Hanjiang Linfan What is the meaning of Wang Wei s ancient poems?

The Han River Linfan is a Five Laws written by the Tang Dynasty poet Wang Wei. This poem depicts the magnificent scenery around the Han River with elegant brushwork, expresses the poet's thoughts and feelings of pursuing a beautiful realm and hoping for the landscape, and also implies the meaning of praising the merits of the local chief executive. The first couplet writes about the exchange of water, which is dense and intermittent; The jaw joint is open and blank, and it can be sparse; The neck couplet is from far to near, far and near, and the pen and ink are hearty; The tail couplet is straight to express the chest, which can be compared to the inscription on the painting.

The poet adopts the freehand technique of almost all white descriptions, inks from the big picture, sees novelty in the ordinary, and writes the mountains and rivers that climb high and overlook, and the mountains and rivers that are seen by the extreme eye are extremely magnificent and flying, unrestrained and majestic, and the whole poem is like a huge ink landscape, with an open artistic conception and a grand spirit.

Vernacular translation: The border of Chu is connected to the waters of Sanxiang, and the nine factions converge at the foot of Jingmen Mountain.

The river is rolling like rushing outside the world, and the green mountains are looming in the mist.

The choppy city seems to float on the river, and the big waves roll in the distant sky as if they are shaking.

The scenery of Xiangyang is really infinitely beautiful, and I am willing to stay here with the mountain Weng for a long time and never return.

Han River Linpan Translation:

The Han River flows through Chusai and then folds into Sanxiang one after another; Jingmen joins the nine tributaries and communicates with the Yangtze River.

The Han water is vast, as if it flows beyond heaven and earth; The mountains are hazy and hazy, far away in the ethereal.

The counties along the river seem to float on the water; On the edge where water and sky meet, the waves are agitated and rolling.

The scenery of Xiangyang is indeed intoxicating and admirable; I would like to stay here and accompany the often drunk mountain man.

Original poem: Chusai Sanxiang connection, Jingmen nine factions. Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky. Xiangyang is a good windy day, and you stay drunk with the mountain. Meaning:

The Han River flows through Chusai and then turns into the Xiang River, starting from Jingmen in the west and communicating with the Jiujiang River in the east. The river surging far away, flowing all the way to the outside of heaven and earth, and the mountains on both sides of the river change as if there were nothing. The distant town seemed to float on the water, and the distant sky shook it.

The scenery and weather in Xiangyang are excellent, and I would like to drink here to accompany the mountain man.

Mainly write about the experience of traveling in the Han River, and sigh about the vastness of the Han River. The whole poem is fresh in style, beautiful in artistic conception, and full of optimism in the depiction of the scenery, giving people the enjoyment of beauty. "Outside the world of the river, the mountains are in the middle" has always been recited by people, and it is worthy of being a good sentence for the ages.

The first couplet writes about the majestic scenery of the Han River, from Chu to Hunan and converging with the nine factions of the Yangtze River, rendering the atmosphere for the whole poem.

The Han River flows through Chusai and folds into Sanxiang, from Jingmen in the west to the east and the Jiujiang River in the east, the river seems to flow to the outside of the world, look at the mountains ethereal up close, if there is no shore, the side of the shore seems to float on the water surface, the water and the sky are connected, the waves roll when the clouds are in the sky, the scenery of Xiangyang is indeed intoxicating, I am willing to be drunk in this place, accompany the mountain Weng.

Han River Linpan Han River overlook.

Tang Wang Wei.

Chusai Sanxiang is connected, and Jingmen is connected to nine factions. Outside the world of rivers, the mountains are in the middle of nothing. The county is floating in front of the pool, and the waves are moving far into the sky. Xiangyang is a good windy day, and you stay drunk with the mountain.

Translations. The Han River flows through Chusai and then turns into Sanxiang, starting from Jingmen in the west and communicating with Jiujiang in the east. Looking at the river from afar, it seems to flow outside the heaven and earth, and the mountains are ethereal up close.

The capital city on the shore seems to float on the water, and the water and sky meet and the waves roll in the sky. The scenery of Xiangyang is indeed intoxicating, and I would like to drink here to accompany the mountain man.

The Han River flows through Chusai and then turns into Sanxiang, starting from Jingmen in the west and communicating with Jiujiang in the east.

