How to evaluate Feng Tang s poems? How to evaluate the writer Feng Tang?

Feng Tang is talented, but cunning. Strange taste, sweet or not, salty or not, Feng Tang dialect. Feng Tang's poems are like duckweed, rootless and bottomless, and also very cunning, cynical, and the head is the Tao, but there is no follow-up. It is not Tang Dynasty, nor Song Dynasty, nor modern Chinese vernacular poetry. Weird, stubborn.

I tried to read "Triple Gate", old-fashioned, not fun, I didn't read it, I watched "Chang'an Chaos", turned "A City", and occasionally read your blog essays. Frankly, I don't like what you write, ** no introduction, short essay is just clever. As for your racing, scolding and being a star, I don't understand it and can't comment on it, and as for your articles, I don't think they have anything to do with literature.

Literature is a small path of carving insects, a narrow door. It is indeed difficult to quantify the standards of literature, but literature does have a golden line, a work is reached, and if it is not reached, it is not reached.

When a person is at home, drinking tea and reading a book, lying crookedly on a sofa or rattan chair, he suddenly encounters these words, and smiles heartily, like a child picking up a beautiful or strange shell on the beach, and his heart is full of joy. But after a few days, the shells were left there as if they had never been found. That's right, this is how Feng Shizhi feels to me, it seems a little weird, at first I didn't know how to pick it up, and then I put it down as if I had encountered it.

Bell said that "beauty is a meaningful form", and the word meaning is interesting in itself.

It reads almost in a traditional academic style, whether it is ancient poetry or modern new poetry. It's a deliberate deviation. Traditional words, traditional imagery, discarded.

The traditional poetic language is abandoned, which is almost a contemporary household saying, but there is a slight difference, that is, the traditional metaphor is added to the household language, that is, metaphor, that is, the use of novel imagery.

There are some golden sayings, which should be affirmed. But most of them are boring babble, and there is no need to over-elaborate. Sometimes it is very awkward to forcibly be vulgar to flaunt the true temperament, such as Feng Tang's translation of "Flying Birds", most of the translations are normal but not outstanding, a small number are forcibly vulgar and outstanding, and a small part is a genius who suddenly appears to be really outstanding.

As Feng Tang said: It is indeed difficult to quantify the standard of literature, but literature does have a golden line, a work is reached, and if it is not reached, it is not reached.

Feng Tang, I have seen his threesome and think that he is a bull horn tip, without the courage of the big picture, although the poems he writes are the kind of poems that have no courage and will not have a free and easy spirit.

Make up for the feeling of eating deliciously in your own brain, don't say you didn't swallow saliva, haha. And when I read Feng Shi, I never had this kind of experience, so I dropped out and didn't read it. Such straightforward, direct and vulgar words like this, people outside our doors are categorically inferior to those with clear eyes, such as watching fire, and their voices.

Say four points: 1. Spring breeze ten miles of Yangzhou Road It is better to roll up the bead curtain.

2. The endless period of fertile water flowing eastward was not compatible with acacia at the beginning.

3, Feng Tang is smart and reads a lot.

4. There are fewer people who really read, so it's easy to be confused.

Feng Tang's impetuousness is obvious in the portrayal of the characters, until I read the "Beijing Trilogy", I didn't figure out what is the difference between his first love, ex-girlfriend, and Xiaohong.

Reading Feng Tang's book, you will understand that he has his own world, and whether you like it or not has nothing to do with him.

Essays and essays are the first in the world. **, especially long, in the top fifty of the world. Poetry, the world's first fart.

Reading Feng Tang's poems, you will find that it doesn't matter if you feel bad.

What he thinks is good is poetry that can be done.

It's like writing out your own dirt at will.

In the end, we have to let everyone pay attention to it.

To use just one analogy, I thought it wasn't poetry, at least not a good work.

I don't like it very much, it's not sunny, and it seems like I've lived for thousands of years.

A bit of Wang Guozhen's taste.

Feng Tang is easy to be old, and Li Guang is difficult to seal.

Feng Tang is a very interesting writer in my impression, he is a bit of a hooligan against the traditional ideas, this is very good and novel, but I am often afraid that he is a little too powerful, for example, in order to be new, he will work hard, and finally say that he has to be unclassified.

He is reflected in Feng Tang's works

Feng Tang is a very handsome writer.

Feng Tang is a person who loves to read, loves tea, porcelain, jade, narcissism and arrogance, dares to think and speak, and has no limit to his nonsense. His success naturally has his reasons, he never goes to bed before twelve o'clock at night, and he can still maintain a long-term reading habit in such a busy job, you should understand that this is probably the answer given by Feng Tang.

The real Feng Tang

The real Feng Tang is a very complex combination, far from being as simple as what is felt in **. Isn't it strange that writer, doctor of medicine, and former McKinsey partner are put on one person at the same time? But in Feng Tang, these are well integrated, and you can find in him the commonality of these three kinds of work - sensitivity, and at the same time, you can also find different things that the three kinds of work embody in him.

Complex Feng Tang.

Feng Tang is not a Feng Tang in love and career, it is difficult to say clearly, just like what he said, love and feelings are not exactly the same, dreams return to dreams, dust to dust, earth to earth, lovers want to dream, and wives want to keep. The yellow-faced woman is always the yellow-faced woman, and the lover in her dreams is always in the light. But when I got closer, I picked up the lamp and looked closely, and the dream lover in the dim light was just another yellow-faced woman.

It is difficult to perceive people.

Summary

I feel that to know what kind of person Feng Tang is, we still have to understand his life and read his works to understand some of what he is like.

His representative works include the long ** "All Things Prosper and Leak Long", "Eighteen-year-old Sedan Xun with a Girl Closed Fingers", "Beijing Beijing", "Joy", "Fuji", and the essay collection "Pig and Butterfly", "Live and Live to Grow Old".

What is unattainable" Feng Tang.

There is a yard with trees in the back sea, a jade with work in the Xia Dynasty, a cloud at this moment, you in your twenties.

There are many things in the world that are hard to come by, and we can't meet them when we can meet them, and we don't know when to lose them.

This Houhai Courtyard with Trees Houhai is a waterscape in Beijing that "Li Xi can not meet", which is a very special spiritual sustenance for Beijingers. Although today's Beijing is heavily polluted, the work pressure is high, and the pace of life is fast, it still does not change the status of the homeland Beijing in the author's heart.

Legend has it that the use of jade originated in the Shang and Zhou dynasties, and before that, jade was only used as a tool like ordinary stones. Therefore, if you can encounter the jade processed in the Xia Dynasty, it is also unavoidable, and the Xia Dynasty has precipitated the heritage of thousands of years of history, and this "jade with work in the Xia Dynasty" represents the poet's pursuit of "unattainable" in the field of material wealth.

At this moment, the clouds at this moment, from the Xia Dynasty to this moment, trance, like a dream, meet the clouds at this moment is a kind of fate, when sitting and watching the clouds rise, good flowers must be borrowed, good scenery must be credited, showing the beauty of the "can not be found".

Twenty-year-old you, twenty years old is the most beautiful years of life, there are flowers that can be folded and straightened, the best years meet the best you, once you miss it, you will no longer come, it can be seen that the beautiful love "can not be found".

These four sentences are plain and bland, stating the four unattainable things but giving people a strong sense of picture and lens, and the deep emotions contained in life are lightly expressed in a flat and straightforward narrative.