-
The first scene. Location: Xianheng Hotel.
Character: Kong Yiji.
Lad. Shopkeeper.
Drinkers. Four small children.
In the Xianheng Hotel, there are already three customers drinking, Kong Yiji is a customer. Mockingly) Kong Yiji, you have a new scar on your face!
Kong Yiji. Disdainful of answering, to the young man) warm two bowls of wine, for a bowl of fennel beans. (One side discharges nine big money).
Customer. You must have stolen something from someone else!
Kong Yiji. Keep your eyes open) Why are you so filthy and innocent......
Customer. Interrupt Kong Yiji's words) What innocence? I saw you steal with my own eyes the day before yesterday.
The book of the house, hanging and beating.
Kong Yiji. His face turned red, and the green tendons on his forehead bloomed, arguing) stealing books cannot be regarded as stealing ......
-
The first thing you need to do to act well in a textbook drama is to understand and master the content of the script, and you need to have an in-depth understanding of the character's personality, background and emotions. Actors need to familiarize themselves with the script and characters through a lot of reading and rehearsals. At the same time, it is also necessary to listen carefully to the opinions and suggestions of the director and other actors to achieve a consensus on character building.
Then, the actor needs to make his own characteristics and expressiveness in the performance. Some acting techniques such as voice control, body movements, etc., should try to express the feelings of the character as much as possible. At the same time, it is necessary to pay attention to the presentation of body language and the use of appropriate expressions at the right time, which can make the character more realistic and let the audience deeply feel the emotional changes of the character.
In addition, the actors need to strengthen their team spirit and work closely with other actors to maximize the scenes in the script. At the same time, it is necessary to keep an eye on the rhythm, grasp the expressiveness of details such as volume, and match the atmosphere of the scene, so that the audience can feel the charm of the drama.
In recent years, drama education has gradually received attention across the country, and many big-name directors and actors are willing to guide the performance of school textbook plays. By covering students' basic drama literacy with relevant people in the industry, and making up for the disciplinary limitations in traditional education courses, students can learn real team spirit through interaction and cooperation, and lay a solid foundation for their future careers. This concept can be applied to the script performance, and while grasping the role well, give full play to personal performance skills and strengthen personal performance awareness, and constantly improve the quality and professional quality of actors.
In short, in order to act well in a textbook play, you need to carefully study the script and deeply understand the plot and characters. When you are in the same position, you have to go through a lot of rehearsals to make yourself more familiar with the script and characters. Through the combination of teamwork and individual expression, the emotions of the script are more deeply reflected, and at the same time, the foundation is laid for the future acting career.
-
1.Choose a good textbook play.
Choose the story you are most interested in from the texts you have learned. You can express your own opinions, choose your favorite texts from the texts you have learned, exchange views and opinions with each other, and finally choose the texts that everyone is interested in as the textbook drama for performance. The selected essays should have a storyline and educational value.
The selection of essays should pay attention to the strong storytelling and the ups and downs of the plot. There are not many characters, and the personality is distinct and prominent. Time and space are more concentrated, and contradictions and conflicts are sharp.
The characters are portrayed mainly through dialogue. )
2.Adaptations cannot be detached from the theme.
After deciding on the textbook play, we need to adapt the content of the story according to the needs of the performance. Adaptation should not be divorced from the subject matter of the text. The lines, movements, and expressions of the characters should be designed to conform to the identity and personality of the characters, so that the stage characters of the performance are more vivid and vivid.
3.Rehearse the show.
You can audition first, determine the role of the performance on the basis of mutual respect, and divide the lines. During rehearsals, you can also make some simple props, match them, and work together to perform the textbook drama wonderfully.
First determine what kind of story you want to write, and then write the character setting (name, personality, life background, etc., this part is very important, because the plot is driven by the character's reaction, and the character's reaction, behavior, and tone all depend on the character setting). >>>More
<>1. Sell matches, sell matches!
2. It's so cold, but if I don't sell out matches and bring back the money for wine to my father, my father won't let me go back, who will buy my matches. >>>More
Flywheel Sea - More and More Love, Lonely Runaway, Best Listener, Stellar, Lonely Ferris Wheel, Silence Lollipop - That Day, Love Test, Love Macchiato, Secret Base Yan Aaron - Willing to Love You Supreme Lihe - Marshmallow, Kiss, Next Stop Forever, Clown, Advent Tang Yuzhe - Tell me, I can't miss her, I love you the most Qiao Renliang - Cute You Black girl - girl, ooxx Zhuo Wenxuan - the castle of love, exclusive happiness Zhang Liangying - that can't be love Big Mouth - The king and queen, always by his side, the result is good Liang Jingru - no if He Rundong - love me again Ma Tianyu - Night Shanghai Li Yuchun - knew from the beginning Gigi Leung - can afford to love Tan Weiwei - I forgot to say Xiao Jingteng - to the lover Rainie Yang - left, ambiguous, hypoxic Huang Yali - Mars loves the moon Wang Leehom - heartbeat Wu Kequn - love is too painful Zhou Bichang - Sing half of the song Liu Liyang - tears smiled, marionette, I am like this Zhou Yumin - in love with this world, I am not F4 Luo Yishi - Stop crying Wei Chen—— Sleep alone 5566 - Cheer Beijing Zhang Jing - You're a** Jinsha - This kind of love Yuan Quan - Beijing long stay Xu Song - Rose's funeral by2 - love well, love Ya love Kent - the whole world is in love tank - the whole world is blackout Brotherhood - long dates, hot, codes, because it's you Nanquan mother - goodbye childhood, Mudanjiang Yuanwei Awakening - Breakup Ceremony Yan Yalun & Liu Liyang - tiamo Lollipop & girl & Xiaoman& Xiao Xun - Dear Baby Lin Youjia & Liu Liyang - Legend Zhou Yumin > Big S - Let Me Love You Liang Jingru & Cao Ge - PK Lin Junjie & Liao Jun - Express Love Wang Leehom & Zhang Liangying - Another Heaven Wake Up > Dai Rao - Love Rain Aya > Cao Xuanbin - Pipiru & Lu Xixi Huang Yida > Wei Jiaqing - Like You Like Me.
Hug never, never say goodbye.
Zhang Xiaoxian's. >>>More
1. The author believes that "the most beautiful ** in the world is birdsong", why is birdsong the most beautiful**? >>>More