The river is surging away, as if it has been flowing beyond heaven and earth, and the mountains on both sides of the river appear and disappear from time to time, if there is nothing.

The distant castle seemed to be fluttering on the water, and the waves were surging, and the distant sky seemed to be shaking.

The scenery and weather of Xiangyang are good, and I am willing to drink here to accompany the mountain man.

The border fortress of the state of Chu is connected to the water of Sanxiang, and the nine factions converge at the foot of Jingmen Mountain.

The river is rolling like rushing outside the world, and the green mountains are looming in the mist.

The choppy city seems to float on the river, and the big waves roll in the distant sky as if they are shaking.

The scenery of Xiangyang is really infinitely beautiful, and I am willing to stay here with the mountain Weng for a long time and never return.

Hanjiang Linpan "Chusai Sanxiang connection, Jingmen nine factions.

Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky.

Xiangyang is a good windy day, and you stay drunk with the mountain.

This poem expresses the poet's pursuit of a beautiful realm and his hope to place his thoughts and feelings on the landscape.

1. The meaning of the poem "The Han River Linpan Han River Linguan" means:

The Han River flows through Chusai and then turns into Sanxiang, starting from Jingmen in the west and communicating with Jiujiang in the east. Looking at the river from afar, it seems to flow outside the heaven and earth, and the mountains are ethereal up close. The capital city on the shore seems to float on the water, and the water and sky meet and the waves roll in the sky.

The scenery of Xiangyang is indeed intoxicating, and I would like to drink here to accompany the mountain man.

2. Original text. Han River Linpan Han River overlook.

Author] Wang Wei [Dynasty] Tang.

Chusai Sanxiang is connected, and Jingmen is connected to nine factions. Zen source.

Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky.

Xiangbi Zhaoyang is a good windy day, and he stays drunk with the mountain.

"Han River Linfan".

Tang Wang Wei.

Chusai Sanxiang is connected, and Jingmen is connected to nine factions.

Outside the world of rivers, the mountains are in the middle of nothing.

The county is floating in front of the pool, and the waves are moving far into the sky.

Xiangyang is a good windy day, and you stay drunk with the mountain.

[Appreciation].

Outside the world of the river, the mountains are in the middle of nothing", which describes what the author saw when the Han River was flooding. The first couplet depicts the majestic scenery of the Han River as the background of the painting. In this couplet, the mountains and waters are selected as the vista of the painting.

The author looked at the Han River, and saw that the river was surging, rushing away, flowing to the place where the water and the sky met in the distance, as if it had been flowing beyond heaven and earth.

The previous sentence writes that the river is far away, and the line of sight is broad. The latter sentence writes about the vast mountains to highlight the vastness of the river. The poet looked at the banks of the river, only to see the green mountains faint, as if there was nothing, like a light sketch of a plain ink painting.

Wang Shizhen said, "'Outside the world of the river, there is nothing in the mountains', which is the poet's handsome words, but it is into the painting of samadhi", which is indeed a pertinent statement. The poet's ink is very light, and the words "outside the world" and "in the middle of existence" add a kind of confusion and distancing to the poem, making the picture vivid and giving people a sense of great novelty. Such a beautiful natural scenery made the poet deeply intoxicated, and finally issued a sigh of "Xiangyang is a good wind day, stay drunk and the mountain", revealing his love for Xiangyang's scenery, and expressing his desire to pursue a beautiful realm and hope to send love to the landscape.

Read more: The influence of Wang Wei's poetry

Most of Wang Wei's landscape poems were written in the later period, and compared with his predecessors, he expanded the content of such poems, added its artistic style, and made the achievements of landscape poetry reach an unprecedented height, which is his outstanding contribution to classical Chinese poetry. Among them, the idyllic poems that write about rural scenery and farm life are full of pastoral mood, expressing his leisurely and leisurely mood and relaxed and comfortable mood. Such as "Weichuan Tianjia", "Spring Pastoral Works".

"Autumn Twilight in the Mountain House" writes about the twilight rain and the beautiful scenery presented by the mountain village. The landscape poems that depict the quiet and tranquil beauty of nature in Wang's poems have higher aesthetic value. Such as "Qingxi":

Words into the Huanghua River, the first to clear the stream. With the mountains will be ten thousand turns. There's no way to get there.

The sound is noisy in the stone, and the color is quiet and deep. There is no water chestnut in the ripples, and the clear reflection of the reeds. My mind is idle, Qingchuan is light.

