off the poet's lonely and confused mood. The last sentence writes about the wonderful scene that is unique to the setting sun:
Akiyama is half swarthy, but half shrouded in the warm glow of the setting sun.
The book is divided into seven chapters, including "King Hui of Liang", "Gongsun Chou", "Teng Wengong", "Lilou", "Wan Zhang", "Confession" and "Dedication".
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