What are the allusions to Zimei, and what are the allusions to Ziyuchai

It is recommended to go to the next book of idioms and allusions.

Oh the most popular is "post plum blossoms, fish pass ruler element" :)

From Qin Guan's "Tasha Xing Chenzhou Hostel":

Fog lost the floor. Tsukizudu.

There is nowhere to be found.

It can be a lonely hall closed in the spring.

The cuckoo is singing in the twilight.

Ekiyo plum blossoms. Fish Ruler.

There is no repetition of this hatred.

Chenjiang is fortunate to surround Chenshan.

For whom to shed Xiaoxiang.

The first part of this poem writes about the lonely and bleak environment in the center, and the next part starts with the narrative, writing about the courteous greetings and comfort of distant friends. And these two allusions about the letters sent by friends are found in "Jingzhou Ji" and the ancient poem "Drinking Horses in the Great Wall Caves":

Post plum blossoms, fish pass ruler element" in the "post plum blossoms" is the Southern Song Dynasty when Lu Kai sent plum blossoms and poems to his friend Fan Ye allusions, the poem has "folding plum every post messenger", "talk about sending a branch of spring" sentence:

The name of the latter word: ruler.

Explanation of terms: Small silk fabrics, such as silk, silk, etc.: Hu'er cooks carp, and there is a ruler book. Letters: Passing on the ruler element to send acacia.

Therefore, in ancient poems, "ruler" refers to letters - the letters of the ancients are often written on white silk, about a foot long, and the plain means white! Therefore, it is called "ruler element", so the letter is also called "ruler book".

The earliest from the Eastern Han Dynasty Cai Yong (pronounced càiyōng) Han Yuefu poem "Drinking Horses Great Wall Cave Walk": Qingqing River Grass. Thinking about the distance.

It's inconceivable from afar. I dreamed of it in the past. I dreamed of being near me.

Suddenly in a foreign land. Different counties in other places. Rotation is not visible.

The dry mulberry knows the wind. The sea knows how cold it is. Getting started is flattering.

Who is willing to say it. Guests come from afar. Leave me a double carp.

Hu'er cooks carp. There is a ruler book. Kneel down and read a plain book.

What a book. There are additional meals on it. There is a memory of the appearance below.

Therefore, there is also the saying of "double carp ruler".

60 examples of common allusions and common imagery in poetry appreciation.

A collection of commonly used allusions in classical poetry in the college entrance examination.

Tang poems and Song lyrics**.

Lu Kai, a native of the Song Dynasty in the Southern Dynasty, had asked the messenger who delivered the official document to send plum blossoms and letters to his friend Fan Ye. There is a place in Korakukfu"The guest came from afar, and left [wèi] my double carp. Hu Tong cooks carp, and there is a ruler book"Verses.

Ekiyo plum blossoms.

Fish Ruler. Ekiji plum blossom] means to ask the postman to send plum blossoms. It is a metaphor to express longing for distant friends. Northern Wei Dynasty Lu Kai's poem "Gift to Fan Ye": "Fold plum and send it to Longtou people." Jiangnan has nothing, talk about sending a spring. ”

Fish Ruler Vegetarian] was first published in Gu Yuefu's "Drinking Horse Great Wall Cave Tour", "Guests come from afar, leaving me a double carp." Hu'er cooks carp, and there is a ruler book. It is about the longing and affection of the correspondence between the departed relatives.

Childhood sweetheart is an idiom that is interpreted as: 青梅: green plum; Bamboo Horse:

Children ride horses with bamboo poles. Describe the innocent and innocent appearance of children playing games. It now refers to the intimacy between men and women when they are young, with innocent personalities and pure feelingsSource: Childhood sweethearts from Li Bai's ancient poem "Long Dry Travel".

The great poet Li Bai of the Tang Dynasty has a five-character ancient poem "Changganxing" describing a woman who is eager to travel hundreds of miles from her residence to Changgan to meet her husband. At the beginning of the poem, he recalls their intimate frolic together since childhood: "Lang rode a bamboo horse, went around the bed to make green plums, lived together in Changganli, and the two were not suspicious."

Let's take it.

It tells the love story between Li Yi, a genius of the Tang Dynasty, and Huo Xiaoyu. Li Sheng breached the contract and did not marry, Xiaoyu waited hard, and it was difficult to make a living, so he had to buy jewelry purple jade hairpins. There is the Tang legend "Huo Xiaoyu Turn" to watch.

A:"Lian is quite old, and he can still eat"

This passage itself is an allusion, and it should be called "Sitting Less on the Three Arrows".

Fifty strings, allusion to the name, out of the "Historical Records" volume twenty-eight Zen book. Legend has it that the goddess of good string songs, Su Nu, drummed fifty strings. The latter refers to the sad music, or the beautiful name **, Se.

Source: Tang Dynasty poet Li Shangyin's "Jin Se".

Original text: Jin Se gratuitous fifty strings, one string and one pillar Si Hua Nian. Zhuang Shengxiao dreams of butterflies, and hopes that the emperor will trust the cuckoo in spring. There are tears in the pearl of the sea and the moon, and the blue field is warm and the jade is smoking. Can this be recalled? It's just that it was already clear at the time.

Translation: Seben has twenty-five strings, but this poem was composed after the death of Li Shangyin's wife, so the fifty strings have the meaning of broken strings, but even so, each string and every syllable of it is enough to express the longing for that beautiful time. Zhuang Zhou actually knew that he was just yearning for the free butterfly.

Emperor Wang's beautiful heart and deeds can move the cuckoo.

The shadow of the moon in the sea is like a pearl made of tears. Only in the blue fields at that time and place can the good jade like raw smoke be generated. Those good things and times can only remain in memories. At that time, those people thought that those things were just ordinary, but they didn't know how to cherish them.

In the poem, the author recalls his youth, laments his unfortunate experience, expresses his sadness and indignation, and borrows a lot of allusions such as Zhuang Sheng's dream butterfly, cuckoo's cry of blood, tears in the sea, and smoke in the good jade.

The combination of fragments and images creates a hazy realm, so as to convey its sincere and deep contemplation with the help of visual and perceptible poetic images. The whole poem is gorgeous, subtle and deep, sincere and touching.

Li Shangyin (c. 813 – c. 858) was a poet of the Tang Dynasty. The word Yishan, Yuxisheng, Fan Nansheng. A native of Hanoi, Huaizhou (now Qinyang, Henan). In the second year of Kaicheng (837), he was a jinshi.

Comparison: Qing Zhu Yu's "Acacia Introduction to the Piano Tune (Sent Outside)": The paper pavilion is quite quiet.

The gratuitous whip shadow goes to Qizhou "the unprovoked", the unprovoked fifty strings" and the words "unprovoked whip shadow" are not adverbs: why. Strange words.

The two poems are ordinary descriptive sentences, and "gratuitous" is not a fixed word, but takes the meaning: there is no end, and its meaning is as if there is no end, not actually gratuitous. The goddess of the drum is fifty strings, and the poet somehow is fifty strings and different from the twenty-five strings today.

Interpretation is: Jinse originally had fifty strings, but I can't see the end. Now there are only twenty-five strings left, and one string and one column can't help but make people think about the passing of the year.

The latter is: leisurely chanting poetry in the light pavilion, the interest is quite secluded, like a whip dancing only to feel a shadow but not a clue, so quickly to leave Qizhou.