Please stay on the rock, the fishing will be done.

Throughout the text, the heart shines on the water, the water liners the heart, and the object and self are integrated, reflecting an inner pursuit of beauty. However, some landscape idylls focus on rendering the artistic conception of emptiness and loneliness. For example, "Bamboo Pavilion" and "Xinyiwu" are weak, and the purpose is to be quiet.

This will undoubtedly have a certain negative impact on later generations of landscape poetry.

Wang Wei has a variety of talents, and the interpenetration of different arts has had a profound impact on his poetry. He used painting to form poems, and his landscape poems formed the basic characteristics of poetry and painting.

Wang's poetry language is subtle, fresh and bright, the sentence structure and rhythm are full of changes, the rhyme is loud and harmonious, and it has the best beauty. In short, Wang Wei's landscape poems have had a profound impact on later poetry in terms of both the subject matter and the artistic richness of the poems.

This poem "Hanjiang Linfan" can be described as Wang Weirong's masterpiece of painting and poetry.

Chusai Sanxiang is connected, Jingmen is connected to the nine factions", the language is in the shape of Xiao, and the majestic scenery of the Han River is outlined with one stroke, which serves as the background of the painting. Boating on the river, looking into the distance, only to see the reckless ancient Chu land and the water of the "three Hunan provinces" rushing from the Hunan side are connected, the turbulent Han River enters the Jing River and converges with the nine factions of the Yangtze River. Although the poem does not point out the Han River, it is enough to make people imagine the vast water potential of the Han River lying across Chu and connecting the "Three Hunan Provinces" and the "Nine Schools".

The poet summarizes the unwitnessable scenes, collects the desert plains on the paper, and the Nahao Hao River flows on the edge of the painting, rendering the atmosphere for the whole picture.

Outside the world of rivers, the mountains are in the middle of nothing", taking the mountains and waters as the vista of the painting. The Han River is surging far away, as if it has been flowing beyond the heavens and the earth, and the green mountains on both sides of the river are misty, and they appear and disappear from time to time. The first sentence writes the length of the river, and the second sentence highlights the vastness and emptiness of the river with the vast mountains.

The poet's ink is very light, but it gives people a sense of grandeur and novelty, and its effect is far better than that of heavy oil paintings and watercolors with strong tones. And its "victory" lies in the vividness of the picture. No wonder Wang Shizhen said

Jiang Na flows outside the world, the mountains are in the middle of nothing, it is the poet's handsome words, but it is into the painting of Samadhi. "That's a lot of point. The first couplet writes about the exchange of water, dense filial piety bends intermittently, this couplet is open and blank, sparse and can go away, and the picture is sparse and dense, intricate.

Then, the poet's pen and ink converged from the "outside of heaven and earth" to write the magnificent scenery in front of him: "The county is floating in front of the pool, and the waves are moving far into the sky. Here, the poet's pen flows elegantly.

It is clear that the boat on which it is riding fluctuates up and down, but it is said that the castle in front of it is floating on the water; It was obviously a rough wave, and the waves crashed against the clouds, but it was said that the sky was also shaking. The poet deliberately uses this illusion of movement and stillness to further exaggerate the majestic water potential. The two verbs "floating" and "moving" are exquisitely written, which makes the poet's pen move.

Xiangyang is a good windy day, and you stay drunk with the mountain. "Shan Weng, that is, Shan Jian, Jin people. "Jin Shu Shan Jian Biography" said that he was a general of Zhengnan and guarded Xiangyang.

The local Xi's garden, the scenery is very good, and the mountain Jane often goes to the Xijia Pond to get drunk. The poet wants to conspire with Shan Jian to get drunk, revealing his love for the scenery of Xiangyang. This sentiment is also integrated in the previous depiction of the scene, which is full of positive and optimistic emotions.

This poem shows us a landscape painting of ink painting with elegant colors, fresh style and beautiful artistic conception. The layout of the picture, far and near, sparse and dense, coupled with the simplicity of the complex, the shape of the freehand, the light brush and light ink, and the mood in the scene, the mood is optimistic, which gives people the enjoyment of beauty. Yin Fan, a contemporary of Wang Wei, said in "The Collection of Heroic Souls of Heyue":

Wei poetry show elegant, new and comfortable, in the spring for the pearl, the wall into a painting. This poem is a great example of this.