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One: You may really be born with incomplete pentatonic sound (there are many people with this problem) Second: I usually like to wear headphones and sing while listening to songs, which has a problem, because when you listen and sing, you can't hear what you sing, so you mistakenly think that what you sing is the same as what you listen to in the headphones, and you have the illusion that your singing is also very good, even if you sing out of tune, you don't know.
So when you listen to the accompaniment and sing, you will find that you are singing very hard
Three: If you are singing on the computer, and you are using a normal microphone for chatting, then there is another reason, it is because of the sound effect! The recorded songs all need to be post-effected, and if you don't do it, the vocals will be particularly dry, so it looks ugly
If you want to improve, the first one, when you usually sing, you should let yourself be able to hear your own voice, that is, don't sing with headphones It's best to use a speaker, and the volume is not too big, so that you can hear the original voice and your own voice, so that you can compare it and know that you are out of tune
Second, you can find some tutorials on the Internet to do post-effects, that's all, I hope it will help you
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It's because your voice doesn't blend in with the accompaniment, and I've tried it really badly, so don't doubt your singing skills!
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It just feels like it's good to sing it with your heart.
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Because it is okay to sing, it means that this person's ** skills are good. Accompaniment is to keep up with the rhythm of others, and if you deviate, you will naturally find it unpleasant.
Accompaniment, **terminology.
Instrumental music accompanied by singing. The singing accompaniment of Peking Opera is mainly based on the main instrument, Jinghu, and the accompaniment method is full of heels. That is, the accompaniment is basically the same as the singing tune, and there can be a variety of ornaments or upper and lower octaves in between.
The task of accompaniment must also be played through the door.
and other purely instrumental parts to join the phrases.
Basic steps for chord arrangement
1. Match the beginning and end of the song with the main chord. Major.
for C and AM in minor.
2. Divide the phrases: semi-terminations and endings. A phrase can be a complete lyric or a small segment of an emotion, just as a sentence expresses a complete meaning, which is a musical phrase. The end bar of the phrase and the previous measure are in major key G7 and minor key E7.
3. Then add chords to each measure.
Starting with the second measure of the song, look at which notes have the most and which notes have the longest time in that measure, and find the chord that contains the most of these notes as the chord for that measure. It is important to note that when determining a chord, the length of the time value takes precedence over the number of notes. Following this basic principle, the chords can be preliminarily determined for all bars.
4. Texture mode.
Through the above two steps, the general appearance of the song chords has come out.
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Singing while beating the beat, you can use your hands or feet to beat the beat at the beginning, and it is best to have a rhythm in your heart, and the notes can be sung from where and where they are beaten.
You can start with slow songs to find the feeling of melody and rhythm! This depends on personal familiarity with the song and the grasp of the melody, some songs have a beat, just follow the beat, some beats are not obvious, many times it depends on the understanding, before singing a song, you can meditate on the rhythm of the accompaniment without listening to **.
And when singing, you should always think about what the following accompaniment is, and you can't wait until you hear the accompaniment before you start singing, which will be slow, and you can't sing regardless of what beat will appear in the future.
Master the main types of rhythm beats:
2 Tempo Rhythm pattern is always x x
The 3-beat rhythm pattern is always x x
The 4-beat rhythm pattern has always been x x x x
4 beats are about the same as 2 beats, but the tempo is slower, and they are generally used in lyrical songs.
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Many friends report that singing can't keep up with the accompaniment, and Mr. Daewoo will tell you that there are three main reasons why singing can't keep up with the accompaniment: you don't use abdominal breathing, so your breath is short, and it is easy to sing fast songs and can't keep up with the accompaniment; If you are not familiar with the songs, you can listen to them more and practice more; Many friends like to sing with subtitles.
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Summary. The sound goes from your mouth to the microphone two beats faster than from the speaker to the microphone, so if you play the accompaniment yourself, it's with the beat, but it's two beats faster when you record it, but if the other person plays the accompaniment, your voice is two beats slower when it's transmitted over the network, and it sounds exactly in sync with the other person's accompaniment When you turn on the accompaniment recording, because the computer delay is a beat and a half slower, it's a total of two beats slower, and the same problem is when you sing on your own machine, when you sing to the beat, the sound goes to the microphone first, and after two beats, the accompaniment comes from the speaker to meet, so if the recording software records it, it will be two beats short.
The sound goes from your mouth to the microphone two beats faster than from the speaker to the microphone, so if you play the accompaniment yourself, it's with the beat, but if you record it, it's two beats faster, but if the other person plays the accompaniment, your voice is two beats slower when it is transmitted through the network, and it sounds exactly in sync with the other person's accompaniment. Here's a problem to explain, because you mentioned that the test speech was only half a beat slower, but I think your experiment should be just a simple speech When you turn on the accompaniment recording, because the computer delay is a beat and a half slower, it's a total of two beats slower, and the same problem is when you sing on your own machine, and when you sing with the beat, the sound goes to the microphone first, and after two beats, the accompaniment seeps through the speaker before it arrives to meet, so if the recording software records it, it will be two beats off.
This issue may be related to your sound card settings. It is recommended that the user enter the interface, turn off the "small speaker" in the lower left corner, press the hidden button of the pants for 5-10 seconds, and then turn on the sound again, try to see if it is normal, Hu State Hall or try to change to other ** devices to see if it is normal. If that doesn't help you, use a hardware mix to play the accompaniment.
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Summary. There is also too little listening to the accompaniment of the song**, which will cause the situation that you can't understand the accompaniment of the song.
