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His name is Qiu Hu, not Qiu Wu Oh, hehe, he is a fugitive, the main purpose of escaping back to the village is to avenge his dead father, sister, and the woman he loves the most, and he has also become the daughter-in-law of the enemy's son, he wants to take back everything from him, and the overall relationship between the characters in the field is more complicated... In fact, Qiu Hu is still a very bloody and humane character, and in the last scene, he mainly writes about his inner struggle, and he is still very uneasy about his conscience for the revenge he has already avenged, because he killed someone Qiu Hu's death is suicide, and his unyielding is also a very admirable point! The field is very worth seeing, and it is recommended that you go and see it, hehe
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His name is Qiu Hu, he is a fugitive, the main purpose of escaping back to the village is to avenge his dead father, sister, and the woman he loves the most, and he has also become the daughter-in-law of the enemy's son, he wants to take back everything from him, and the overall character relationship in the field is more complicated.
In fact, Qiu Hu is still a very bloody and humane character, and in the last scene, he mainly writes about his inner struggle, and he is still very uneasy about his conscience for the revenge he has already avenged, because he killed someone Qiu Hu's death is suicide, and his unyielding is also a very admirable point! The field is very worth seeing, and it is recommended that you go and see it, hehe
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As a peasant, Qiu Hu is not only burdened with the class hatred of the peasants against the landlords, but also the plan of revenge is over, but in the process of revenge, what kind of dialysis and torture is carried out on the soul burned by the fire of kindness under the persecution of family feuds.
Qiu Hu's personal blessings and misfortunes no longer matter, what matters is the existence of human beings, the existence of human nature. Here, the tragic ups and downs and the pursuit of happiness are almost the same. The inevitability of death and the pursuit of desire are almost the same, and the mystery of the existence of all things is almost the same as the exploration of the mystery by human beings.
The work points to the ultimate concern for human beings and promotes human consciousness of their own state of existence.
Writing background: Cao Yu's play "The Wilderness" profoundly shows the writer's confusion about the "dilemma of life" and his philosophical reflections on the mysterious universe through a tragic story of revenge. In order to convey this understanding dramatically, "The Field" draws on the artistic means of Western expressionism, refers to Eugene O'Neill's play "Emperor Jones", and combines the appreciation habits of the nation to successfully explore the narrative mode of the dramatic text.
In addition, Chongqing Sichuan Theater has focused on creating one of the high-quality plays "Gold" in recent years, adapted from Mr. Cao Yu's famous play "The Wilderness", which has made necessary adjustments on the basis of following the spirit of the original work, taking Jinzi's love and hatred as the main line, and adapting the original "revenge play" into an "inner play", highlighting the complex inner conflict and strong desire to pursue a better life in the whirlpool.
Brief introduction; The story of "The Wilderness" is in the context of a series of bloody feuds: Qiu Hu's father, Qiu Rong, was buried alive by the bully landlord Jiao Yanwang, who had been the commander of the warlord company, the Qiu family's land was seized, the Qiu family's house was burned down, Qiu Hu's sister was sent to a brothel and died tragically, Qiu Hu's fiancée Jin Zi was also forcibly occupied by Jiao Daxing, the son of the Jiao family, and was "filled in the house", and Qiu Hu himself was also thrown into prison.
About author:Cao Yu (September 24, 1910 - December 13, 1996), formerly known as Wan Jiabao, the word Xiaoshi, nickname Tianjia, Han nationality, ancestral home in Qianjiang, Hubei, was born in a declining feudal bureaucratic family in Tianjin, and is an outstanding modern dramatist in China.
His father used to be the secretary of ** Li Yuanhong, and later he was idle at home and depressed. Cao Yu lost his mother at a young age and grew up in a depressive atmosphere, with a depressed and introverted personality. In 1922, he enrolled in Nankai Middle School and participated in the Nankai New Troupe.