Ask for a book or document that explains the aesthetics of ancient Greek art especially round carvi

According to Kierkegaard's understanding of survival, the problem of survival is the question of the relationship between the individual and the other. In this text, the body refers to the special situation of the individual person, while the other refers to the uncertainty that the person perceives through anxiety, and the embodied person and the other can form an affirmative, positive relationship that contains the negation of transcendence, and in this article this relationship is called the glory of the other to the embodied person, and this glory is considered to be the deepest desire of the embodied individual. From such a perspective of survival, the emergence of the ancient Greek ethical community is to transform the negation of the other into the self-negation of the community through war, so as to establish a totem of certainty, and use this totem to replace the other, occupy the position of the other, and become the object of belief and awe of individual people, and the community is thus born.

However, this totem does not give the body true glory, but rather acts against the body through its inevitability, and the revered totem is reduced to a terrible fate, unable to establish a positive and affirmative relationship with the body, and the opposition between the body and the totem eventually leads to the deconstruction of the totem, and the ancient Greek ethical community is destroyed. We chose the ancient Greek ethical community as the object of study because it is a specimen. On the one hand, this specimen has been dissected by many Western thinkers, and its links have been clearly presented, in our article, this specimen is dissected by Hegel, and it is presented to us after Hegel's dissection, what we do is to choose a special perspective to examine it; On the other hand, this specimen does not show an extinct being, but on the contrary, it was rooted in the soil in which Kierkegaard called survival, in which we are standing today.

Therefore, a Chinese to investigate the ancient Greek ethical community is to find some clues to solve the mystery of its current existence through the investigation of this dissected specimen. 1. Survival, Body, Otherness, and Glory The first thing to do in this article is to break down two presuppositions related to the emergence of human community, and to present our perspective on this basis. The first presupposition is what we call a naturalistic presupposition.

In the same way that the human community is born out of fear of nature, in order to perpetuate the life of the race in the face of the power of nature, the religion that accompanies any human community is also formed out of this fear. The second presupposition I ......

Sculpture in Greece

The Treasury of Western Sculpture Art

Greek carvings and architecture fully express the aesthetic ideas of "balance, harmony, order and moderation" of ancient Greece, highlighting the lofty status of human beings, and the most representative gods are Athena in the Parthenon of Phedias and Zeus in the Temple of Olympia. The Greeks believed that the universe is a harmonious and organic whole, and the human body is a small universe and an organic whole. Greek art embodies the rational spirit of the Greeks, and its art, whether in architecture or sculpture, has reached the state of blending form and spirit.

It represents a philosophical holiness and deep thinking characteristics, the so-called philosophical holiness example, look at the stone pillar carvings of the Greek palace in Athens, it is so concise, with a holy atmosphere, solemn and noble, it seems that human beings are yearning for the heaven of God. It deeply reflects the belief and reverence for the god of the sun, the god of war, the god of water, the goddess of wisdom, and the god of the universe.

The second is deep contemplation, for example, Russell's statue, the contemplative, a concrete manifestation of thinking about the meaning of human life, and a simple sculpture, which continues to paint the exploration of philosophy, reflecting the artistic vision of Descartes, Aristotle, Plato, and the mode of thinking.

In short, the ancient Greek yearning for the eternity of God and the philosophy of seeing through the universe is expressed in the concrete ideas of its carving art.

If you're a woman, or a beauty, then please text me, we can learn at night, hehe, when the night is dark and the wind is high, it's also time to do bad things... Hey...

The most famous literary work of ancient Greece is the Homeric Epic. In addition, Sophocles's "Oedipus the King" is also famous.

The sculptures include Laocoon, which is based on the plot of the first Iliad of Homer's epic poems, and caused a great sensation when it was unearthed.

There are the famous three great tragic writers of ancient Greece, Aeschylus, whose works are Prometheus the Bound, Sophocles whose works are Oedipus the King, and Oripetus's works are Medea.

"The Three Goddesses of Destiny" and "The Discus Thrower".