Evil Does Not Suppress Justice is Jiang Wen s romantic work, why is Peng Yuyan enough to feast the

After watching it, I had an intuitive feeling: this is a romantic movie, a happy movie, but somehow, I feel sad at the end. Another kind of romance is in the movie itself.

Of course, Jiang Wen is still a talented director. This time, evil is more important than good, and he is still happy and enjoying it. But in the flow of light and shadow, in the transformation of the characters, there is a pleasant romance.

I think Peng Yuyan is enough to feast the audience's eyes for the following reasons:

1. Peng Yuyan is the embodiment of romance. He flew around on the rooftop. He and Zhou Yun fell in love on the roof and the bell tower.

He galloped to the rooftops to take revenge. The handsome figure soon flashed with a strong romantic atmosphere. This film almost realistically reproduces the old Beiping, and also conveys a romantic architectural beauty.

At first, when Hendry drove Lee through the streets of Peiping, the ** of those old buildings gave me goosebumps, and I had a wonderful feeling. <>

2, Li Tianran, played by Peng Yuyan, is plain and bland, crying and screaming for revenge every day. He barely saw the complexity and growth of the character. The so-called from cowardice to revenge is only illustrated by lines.

The character is more of a commercial compromise, a beautiful body that raises a topic, a tool for plot development.

3, Jiang Wen played it by himself. As a troublemaker of the current situation, he has no opponent except Zhou Yun. He confronts everyone and becomes the connecting point for all clues.

He was the one who started the situation. He saved Peng Yuyan and was ready to treat him as an outcast, so he gave him a fake adoptive father. However, after several meetings, feelings have been cultivated and it is unbearable to be separated from them.

For the sake of the overall situation of resisting Japan, he maintained close ties with all parties, he had good and evil, and he had become a shadow of that era. It is difficult to measure whether he is good or bad by simple criteria. This complexity gives the characters a strong tension and space to shape.

If Jiang Wen is willing, it is also feasible to graft Peng Yuyan's story onto himself, and it doesn't matter if he doesn't have Peng Yuyan.

Because Peng Yuyan is very sunny and handsome, even if he has passed the age of Xiao Xianrou, his appearance is still **, so the audience thinks that it is worth watching this work even just because of Peng Yuyan.

Peng Yuyan is the embodiment of romance, he is flying around on the roof, he and Zhou Yun are in love on the roof, in the bell tower, he is walking on the roof for revenge, and the handsome figure that flashes quickly has a strong romantic atmosphere.

Evil is Jiang Wen's romantic work, and Peng Yuyan is enough to feast the audience's eyes because of his acting skills and his figure in the play.

Technically, it adopts the collage method, long shots, unskilled editing, and so on.

When their souls reach the gates of heaven.

In the sound of the lamp shadow and pulp, the sky is still cold, the water is still cold, and the silk and bamboo sing softly in the dream, the building outside the mountain, the mountain outside the building, the people outside the building, the people outside the mountain, the people have not returned.

1.Can be saved.

Convey the spirit in form. This is the image symbol of the film.

The movie is really good-looking.

If it helps, please like and adopt, thank you!

The cookie is a cat, and the reply to the title of the play is self-inflicted.

Palace biscuits. It's a cat.

I think the film "Evil Does Not Suppress Justice" is a special classic, and if you want to understand this **, you need to have a certain literary foundation.

I think the effect of this film is very good, and through this film we can see the different ways in which old artists show their art.

I didn't understand it after reading it twice. I think this work is very esoteric and has a very deep meaning.