Please be bold enough to say, does the hyperrealist style of oil painting reflect the classical b

I can tell you for sure that hyper-realist oil paintings can fully embody "classical beauty". Because "classical beauty" is one of the characteristics of classical realist oil painting, and hyper-realistic oil painting is a new realistic oil painting developed with the help of portrait technology on the basis of classical realism. The biggest feature of hyper-realistic oil painting is that the oil painting is more accurate and realistic, which is not inconsistent with the "classical beauty" of realistic oil painting, nor does it conflict.

The term "classical beauty" usually refers to a style of oil painting that was formed during the Renaissance in Europe between the 14th and 16th centuries. At that time, after a thousand years of dark Middle Ages, people wanted to see a recreation of the splendor of ancient Greek and Roman literature and art. The artist raised the banner of reviving the culture and art of ancient Greece and Rome, and created a large number of realistic oil paintings based on the simple, dignified and elegant sculpture and painting of ancient Greece and Rome, forming the early artistic style of oil painting.

This type of oil painting is called classicist oil painting. The beauty it expresses is also called "classical beauty". For example, Leonardo da Vinci's "Mona Lisa", "Leda and the Swan", Raphael's "Madonna and Child", "The Three Beauties of Grace" and so on are all exemplary works that embody classical beauty.

It can be seen that "classical beauty" is an expressive style of oil painting, which depends on the subject and form of expression of oil painting, not what kind of oil painting it is, nor does it only exist in classicist realistic oil painting. Impressionist oil paintings and abstract oil paintings can also reflect classical beauty. For example, Manet's "Lunch on the Grass" and Titian's "Pastoral Ensemble" have the same effect.

Renoir's "Bath Girl" series has both strong impressionistic colors and obvious classical beauty. Some of the works of the abstract master Picasso and the surrealist master Dalí are also quite classical.

The same is true of hyperrealist oil painting, which can create both modern oil paintings with the characteristics of the times and oil paintings with classical beauty characteristics, depending on what kind of subject matter and form of expression the artist chooses, and there is no problem in the creative technique.

Yes Oil paintings are bold and delicate, and you need to read them carefully to taste them slowly in order to know the connotation.

The oil painting in the style of hyperrealism does not reflect the classical beauty, but boldly expresses the modern, popular, young and active beauty.

No. The painting in this style is too rigorous and does not have a sense of comfort.

The classics of Western classical oil painting are manifested in realism; typical plots and the creation of typical characters; The perspective and the light and shade of light are used rationally.

1.Realism. Embodying typical plots and shaping typical characters, will be perspective, light and shade.

Use it wisely. And with a mythological tinge. Although the characters and scenes in the paintings are full of mythology, most of the characters and scenes are based on reality. The scenes and characters in the painting are beautiful and highly realistic.

2.typical plots and the creation of typical characters; In the artistic concept of classical oil painting, it is not only necessary to depict a peanut thing.

In fact, it should also be able to reveal the cause and effect of the incident. The shaping of typical plots and typical characters is conducive to the revelation of events.

3.Rational use of perspective, light and shade. Perspective gives depth to the picture through composition. The use of light and shade is not only accurate.

The state of existence of the object, and it is conducive to the expression of the painter's emotions.

If you know a little bit about art and photography, you will know the difference between photography and painting.

High-precision photography can be done to shoot a rust spot and a pore of the object, and if you use fill light or some tone adjustment means, you can shoot a very artistic **.

Painting is completely in accordance with the author's idea to create, the author is to show everything his eyes observe on the canvas, including the color and local structural characteristics that cannot be photographed, as well as the author's own understanding and analysis of the depicted object, and even more extreme, the local small color changes that can not be photographed are expressed one by one with a brush. So we will see some figure paintings, and even see every hair and the blood vessels under the **, and some small spots or mutilations in some still lifes. Whether or not these things can be seen depends on the author, and it is difficult to do so even with high-definition photography.

But photography is a product of the nineteenth century, and before that, people could only record anything visually through painting. In the nineteenth century, landscape painting and still life painting in Europe developed greatly.

Photorealism is derived from Pop Art, and aims to express the depicted object completely calmly and objectively by means of painting, even ignoring the emotions of the object itself, but pursuing a complete and clear representation of every detail of the object.

If you compare this kind of artwork with the real one, it is easy to find that in fact, this kind of work exceeds the one in terms of details, and is more detailed and distinct than the first in terms of texture analysis, color and chiaroscuro.

If you have to compare it with **, you will still find that photorealist works are paintings with the author's creative emotions, and the emotions of ** are mostly reflected by the extension of the audience's experience.

It should be said that this is the biggest difference between photography and painting.

Because of this, from an artistic point of view, this kind of photorealist painting has complete existential value.

Hyper-realistic oil painting was born in the United States in the 60s.

I think the meaning of the existence of hyperrealist oil painting lies in the following two points:

1.Due to the advent of photography in the last century, artists began to choose to avoid overlapping with objective objects in artistic language, and the value of painting shifted from reproducing objective reality to pure language exploration. However, due to the monopoly of abstraction, a revolt against abstract art has emerged, and people hope to find new ways to break the dominance of abstract art.

There are three main reasons for their resistance: 1. When Abstract Expressionism was in vogue, some artists were more or less opportunistic, and their paintings were impetuous. 2. With the prevalence of abstraction, the distance between art and the public is getting bigger and bigger, and it gradually embarks on the road of elitism.

3. The artist hopes that the technicality of art can be re-recognized by everyone.

2.The artists wanted to describe the society of the time through an indifferent, mechanical language, that is, "artificial nature", and the meticulous presentation of objects in a camera-like way was just in line with this ideological content, so hyperrealism appeared. It expresses the expansion of cities and the state of mind of people in the post-industrial era.

