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In the past, when we were in the play, there would also be some courses, so let's do such a quick substitution exercise. The teacher assigns each of us a role to improvise on our own. At this point, I think a lot about myself.
For example, once, I was assigned the role of an old lady, sixty or seventy years old, who asked to be close to life. I quickly thought of a person, my landlord's aunt, who has no culture, and is very tough, when I rent a house, I talk to her little by little, let me have a little more here, let me have a little more there, every time I finish talking to her, I feel big. She's typical.
When she talked to me, she looked like a high-spirited villain, and she was also horizontal with her son, who poured medicinal herbs in Yunnan and couldn't come back a few times a year, and when they met, they couldn't say a few words and quarreled. I have a lot of contact with her, think about her life, think about her now, think about her son, this drama is coming.
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Set yourself up a little more and practice it, and imagine what your life and the people you meet would be like if you were this character. Slowly have this feeling, when acting, use this method, and soon you can substitute the feeling of the character. I saw this method when I was reading a book, and I thought it was very interesting.
At the beginning of "Three-Body Problem 2", there is a part about how to complete the shaping of literary characters, which I think can be used to find feelings.
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Acting skills are still more important to set up scenes and practice more, and ask the teachers in the group for advice, there is no role for you, hide to the side and secretly see how the old actors in the group find this feeling and how to find this rhythm. Go back and practice more on your own. has been playing tricks, hoping that one day I can create some deeply rooted characters like my predecessors.
The teacher who taught acting before watched a female fool I played, and said that although Master Zu didn't reward me with a face, at least he still wanted me to eat this mouthful. I don't know whether to be happy or sad, I like to be an actor, but I can't help it, but fortunately, I can barely make ends meet with the money I have now. Coupled with the family subsidy, in his twenties, he can pursue his dream for a few more years.
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The most basic thing for an actor when acting is attitude, how you are about what is happening, what is your attitude towards anything else, how you are about yourself, etc., these are the most basic acting skills. In the attitude, how to grasp the proportions is based on the study of the character's psychology and intention, and the character's psychological changes are triggered by events, driven by the character's personality, and then the role relationship, situation, purpose and obstacle are used as the benchmark to issue actions, and actions bring out attitudes.
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If you look closely at life, you will find that everyone has their own physical habits and language habits. It's not just how to walk and how to express physically, it's more about what kind of state the character's body is in, relaxed or nervous, healthy or sick, ** hurt and painful, which gesture is ta's habit, and even turning his head and raising his hands can be pondered. It is said that each other is born from the heart, and the limbs are the same, a person walks with a hunched back and a head drooping down, you can foresee that the next step for ta is to sigh or have eyes full of resentment, a person is in good spirits, walking with the wind, and there must be many people around to look back at ta.
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My best friend is an actor. I asked him at the time, and he said that he would usually read the script by heart, and then he would stay in his room and watch the TV series all the time. It's a type of TV series with a script, and if you want to simulate a character, it will also bring emotions to real life.
The crew generally gives the actors time to prepare, good actors will not give up experiencing the role for a few announcements, they will also look for materials in life, for example, my friend will go to some crowded places to observe, and even ask his assistant to shoot some **, and then when he goes home, he will imitate while recording the details.
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If you're going to finish the creation of a character, you want to make the character plump, don't just take it for granted and put the character in the book, so the character is too flat. To extend around this character, imagine that people like him and her, who have become what they are now, may have received any influence since childhood, who they have come into contact with, what happened, weave out the details of the character, feel it little by little, and finally write out the tip of the iceberg of this character, but such a character begins to become three-dimensional.
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3 As an actor, he will play many roles, so he needs to enter the role state in a short timeFirst of all, adjust the mentality, then empathize, and finally carefully experience the characters. Let's take a closer look.
1. Adjust your mindset and believe in yourself. As an actor, you must believe in yourself, have enough professional acting skills, methods and abilities to be able to interpret the role you accept well, adjust your mentality, relax, experience the character characteristics, mood, and real emotions of the characters in the role, and then naturally integrate into the environment where the character is located. I usually play against my opponents, discuss how to do better in each scene, play the role from the heart, don't be pretentious, believe in myself, I can do well.
2. Have similar experiences and empathize. The actor himself is role-playing, and in order to get into the role as soon as possible and play the role well, the best way is to have similar experiences and empathize. Imagine the scene you are going to play as a similar situation that you experienced, feel the emotion of the moment, and bring it into the character.
Put all your emotions into it and make yourself a character in the play through and through. For example, when you need to cry sadly, but you can't cry, you can let yourself think about leaving home, whether your parents will have an accident, and your classmates sometimes have some dissatisfaction with yourself, think more, and then you will cry naturally.
3. Read the script carefully and experience the characters carefully. Read the script carefully, circle the parts of the script that you feel unreasonable, or what can be better, and then go to the crew to discuss with other actors, communicate with the director, and everyone has ideas to communicate together, create a relaxed working atmosphere, a comfortable working environment, and it is easy for people to enter the role and enter the state.
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First of all, the actors will first familiarize themselves with the script, understand the role they are playing, and then write a character biography during this time to strengthen their understanding of the role, and then immerse themselves in it.
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As an actor, if you want to get yourself into the role quickly, usually. Imagine that the character has a sense of substitution, and it will be better to act.
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As an actor, if you want to get into the role quickly, you must put yourself in that person's shoes, and then understand the real thoughts of that person before you can enter the role.
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Nowadays, filming basically does not follow the order of the script, because the crew will take into account various costs such as sets and transitions, and will generally focus on the shots in the same location, and even some celebrities can ask to shoot his scenes in a centralized manner, which is the work coordinated by the Yupai crew. Actors will definitely have times when they are confused, especially the kind where there is a big contrast between the celebration period before and after a role, one character in the morning, and another character in the afternoon, which is really not easy to play. But professional actors will definitely be able to quickly adjust their mentality and enter the role state.