What to do if you don't understand the accompaniment at all when singing.
The accompaniment of the song is often not understood because of the melody and structure of the song, and there is too little listening to the accompaniment of the song, which will cause the situation that the accompaniment of the song cannot be understood.
So the solution is to compare the score of the song, carefully study the structure of the song, the melody direction, and the design style of the prelude or interlude.
Only when you understand **, you will naturally be able to understand the accompaniment.
The second is to listen to the accompaniment of the song**, if you don't know the score, listen to the original song first**.
Of course, you must repeat, be careful, and practice tirelessly, and if you really don't understand something, you can ask a professional teacher for advice, and listen to the original song first.
Sing it a few times to find your feelings, paying attention to the control of the melody and the speed of the rhythm.
Then turn off the original singing, and only practice repeatedly with the accompaniment, as long as you practice diligently and are willing to endure hardships, there is nothing that you can't learn.
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Summary. Hello dear, I'm happy to answer for you, you can sing while beating the beat, you can use your hands or feet to beat the beat at the beginning, it is best to have a rhythm in your heart, the notes are sung from where you beat and where you are, by feeling, often listen to and sing, and it will be good if you are proficient.
What to do if you don't understand the accompaniment at all when singing.
Hello dear, I'm happy to answer for you, you can sing while beating the beat, you can use your hands or feet to beat the beat at the beginning, it is best to have a rhythm in your heart, the notes are sung from where you beat and where you are, by feeling, often listen to and sing, and it will be good if you are proficient.
The most important thing in singing is to feel, follow the rhythm of the accompaniment, and if you are familiar with it and practice more, you will be able to understand it naturally.
I can sing along with the accompaniment because I'm playing the beat, and if I just listen to the accompaniment, I don't know what it is, I don't understand it at all.
The accompaniment is not a simple score, and it feels like the accompaniment is messy, what should I do?
It's already good that you can beat the beat, but if you can't understand the accompaniment alone, you're not skilled enough, but if you listen to the accompaniment of a song ten or even twenty times, you will definitely be able to understand it.
I've been listening to the accompaniment of a song for more than a month, and I'm still confused.
Accompaniment is something that depends on you to be familiar with it, listen to it with your heart, listen to it more if you don't remember it, and sing the lyrics silently in your heart while listening.
Do you think you can't keep up with the accompaniment singing, do <>you?
I don't know what the accompaniment is.
I was able to keep up with the accompaniment because I was playing the beat.
**It's good to have accompaniment, singing needs to be sung along with the accompaniment, and singing without accompaniment is easy to mess up.
Just listening to the accompaniment, you don't know what it is.
Accompaniment can enrich the tone and content of the song, so that the song can more fully express the feelings that the author wants to express.
This kind of beating is the first basic skill.
Listen to the accompaniment alone and think about the lyrics in your heart, which piece of accompaniment against which part of the lyrics.
You can beat it with your hands, because many singers in concerts also sing to the beat.
Accompaniment is particularly important throughout the **.
Accompaniment can provide the singer with a more definite "key", and the support of this "tune" will make the singer subconsciously "lean" towards the tonality, making the song as a whole sound better and more accurate.
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First sing a cappella with your own beat, pay attention to the time between beats, and then sing with the accompaniment, don't follow the vocals, because if you follow too much, you will lose your voice, I think!!
If you use a home computer to record a song, there may be a slight time gap between the vocals and the accompaniment!
Just tune it up.
The basic skills of singing must be ***, otherwise it will be ***
Does the landlord understand?
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Summary. When you sing with a general microphone, if the accompaniment sound is small and has little to do with the microphone, whether you are tuning up or reverberating, the main thing is the volume of your **, in fact, the accompaniment volume you hear yourself should theoretically be about the same as the sound of the audience, I generally ask the audience whether the accompaniment sound is appropriate, usually the volume of the computer is turned to the maximum, and then by controlling the volume of the ** device.
Why is it that when I sing, the accompaniment voice is much lower than mine?
When you use a general microphone to sing roughly, if the accompaniment sound is small and has little to do with the microphone, whether you are tuned to strengthen or reverberate, the main thing is the volume of your **, in fact, the accompaniment volume you hear yourself should theoretically be about the same as the sound of the listener, I generally ask the audience whether the accompaniment sound is appropriate, usually the volume of the computer ruler is turned up to the maximum, and then Ling Xuan answered by controlling the volume of the ** device.
After the driver is installed correctly,You also need to turn on the microphone function,In XP,You can simply click the small speaker button in the taskbar to set up the training which to shout,But the corresponding position in win7 has changed。 Go to the "Control Panel", select the "Sound" item, and then switch to the "Recording" tab to see if the "Microphone" is set as the default device, of course, some sound cards may also have multiple microphone options, so choose the correct "Microphone". Through the above settings, it may be that your microphone has emitted sound normally, but if you find that the microphone is relatively quiet, you still need to set it up in detail.
In the "Recording" tab in the second step, double-click the default "Microphone" icon to enter the detailed settings, switch to the "Level" option, drag the "Microphone" to 100, and drag the "Microphone Strengthening" to the field+. In addition, under the "Enhance" tab, you can also disable all sound effects, according to the feedback of many netizens, turning on these effects may make the microphone appear low volume or even silent, so select "Disable all sound effects".
Settings for the left and right channels to change the volume output of the accompaniment; Adjust the position of the recording device on the recording object to change the strength of the recording.
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