A state of numbness, apathy, lack of human touch. It gives a strong visual impact.

Cross, Self-Portrait

There is actually a lot of controversy about this issue itself, and my personal opinion is that it makes sense, but it is not very big.

First of all, in modern Western art, it is generally believed that the value of painting lies in the creation of images, rather than in tracing them. So if you draw an apple, the meaning of the painting is not the apple, but how you go about drawing an apple. That's creating an image, and the image you create with an apple on it is unique.

Although hyperrealist oil painting is also unique in the attribute of "painting a picture with hyperrealist works", modern photography technology can approach or even replace such works to a large extent. This greatly diminishes the significance of hyperrealist painting. (only weakened, not completely eliminated).

Another point in the concept of contemporary art is that the act itself has power. Even if a hyper-realist oil painting is really exactly the same as **, then others use the means of shooting to get the image and I use the way of oil painting to get the image, this act itself has tension and is difficult to copy, after all, not everyone can paint to this extent. Of course, this is my personal interpretation of hyperrealism from the perspective of contemporary art, and I believe that the masters of hyperrealism did not paint with this attitude.

The third point is that skill itself is meaningful, and it is not possible for everyone to paint a painting to such a realistic level. Of course, this involves the meaning of the individual, not the meaning of the picture itself.

Of course, in the end, I would like to say that the above are just some of my personal opinions on this way of painting, as for whether something is meaningful or not, it cannot be generalized, surrealist painting or painting itself involves many philosophical categories and the author's personal point of view, and the same surreal attention painting is also very different, should be detailed and in-depth before making a decision.

Surrealism is born for the dignity of the painter's own sense of existence, before the advent of the camera, Western painting and sculpture have shown the painter's cognition of objective food, and have made remarkable achievements, since the advent of the camera in 1839, the visual function of painting has been replaced, many people no longer place oil paintings in their homes, but alternative photographic works, painters to survive, must paint something different from the camera, and later Picasso Van Gogh and Mondrian are the pioneers of the figure. However, there is such a group of people, they do not have the spirit of innovation, and they do not have more philosophical thinking about painting, they swim back from the tide of development, back to the era of cameras and painting PK, firmly believing that their brushes are more accurate than cameras, but unfortunately.

It took them 300 hours to draw a picture captured by a camera in 3/1000 of a second, and the cost was lost, and this kind of hyper-realism was just pure showmanship, and I think the meaning of this style of painting is the spirit of craftsmanship, the attitude and perseverance that tells people to do things. But there is no other meaning. This style of painting is also regarded as a treasure only by those who do not know how to do it.

The shapes are realistic, realistic, and the colors are decorative, such as the works of Raphael Ingres.

"Realism" oil painting, also known as realist oil painting, is known as the three main schools of oil painting art, along with impressionist oil painting and abstract oil painting. Among them, realist oil painting is the earliest and most influential creative technique and expression technique in oil painting.

Realist oil painting was produced with the production of oil painting, and it developed all the way to the peak to today. From the birth of Western oil painting in the fifteenth century, the Renaissance oil painting masters represented by Leonardo da Vinci, Michelangelo, Raphael, etc., who pioneered classicist realistic oil painting, to the neoclassical realistic oil painting founded by artists such as Ingres, Delacroix, and Bougero in the nineteenth century, to the hyperrealist oil painting (also known as photorealist oil painting) that took the lead in the West in the sixties and seventies of the twentieth century and became popular all over the world, realist oil painting has always led the development direction of oil painting as the mainstream of oil painting creation.

The biggest feature of realist oil painting is realism. It is to use oil painting tools, materials and creative techniques to truly reflect the objective image from the perspective of artistic aesthetics, give people a real, delicate and perfect visual experience, and through the expression of the theme of the painting, the expression of emotions, the beauty of the picture, etc., give people the resonance of the soul, rational thinking, spiritual pleasure and beauty enjoyment.

Another outstanding feature of realist oil painting is that it is almost entirely artificially portrayed and expressed the subject and subject. From Leonardo da Vinci's "Mona Lisa" to Giorgione's "Sleeping Venus", from Ingres's "Spring" to Bougreau's "Awakening of the Mind" to Delacroix's "Freedom to Guide the People" to Gweed's "The Goddess Athena" and so on, whether it is religious or mythological themes, or historical and cultural themes, or humanistic and emotional themes, without exception, people are the main body to express the theme, thoughts and emotions.

What do we see in realist paintings? It should be said that realistic oil paintings in different periods reflect the content of social life in different periods. The realistic oil paintings of the Renaissance make us feel a kind of humanist spirit and feelings that break through the feudal religious theology shackles and advocate humanism, the realistic oil paintings of the nineteenth century make us see the social changes and turbulence of the society and the spiritual changes of the people after capitalism enters the mature period, and the contemporary realistic oil paintings make us see the social landscape and the spirit of the times today.

Art is art after all, no matter what era it was created in or what kind of subject matter it expressed, the only thing that remains unchanged is the characteristics of artistic beauty. The development history of realist oil painting for more than 600 years allows us to see the most or give us the greatest feeling: beauty.

See the richness of detail, and the power of its scenes and characters to show and touch people's hearts.

I saw what the writer saw, and the writer depicted what he saw through the realist oil painting.

Saw the white arms and the art.

I have seen some of the current recognized masters in the Chinese decoration industry, and their admirers also recognize decoration, but they are not in the scope of fine arts. This distinction is very strict, and art does not belong to all the public, just like patriotic movies are not suitable for some unpatriotic people.

Positive and negative contradictions are irreconcilable, and neither can true and false contradictions.