In the performance of stage plays, the actors' performances are almost in one go, and they cannot be broken in the middle, and they cannot be repeated if they are wrong. Most of the plot of the stage play is a linear structure, and the plot is very clear. So the stage actors, it's really cool to act, but it's also very difficult.
Speaking of film and television performances, due to the limitations of scenes, time and other factors during shooting, it is impossible for film and television works to be shot in sequence according to the direction of the script. So the actors' performances are also jumping, this scene, you are laughing because you won the lottery, and the next scene is crying because of another thing, these two scenes may be separated by several episodes, or an hour between the movie. But film and television actors require you to have the ability to enter the play quickly, it is normal to laugh in this scene and cry in the next scene.
In addition, film and television actors will also do a lot of homework, read through the script, figure out the characters, design performances, and every time for film and television shooting is not too long, and then there is a director on the side to control, talk about the play, and you can start again if you are wrong. In short, stage actors need a strong aura and good basic skills. And film and television actors need to enter the play quickly and react well on the spot.
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How to play Script Kill, as the name suggests, Script Kill is a game built on the basis of the script. Unlike werewolf killing, the purpose of script killing is not to kill anyone, but to analyze clues and find out the real culprit. Players need to put themselves into the story and understand their characters and scripts.
At the same time, it is also necessary to understand the identity, personality and hobbies of other characters, and analyze the relationship between yourself and other characters. Sort out the timeline, analyze and correct through the existing clues, gradually improve your own speech and look for loopholes in the other party's speech. Compared with other board games, although "Script Killing" has a fixed script, it has a variety of routines.
Script Kill originated from a very popular party game in Europe and the United States, the mystery of the **, using the drama as a confession to create a virtual **story, players according to deduction and reasoning to solve the case process, find out**. Players choose different characters according to the script and know the story from their own perspective, and the stories of other players need to be explored by Ant Hubu based on the evidence of the crime scene and the communication with each other. The fun of the game lies in immersing yourself into the characters, experiencing the complex stories and inner emotions of the characters, you have no absolute friends or absolute enemies, and you can use your own drama skills as much as you like on the basis of your script.
In a narrow sense, the reasoning game that requires a deductive process will be called the mystery of **, while in China, all the mystery games in the broad and narrow sense will be called script killing. One of the guests in the party secretly plays the role of ** without the others knowing, and the other guests, as players, need to find out through investigation and reasoning. In the process, you can virtually take a ** case that has occurred before it begins; Or in the middle of the game, play the role of ** and pretend to "kill" a player.
Script kills are mostly closed and semi-closed and semi-open scripts. A closed script is like climbing a staircase, exploring step by step to finally get the truth of the event.
If you want to quickly grasp the gameplay of Script Kill, the most important thing is to understand the basic logic during the game. The script mainly includes several aspects, namely the characters, the introduction of the script and the time clues. If you want to understand a script, you must first have a general understanding of the characters in the script and the relationships between them.
It is important to substitute yourself in the chosen corner and assume that the plot is happening to you, which is also the first step in logical reasoning for the subsequent search for the truth. After understanding the character information and clarifying the relationship between the characters, you need to read the content of the script.
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For this question, this is the standard for a good actor. Those traffic stars are also those idols with poor acting skills, this one really can't act. Not to mention acting, these so-called actors don't know what they're playing after dozens of episodes.
Some people say that an actor is to play what he looks like, because your profession is an actor, that is, to let the general public see the different aspects of each profession or each character, so that an actor should have the quality.
Some people say that what kind of acting skills is not acting, just look good, so as long as the people watching it think it is good, there is no need to be from a professional class, there is no need to have good acting skills, the true colors are better, you must be able to enter the hearts of the people watching the play, and the sublimation of the soul is the highest level of acting, that is, the highest state of the actor.
In fact, I think these two are right, such a matter of benevolence and wisdom, there is no need for everyone to earn a life, after all, the minds of people watching the play are different, and it is impossible for everyone to like to watch the same play.
But as far as the issue of actors is concerned, I still think that what can be done by actors is what they should do, after all, what we see is a part of your life that we want to see.
I watched the TV series "New Journey to the West" a while ago when I saw Sun Monkey become his master and went to meet the king of the bhikshu country, and I saw Sun Monkey become a master to learn the appearance of a monkey, and when he walked the stairs, he was a little up and down, and suddenly I understood that Mr. Chi Chongrui really didn't just play Tang Seng, but unfortunately we only watched him play Tang Seng, and today, many years later, it seems that he can still have a great influence in people's hearts.
I still remember all kinds of chattering and eye movements when I went to see the king, which was not the appearance of Tang Seng at all. There is also a large number of lines in the back, which is also smooth, and it looks very appropriate to Sun Wukong's appearance, this is acting, okay, I think!
There is also the mother played by Huang Suying in the movie "The One Who Loves Me Most in the World". That faltering look, looking really distressing, I don't know if you have seen this movie, but I saw it from beginning to end, and I cried from beginning to end.
Huang Lao's acting skills can only be described without traces, and he really can't see the traces of acting, giving people the impression that he is an old man who is seriously ill, but he doesn't want to affect his children. Even if there is no appearance, it does not affect us to know this old man Huang Suying, who is so deeply rooted in the hearts of the people and so distressing.
Therefore, I think that many clips of movies or TV series, whether they really make you feel like you have acting skills, as long as they can make us resonate in the current situation, at this moment, that is the best acting skills, that is, good actors.
So, that's what makes a good actor.
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