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Jingyun drum is one of the Chinese quyi songs, known in the old days, Jingyin drum, or, timid drum, now mainly popular in Beijing and Tianjin in the early days of the Beijing rhyme drum is based on the wooden board drum and, Qingyin Zidishu, combined, and continue to absorb Peking Opera, Bangzi and other rap art development, has a history of 100 years of children's book, we have talked about it in the previous article, wooden board drum, is popular in Hebei peasant rap art, singing without the accompaniment of silk and bamboo orchestra, It is not only the predecessor of the Beijing Yun drum, but also the predecessor of the Xihe drum and other drum books.
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To listen to cross talk, you must prepare melon seeds and drink water and other items, because those who listen to cross talk can interact with the actors on stage, and if you can't laugh, a cross talk will pass.
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What you must know to listen to cross talk is the language of cross talk, such as Beijing rhyme drums, Peking Opera, Yue Opera, Henan Opera, and Henan Dabangzi are some common art forms in cross talk.
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Please appreciate: cross talk is an art, and the charm lies in being able to solve everything with clever language and humorous conversation.
Speaking (using humorous language to tease something), Learning (often observing other people's humorous language), Tease (using funny actions to show charm with humorous language), Singing (singing a tactful song in a standard stage tone).
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Adaptable Mouth Speaks Funny tendencies or natural hobbies
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Summary. The Jingyun drum and Peking Opera are two different forms of performance, the playing instruments of Peking Opera are huqin and gongs and drums, and the tone is mainly Xipi and Erhuang, and the playing instruments of Jingyun drum are Sanxian, Sihu, pipa, drum and board, which absorb some singing methods of Shiyunshu, Matou tune and Peking Opera.
The musical instruments of Peking Opera are huqin and gongs and drums, and the tone is mainly Xipi and Erhuang, and the playing instruments of Jingyun drum are three strings, four hu, pipa, drums, and boards, which absorb some singing methods of Shiyunshu, Matou and Peking Opera.
There is a connection between the two, and the Jingyun Dajie Hu Qinggu will also directly integrate the melody of Peking Opera when performing, and the formation time of Peking Opera is earlier than that of Jingyun Dagu. Jingyun drum is mainly popular in North China and Northeast China, including Beijing and Tianjin, and is mainly rapped, which is one of the most important types of rap in the country.
After the formation of the late Qing Dynasty and the early Republic of China, the drum book artist Liu Baoquan sang the wooden drum in Hebei language, and sang in Beijing pronunciation, absorbing the Peking Opera singing voice and popular folk tunes in Beijing to create a new tone, and gradually formed the Beijing rhyme drum. Peking Opera was gradually formed after the Qing Dynasty Si or Wu Dahui troupes successively entered Beijing and accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, plus some local accents. Peking Opera is one of the five major opera genres in China, the quintessence of China, and the intangible cultural heritage of China and the world.
The main performance techniques of Peking Opera are singing, reading, doing, and silver sleepiness, that is, Peking Opera is the four basic skills of performance.
Hope it helps! I wish you a prosperous business and a prosperous financial resource.
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Cross talk has the characteristics of (elegant and vulgar appreciation), witty and flexible, and entertaining, which requires actors to master the skills of (speaking, learning, singing, etc.).
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Easy to understand. Specific image. The words are broad.
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What are the characteristics of cross talk.
Small Lux cells.
Recommended on 2018-04-01
The linguistic characteristics of cross talk.
1. Easy to understand.
If it is said that it is easy to understand is the common feature of quyi language, then, for cross talk, I am afraid it should be crowned with the word "more". Whether it is stand-up comedy or stand-up comedy, it takes the form of chatting and talking homely. Cross talk must be colloquial in order to have a sense of intimacy and humor.
The characteristics of the spoken words of the cross talk language, stand-up comedy is particularly prominent. In the final analysis, it is a matter of language. The sentences are concise and clean, with few muddy and watery additional elements, reflecting the characteristics of spoken language.
2. Vivid and bright.
The essence of vivid language lies in figuration, and it is abstract and general. Whether it is portraying people or representing things, it is important to carefully choose the details that are rich in imagery and express them through the exact language. The vividness of the language is closely related to the delicacy of the details.
The language is bright and cheerful, and it often uses highly exaggerated techniques. However, because of the tight character, it gives people a sense of brightness and sharpness, which reflects the skill and charm of language use.
3. Simple and subtle.
Simple and subtle, that is, the pursuit of the meaning beyond the words, the sound outside the strings, in the plain magic. The connotation of the thick-skinned "baggage" is relatively profound, the form of expression is more tortuous, the winding path is quiet, splashing into the good environment, paying attention to the aftertaste, aftertaste, which belongs to the simple and subtle meaning of the usual meaning.
4. Flexibility and diversity.
The flexible and diverse language of cross talk has many aspects, such as the use of Chinese language phenomena such as homophony, synonym, semantic opposition, and polysemy of words, the use of dialects, native languages, foreign dialects, and the use of other forms of opera and literary forms. For example, introduce local language and Mandarin to compare, and use the differences between the two to make fun of them. This artistic technique is typical.
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